Iki 1990 m. Lietuvos teismai praktiškai nesusidurdavo su renvoi – situacija, kada teismo vietos valstybės kolizinės taisyklės nurodo taikyti užsienio valstybės teisę, o pastarosios tarptautinės privatinės teisės normos grąžina į lex fori (pirmojo laipsnio renvoi) arba nukreipia į trečiosios valstybės teisę (transmisija). Todėl ši problematika niekada plačiau nenagrinėta nei Lietuvos doktrinoje, nei teismų praktikoje. Vis dėlto po naujos civilinės teisės kodifikacijos grąžinimo teorijos aktualumas tapo nepaneigiamas, todėl tikslinga kitų valstybių (ypač Prancūzijos) tarptautinės privatinės teisės specialistų teiginių, pozityviosios teisės bei teismų praktikos renvoi srityje analizė. Skirtingai nei kitose tarptautinės privatinės teisės srityse, renvoi problematikos ištakos sietinos ne su doktrina, o su Prancūzijos Aukščiausiojo Teismo praktika. Nepaisant to, jog grąžinimo teorijos apraiškų būta ir Anglijos bei Vokietijos teisėje, tačiau būtent Prancūzijos Aukščiausiojo Teismo sprendimas Forgo byloje įtakojo tolesnį renvoi taikymą ir doktrininius debatus dėl galimo jo atmetimo. Doktrina renvoi klausimu buvo nevienalytė. Nors dauguma tarptautinės privatinės teisės specialistų stengėsi pagrįsti renvoi taikymą teoriniais, teisiniais bei praktiniais teiginiais – neimperatyviu teismo vietos valstybės kolizinės taisyklės pobūdžiu, užsienio teisės vientisumu, užsienio valstybės įstatymų leidėjo atsisakymu reglamentuoti tam tikrus teisinius santykius, renvoi taikymo būtinybe siekiant... [toliau žr. visą tekstą] / Renvoi: la problématique et les solutions possibles (résumé) Renvoi: problematical application and possible solutions (summary) La problématique du renvoi n’a jamais fait l’objet d’analyse doctrinale, ni jurisprudentielle en Lituanie, alors, le but essentiel de ce mémoire était de traiter la problématique, ainsi que les solutions possibles du renvoi: la situation quand le système juridique d’un pays rend compétent le système juridique d’un autre pays lequel, par sa règle de conflit, renvoie la compétence au système soit d’un état tiers (renvoi au second degré), soit d’un état « expéditeur » (renvoi au premier degré). C’est en effet assez curieusement la jurisprudence française, et non la doctrine, qui est à l’origine avec ce qu’il est convenu d’appeler le renvoi, de la plus fameuse des controverses qui ait agité dans le monde entier la théorie du droit international privé. Certes, ce mode de raisonnement avait des précédents en Allemagne et en Angleterre et même dans l’ancien droit français, mais c’est l’arrêt Forgo de la Cour de cassation française qui, en mettant en évidence l’existence des conflits négatifs et en les résolvant par le procédé du renvoi, a permis une véritable prise de conscience du problème. Le procédé du renvoi est né d’une confusion entre la loi interne et règle de conflit étrangères, alors, l’admission du renvoi par la jurisprudence a donné lieu à un vif débat doctrinal. De nombreux... [to full text]

This thesis explores the human body on the basis of its anatomical disposition in connection with the functional principles which enable to develop the correct body posture, leg position en dehors, classical dance poses and coordination of movement leading to rotation and jump. In this thesis, I look upon the human body as the main dancer´s tool allowing to perform the classical dance technique and by the described functional principles, I attepmt to support the correct execution of individual parts of the classical dance technique. In conclusion of this thesis, I comment on general employing of these functional principles in classical dance lessons.

v anglickém jazyce This diploma work deals with problems of offenderś personality from the criminological point of view.The first chapter explains primary terms which are necessary for understanding of given matter,here after I introduce the state of crime -rate in the Czech Republic during the period of 2006-2009 and constitution of offenders from the age and sex point of view. In the fifth chapter I introduce one of many offender typologies. After that I concentrated on the criminality of youth,its specification,state and structure.The eighth chapter deals with prevention, its meaning and kinds of preventive measures.

The purpose of my thesis is to analyse the life imprisonment and answer basic questions related to issue of this criminal sanction. It is necessary to study the life imprisonment from the perspective of the criminal law, but in the light of psychological and social aspects that are connected with the long-term imprisonment. The thesis is composed of six main chapters, which are divided into different subchapters. Each of these chapters is dedicated to several aspects of life imprisonment and this work is trying to give a global view of the life imprisonment. The Introduction is followed by Chapter One which defines the term and purpose of the punishment. This Chapter presents the history of the evolution of the punishment. This work describes development of the concept of the punishment from retribution and frighten to the modern comprehension that respects human rights and liberties. The work is pointing out the example of the remarkable Italian scientist Cesare Beccaria, who came with the modern comprehension of the punishment in the era of the Enlightenment. However, the modern view prevailed not earlier than in the 19th century. The Chapter One also explains the system of the punishment. The Chapter Two examines the death penalty. The death penalty is a sanction that must be compared with the...

Šiame darbe nagrinėjamas lyginamosios reklamos reglamentavimas Lietuvoje ir Europos Sąjungoje, tiriamos istorinės lyginamosios reklamos formavimosi prielaidos pasirinktose valstybėse, analizuojama, ar lyginamosios reklamos reglamentavimas Lietuvoje atitinka Europos Sąjungos teisėje įtvirtintas nuostatas bei identifikuojamos su tuo susijusios praktinės problemos ir pateikiamas galimas jų sprendimas. Taip pat darbe pateikiami bendrieji reklamos principai, kurie taikomi visų rūšių reklamai, bei atskleidžiami pagrindiniai lyginamosios reklamos privalumai ir trūkumai. Kadangi lyginamoji reklama yra leidžiama, jei ji atitinka teisės aktuose nustatytas sąlygas, didelis dėmesys darbe skiriamas būtent lyginamosios reklamos leistinumo sąlygų analizei bei su jų taikymu praktikoje susijusioms problemoms atskleisti. Tiek, kiek tai susiję su lyginamąja reklama, darbe įvertinamas lyginamosios reklamos poveikis vartotojų ir kitų ūkio subjektų atžvilgiu, aptariami kontrolės būdai, atsakomybė už lyginamosios reklamos pažeidimus. Atsižvelgiant į tai, kad tiek Europos Sąjungos lygmeniu, tiek nacionaliniu lygmeniu vis didesnis dėmesys yra skiriamas savireguliacijai, analizuojamas savireguliacijos institucijų vaidmuo bei atskleidžiamos su tuo susijusios problemos. / This article analyses regulation of comparative advertising in Lithuania and European Union. It also examines historical assumptions of comparative advertising in selected states and common commercial principles, applicable in all arts of comparative advertising. In addition, this article seeks to ascertain, whether the legal basis in Lithuanian and European Union is unanimous in this field. Furthermore, the appropriate problems were identified and possible solutions of recent regulation were offered. Comparative advertising is allowable only if it corresponds the conditions, noted in legal regulations. Therefore, attention was paid for analysis of these conditions and investigation of appropriate problems, which occur while their application. Insofar it is related with comparative commercial, there were also measured the impact for consumers and other economy subjects, discussed different ways of control and responsibility for violation of comparative advertising regulations. According to the increasing role of self -regulation in national and European Union field, there were also analysed institutions of self-regulation and some related problems.

The dissertation on The Cobbler (Švec,) Miller´s dance (Mlynářská) and the Plough (Ruchadlo). Motifs of work and crafts in Czech folk dances deals with the theme of folk dances pertaining to motifs of work and crafts, namely dances with movements depicting and imitating work movements. It is based on the detailed study of records and descriptions of Czech folk dances in collections, manuals of social dances and other sources.The variations of dances appearing repeatedly in the sources, were compared. The study revealed three principal ways of how the work motif is employed: in the songs' lyrics; the dancers' movements resemble a certain activity ; the work process is imitated intentionally. It became evident that there is a connection between the incidence of these dances and the social and political context of the period.

Diploma thesis deals with curriculum repertoire of classical dance for the conservatories of dance. On the basis of methodological curriculum for each grade level, is the establishment of a sheet of variations which are recommended and suitable for teaching in a given year .

This thesis is an overview of American song and opera repertoire from the beginning of the 20th century to the present and is conceived as an initial, brief look into this, in the Czech context still unknown, repertoire. This overview is meant to fill in information which is missing from Czech musicology and is meant primarily for singers wishing to include the works of American composers in their repertoire. The thesis is supposed to illustrate both the diversity and the general character of American song and opera repertoire and does so through an examination of the national character of American classical music, a brief history of American opera, a division of song composers into stylistic categories, and a selection of twenty-one American composers the singer should know.

No description available.

The M.A. thesis is focused on body posture which serves as a stabilization of vertical position of the body in gravitational field and which supports movement. Without body posture, any targeted movement cannot take place. The thesis mainly discusses how to attain a physiologically correct body posture in classical dance while drawing out the lower limbs en dehors. It is a basic predisposition for the realization of related movements without the risk of overburdening or injury of the movement apparatus.