Basé sur la thèse de l'auteur, Genève. / Bibliographie: p. 293-313. Comprend un index.

Basé sur la thèse de l'auteur, Genève. / Bibliographie: pp. 293-313. Comprend un index.

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viii, 157 p. / The French "utopian socialist" movement known as Saint-Simonianism has long been recognized for its influence among 19th century engineers. An examination of the early Saint-Simonian journal, Le Producteur , however, reveals the articulation of an appeal to contemporary men of letters. A survey of the life and career of Hippolyte Carnot, a prominent Saint-Simonian man of letters, confirms and illustrates the nature of this appeal as it developed alongside Saint-Simonian ideology. Central to this appeal was the Saint-Simonians' attributing to the "artist" the role of moral educator. In their conceptualization of this function, the Saint-Simonians essentially presented a model of what Jürgen Habermas has termed the "public sphere" in strong contrast to that of classical liberalism. In the final analysis, however, the Saint-Simonians can be read as arguing not for the totalitarian domination of public life (as some have suggested) but rather the necessity of what Antonio Gramsci described as "hegemony." / Committee in charge: Dr. George Sheridan, Chair; Dr. David Luebke, Member; Dr. Daniel Pope, Member

La découverte du fonds Petit aux Archives départementales de l’Indre a permis de suivre une famille adepte successivement de trois théories économiques du XVIIIe et du XIXe siècle : la physiocratie, le saint-simonisme et l’agrarisme. Mme Nicolas Petit, par son achat massif de terres et sa philosophie humanitaire, son fils Alexis Petit par son militantisme saint-simonien et son petit-fils Paul Petit par son appartenance efficace à l’agrarisme sont les exemples du passage entre ces trois mouvements. Les dossiers contenus dans les Archives départementales de l’Indre permettent également de suivre le parcours saint-simonien d’Alexis Petit, proche de Prosper Enfantin qu’il accompagna en Égypte à la recherche des vestiges du Canal de Suez. Alexis Petit tentera une expérience de ferme industrielle communautaire dans les vues saint-simoniennes. Paul Petit sera un militant agrarien, secrétaire de la Société d’agriculture de l’Indre. Cette thèse a pour but d’exploiter les nombreuses données sur le saint-simonisme à travers les correspondances inédites et à travers les documents que contiennent les Archives départementales de l’Indre et de donner une version nouvelle de ce mouvement. Son but est également de démontrer que Saint-Simon et les saint-simoniens sont un chaînon notable de la transmission entre la physiocratie et l’agrarisme. / The discovery of the Petit family collection at the archive of the Indre department allowed us to follow their successive experiences of three economic theories—physiocracy, Saint-Simonianism and agrarianism— through the eighteenth and nineteenth centuries. Mrs Nicolas Petit (because of her massive purchase of land and her humanist philosophy), her son, Alexis Petit (through his Saint-Simonian militancy) and her grandson, Paul Petit (through his effective membership of agrarianism), are most eloquent examples of the passage from one theory to the next. The files contained in the archive of the Indre department also make it possible to follow the Saint-Simonian way of Alexis Petit, who accompanied Prosper Enfantin in Egypt in search of the remains of the Suez Canal. Alexis Petit attempted an experiment of an industrial community farm in the Saint-Simonian aspects. Paul Petit was an agrarian activist and the secretary of the Agricultural Society of Indre. This thesis aims at making the most of the numerous data on Saint-Simonianism, with unpublished correspondence, and through the documents contained in this collection, in order to present a new understanding of this movement. Its aim is also to demonstrate that Saint-Simonianism is a noteworthy link between physiocracy and agrarianism.

Ce travail se propose de reconstruire une page peu connue de l'histoire de la diaspora de l'époque du Risorgimento, écrite autour d'un journal littéraire publié à Paris entre les mois de mai et octobre 1836, «L’Italiano. Foglio letterario».Conçu en Suisse par Mazzini et certains de ses compagnons d'exil, «L’Italiano» vit le jour grâce à la collaboration d'un groupe d'exilés italiens résidant dans la capitale française.Par rapport à l'idée d'origine née au sein de la Jeune Italie, le journal dut se confronter à des intellectuels aux parcours culturels et politiques divers qui collaborèrent pour « inaugurer une nationalité, soit-elle littéraire ».Contrairement à son prédécesseur parisien, «L'Exilé» (1832-1834), qui avait l'ambition d'offrir au public italien et français une histoire de la littérature italienne, «L'Italiano» proposait un programme de « critique éducatrice » en s'adressant principalement aux intellectuels de la péninsule.Outre le partage d'une conception éthique et civique de la littérature, le socle culturel sur lequel reposait le journal se fondait sur l'adhésion à une philosophie spiritualiste qui, tout en se revendiquant exclusivement italienne, était alimentée par la rencontre avec certains penseurs français de la Restauration, comme Pierre Leroux et Philippe Buchez.Le programme littéraire du journal s'appuyait sur le théâtre dramatique et sur le mélodrame, considérés comme des dispositifs de mobilisation politique aptes à transposer l'idée de nation sur un plan émotif et symbolique mais aussi à toucher les classes populaires sans avoir recours à la médiation de la parole écrite. / The research aims at reconstructing a neglected episode in the cultural life of the Italian exiles in the Age of the Risorgimento and is centered on a literary magazine published in Paris, from May to October 1836: «L'Italiano. Foglio letterario».«L'Italiano» was envisaged by Mazzini in Switzerland, together with his companions ofexile, and was eventually published with the aid of a group of Italian refugees in Paris. The journal was originally conceived within the context of the «Giovine Italia», but had to face up to a number of intellectuals whose cultural and political background was extremely various and whose intent was to cooperate in order to «principiare una nazionalità, sia pure letteraria».While «L’Exilé» (1832-1834) – the nearest antecedent of this magazine – aspired to provide an history of Italian literature for the Italian and French readers, «L'Italiano» presented rather a program of «critica educatrice» and it was especially addressed to the Italian intellectuals.The circle which arised around the journal was cemented not only by an ethic and engaged conception of literature, but also by a spiritualist philosophy: even if the proponents defended the Italian character of this philosophy, it was developed through a continuous exchange with French Philosophers of the Age of Reaction, such as Pierre Leroux and Philippe Buchez.The journal's proposal was centered on dramatic theatre and melodrama, insofar as theywere considered as instruments for political mobilization, apt to set on an emotional and symbolic dimension the idea of nation, as well as to affect the working-class, without the need for written words. / Questo lavoro si propone di ricostruire una pagina poco nota della diaspora risorgimentale, sorta attorno a un giornale letterario che si pubblicò a Parigi tra il maggio e l'ottobre del 1836, «L’Italiano. Foglio letterario». Concepito in Svizzera da Mazzini e da alcuni suoi compagni d’esilio, «L’Italiano» vide finalmente la luce grazie alla collaborazione di un gruppo di esuli italiani residenti nella capitale francese. Rispetto all’idea originaria, sorta in seno alla Giovine Italia, il giornale dovette confrontarsi con intellettuali dai percorsi culturali e politici assai diversi tra loro, che si trovarono a cooperare per «principiare una nazionalità, sia pure letteraria».Diversamente dal suo precedente parigino, «L'Exilé» (1832-1834), che ambiva a offrire al pubblico italiano e francese una storia della letteratura italiana, «L'Italiano» proponeva, invece, un programma di «critica educatrice» rivolto principalmente agli intellettuali della penisola. Oltre alla condivisione di una concezione etica e civile della letteratura, il sodalizio culturale sorto attorno al giornale si fondava sull’adesione a una filosofia di stampo spiritualista che, pur rivendicando un’origine tutta italiana, si alimentava grazie al confronto con alcuni pensatori francesi della Restaurazione, come Pierre Leroux e Philippe Buchez.La proposta letteraria del giornale poggiava sul teatro drammatico e sul melodramma, in cui riconosceva dei dispositivi di mobilitazione politica che, oltre a proiettare l’idea di nazione su un piano emotivo e simbolico, potevano raggiungere le classi popolari senza la mediazione della parola scritta.