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Ce travail de recherche en Arts appliqués questionne la notion de soin(s) dans la pratique du design en milieu hospitalier. Nous faisons l’hypothèse qu’un environnement (objets, espaces, services) qualifié et adapté aux usages de soin via la conception en design, peut participer à la prise en charge globale de l’individu et avoir un impact positif sur sa santé, physique et psychique. Cette recherche, alliant réflexion théorique et pratique, nous a permis de redéfinir les contours d’une demande initialement formulée par le CHU de Toulouse, à savoir la conception d’un Oratoire polyculte au sein de l’URM (Hôpital Purpan). À l’issue d’études croisant divers champs disciplinaires nous avons pu redéfinir des besoins et proposer un nouveau type de lieu : L’Espace de ressourcement – dont la conception et la réalisation font l’objet de la partie pratique de ce doctorat. Dans le texte de la thèse, nous abordons dans un premier temps les implications de la notion de soin dans la société contemporaine et au sein de l’institution curative. Dans cette perspective, nous montrons comment l’intention de soin est intrinsèquement liée à l’approche même du design. Les second et troisième temps sont consacrés à la conception et la réalisation de L’Espace de ressourcement (dans ses dimensions plastique, symbolique, technique), puis à sa réception. Ce projet de recherche tend à démontrer que l’entrée de l’art et du design en milieu hospitalier peut réhabiliter les dimensions esthétiques et sensibles du rapport à ce lieu de vie. / This research work questions the notion of care in the practice of design of a hospital environment. We assume that a responsive environment (objects, spaces, services) recipient of health care through design conception can participate in the overall care of the individual and have a positive impact on their health, both physical and psychical. This research work, combining a theoretical and a practical approach, has allowed us to redefine the whole issue of a request originally issued by the Toulouse hospital, namely designing a multifaith space in the architectural building URM (Purpan Hospital). Following studies crossing various disciplines we were able to redefine needs and propose a new type of venue: L’Espace de ressourcement whose design and the execution became the practical part of this doctorate work. In the text of the thesis, we address initially the implications of the concept of care in contemporary society and in the heart ot the curative institution. In this perspective, we show how the intent of a care is intrinsically linked to the same design approach. The second and the third part is devoted to the design and implementation of the L’Espace de ressourcement (in its plastic, symbolic and technical dimensions) until its receipt. This research tries to prove that the bringing in the art and the hospital design can restore the aesthetic and sensitive dimensions compared to this type of place.

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This thesis seeks to offer a clearer understanding of the Jesuit theologians and philosophers who comprised the group known the 'Fourvière Jesuits'. Led by Henri de Lubac and Jean Daniélou, they formed part of the nouvelle théologie, an influential French reform movement that flourished from the 1930s until its suppression in 1950. After identifying a certain lacuna in the secondary literature, this thesis attempts to remedy certain historical deficiencies by constructing a history both sensitive to the wider intellectual, political, economic, and cultural milieu of the French interwar crisis, and that establishes continuity with the Modernist crisis and the First World War. Chapter One examines the modern French avant-garde generations that have shaped intellectual and political thought in France, providing context for a historical narrative of the Fourvière Jesuits more sensitive to the wider influences of French culture. This historical narrative of the Fourvière Jesuits follows four stages. Chapter Two examines the influential older generations that flourished from 1893 to 1914, such as the Dreyfus generation, the generation of Catholic Modernists, and two generations of older Jesuits, which were instrumental in the Fourvière Jesuits' development. Chapter Three explores the influence of the First World War and the years of the 1920s, during which the Jesuits were in religious and intellectual formation, relying heavily on unpublished letters and documents from the Jesuits archives in Paris (Vanves). Chapter Four analyses the crises of the 1930s, the emergence of the Fourvière Jesuits' wider generation, and their participation in the intellectual thirst for revolution. Chapter Five examines the decade of the 1940s, which saw the rise to prominence of the members of the generation of 1930, who, thanks to their participation in the resistance, emerged from the Second World War, with significant influence on the postwar French intellectual milieu.