Submitted by Onia Arantes Albuquerque (onia.ufg@gmail.com) on 2018-10-23T15:24:08Z No. of bitstreams: 2 Dissertação - Paulo Yoke Oliveira Arima - 2018.pdf: 1683970 bytes, checksum: 932cf442b0f2049a577de1758651c485 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-10-25T13:06:47Z (GMT) No. of bitstreams: 2 Dissertação - Paulo Yoke Oliveira Arima - 2018.pdf: 1683970 bytes, checksum: 932cf442b0f2049a577de1758651c485 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-10-25T13:06:47Z (GMT). No. of bitstreams: 2 Dissertação - Paulo Yoke Oliveira Arima - 2018.pdf: 1683970 bytes, checksum: 932cf442b0f2049a577de1758651c485 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-09-24 / A present dissertation investigates or funeral of Augustus, pois, as apontam os records document, as, for example, Tacitus and Dion Cássio, or funeral procession foi um mechanism of representation of social memory. Nele evokes-se or passado to disclose to life two falees. We courted celebram-is familiar relações, to identity of cidadão, to history of death and to comunidade. Assim, interessa-us compreender os funerais imperiais as espetáculos that are articulated to the relações de poder, a time that is commemorated to life of Princeps e sua divinizazação. Dessa form, ao we will use historiografia antiga, we will analyze or Augustus's funeral on the otic of Tacitus, Suetonium and Dion Cássio, who will serve as a source for our research and who constitute memory repositories built in different periods. / A presente dissertação investiga o funeral de Augusto, pois, como apontam os registros documentais, como, por exemplo, Tácito e Dion Cássio, o cortejo fúnebre foi um mecanismo de representação da memória social. Nele evoca-se o passado para divulgar a vida dos falecidos. Nos cortejos celebram-se as relações familiares, a identidade de cidadão, a história do morto e a comunidade. Assim, interessa-nos compreender os funerais imperiais como espetáculos que se articulam às relações de poder, uma vez que se comemora a vida do Princeps e sua divinizazação. Dessa forma, ao utilizarmos a historiografia antiga, analisaremos o funeral de Augusto sob a ótica de Tácito, Suetônio e Dion Cássio, que serviram de fonte para a nossa pesquisa e que constituem repositórios de memórias construídas em distintos períodos.

Avec l'avènement du prince en 27 av. J.-C. s'ouvre à Rome ce qu'on appelle le siècle d'Auguste et qui correspond à une période de révolution à la fois politique, mais aussi culturelle. Auteurs et poètes étaient engagés dans cette réflexion collective sur les fondements de la Ville, son identité, ses rapports avec son prince et ses dieux, I'imperium d'Auguste et les modèles à offrir à la nouvelle génération. La thèse entend étudier la manière dont le poète latin Horace participa non seulement au renouvellement des formes poétiques à Rome, mais aussi à ces réflexions sur le nouus status. Comment la lyrique archaïque grecque qu'il tente d'acclimater à Rome dans ses Odes, mais aussi les mythes grecs qu'il réélabore et fait entrer en résonance avec les enjeux du principat, lui permettent d'évoquer les relations privilégiées de Rome et de son prince ? / With the accession of the princeps in 27 BC, begins in Rome the "Age of Augustus" - a period of political, but also cultural revolution. Authors and poets joined this collective thinking about the foundations of the City, its identity, its relationship with its princeps and its gods, the imperium of Augustus, and the ideals to offer to the new generation... This dissertation aims to analyse how the Latin poet Horace took part not only to the renewal of the poetic forms in Rome, but also to these reflections around the novus status. ln which way the archaic Greek lyric, that he tries to adapt to Rome in his Odes, as well as the Greek mythology, that he recreates to make them echo the challenges of the Principate, make it possible for Horace to conjure the privileged relation ship between Rome and its princeps?