Dans l’œuvre de Samuel Beckett, les personnages féminins qui au début sont quasi absents, prennent de plus en plus d’importance et présentent alors différentes images féminines. L’univers féminin qui apparaît ne cesse de prendre de l’ampleur. Pour aborder le fait féminin, il faut prendre en compte les différents langages esthétiques spécifiques des personnages-femmes. En effet, ces langages - faits de diverses tournures imagées -, mettent en exergue l’identité féminine de ces personnages. Ces langages recouvrent de nombreux domaines : corporel, gestuel, scénique et pictural. Cette recherche permet de mieux comprendre le traitement du féminin dans l’œuvre dramatique de Samuel Beckett et de souligner les aspects majeurs des personnages féminins. / In Samuel Beckett’s works the female characters are seen to be absent at the beginning, but throughout the story their presence becomes more significant, and represents the different images of the female characters.The female characters in his work expand and grow constantly.To understand the female characters, we need to analyze the languages that have been used by each character. The languages provide a different image which highlights the identity of each character. They also cover many areas such as body, gestural, scenic, and pictorial. This research paper helps us to better understand how Samuel Beckett deals with feminine in his works, and highlights the major features of the female characters.

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[pt] Esta dissertação baseia-se no acervo do escritor Samuel Rawet, doado em 2018 ao Arquivo-Museu de Literatura Brasileira da Fundação Casa de Rui Barbosa. A proposta é investigar hipóteses para os procedimentos de escrita e percursos de criação do autor, analisando de que forma seu acervo pode ser compreendido como parte integrante de sua obra literária. A partir do estudo de fontes documentais e de suas possíveis articulações, estabelecidas pelos cruzamentos e pelas conexões com textos publicados e com o próprio conjunto documental do acervo, busca-se refletir sobre novos caminhos de acesso ao universo criativo do escritor, identificar movimentos de sua escrita e processos para composição de seus contos e ensaios. Neste sentido, compõem as bases para orientação e formação do corpus desta pesquisa a caderneta de anotações de Rawet e uma seleção de transcrições, notas e datiloscritos do autor. De maneira convergente, o trabalho dedica-se a pensar a formação do acervo de Samuel Rawet na contemporaneidade; as problemáticas acerca do conceito e modo de operação dos arquivos, em especial, sob as perspectivas de Michel Foucault e Jacques Derrida, bem como de Reinaldo Marques no âmbito dos arquivos literários. / [en] This dissertation is based on the personal collection of Brazilian writer Samuel Rawet, which was donated in 2018 to the Casa de Rui Barbosa Foundation s Archive Museum of Brazilian Literature. As we turn to Rawet s writing procedures and creative paths, we wish to discuss how his collection can be viewed as an integral part of his literary work. The work is grounded on an understanding that investigating the documentary sources which compose Rawet s collection and considering the possible articulations between them and the author s published texts may open up new pathways into the writer s creative universe, especially by highlighting the movements and processes which characterize his writing — in particular, his production of stories and essays. Our research corpus is primarily based on Rawet s personal notebook and on a selection of the author s transcripts, notes, and typewritten texts. The study, which is informed by Michel Foucault s and Jacques Derrida s contributions, as well as by Reinaldo Marques insights into the scope of literary archives, intertwines thoughts on the formation of Samuel Rawet s collection in the contemporary world with broader reflections on the notion and operation of archives.

Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.

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One goal of the present study is to emphasize Johnson's "talent for fiction, the range of his comic invention, and the subtlety of his tone." A substantial group of essays from all three serials, those written in the form of letters ostensibly submitted to the essayist by his readers, appears to offer many examples of the inventiveness of Johnson's mind, and it is to this group that the term epistolary essays refers. Johnson was following a well-established tradition in utilizing the device of the imaginary correspondent, but the main objective of this dissertation is to analyze the various personae which Johnson adopted in these essays.

Diss. phil. Basel, 2006 (kein Austausch). / Im Buchh.: Saarbrücken : Pfau-Verlag. Literaturverz.

This study is an examination of the several themes and conventions of science fiction that seem to appear in the texts of Samuel Beckett. Expectedly, many of the texts produced by both science fiction and Beckett just before, during, and immediately after World War II share similar concerns; though perhaps less expectedly, these two relatively unlike bodies of work can be used to help better understand and illuminate one another. In Waiting for Godot, nuclear anxieties shed light on the play's apparent post-apocalyptic landscape and the profound emptiness that permeates the stage. In Molloy, Hugh Kenner uses Centaur imagery to explain the title character's Cartesian relationship with his bicycle; however, contemporary sensibilities at the time of the novel's publication suggests a cyborg reading of the Molloy/bicycle hybrid can also be productive. And in Krapp's Last Tape, the tape recorder serves as a figurative time machine, which allows readers to consider the ways technology continues to allow for the capture of time and subsequent reflection. / by Aaron Pancho. / Thesis (M.A.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web.

Submitted by Fabrício Rissão Mattos (farissao@gmail.com) on 2018-10-02T19:09:41Z No. of bitstreams: 1 Dissertação pronta.pdf: 1097649 bytes, checksum: 443e2ed81081a595f708a0c46d351f7c (MD5) / Approved for entry into archive by Elza Mitiko Sato null (elzasato@ibilce.unesp.br) on 2018-10-02T19:18:24Z (GMT) No. of bitstreams: 1 mattos_fr_me_sjrp.pdf: 1097649 bytes, checksum: 443e2ed81081a595f708a0c46d351f7c (MD5) / Made available in DSpace on 2018-10-02T19:18:24Z (GMT). No. of bitstreams: 1 mattos_fr_me_sjrp.pdf: 1097649 bytes, checksum: 443e2ed81081a595f708a0c46d351f7c (MD5) Previous issue date: 2018-08-30 / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / Neste trabalho definimos o polinômio de Hilbert-Samuel cuja descrição desse polinômio aparecem o foco principal do nosso estudo os coeficientes normalizados de Hilbert. A princípio vamos estudar, sobre determinadas condições iniciais, os sinais dos coeficientes que denotaremos por e0(q,M), e1(q,M) e e2(q,M). Teremos ao final desse trabalho, em formato de comentário, uma condição necessária e suficiente para que todos os coeficientes normalizados de Hilbert sejam nulos. / In this work we define the Hilbert-Samuel polynomial whose description of this polynomial appear the main focus of our study the normalized Hilbert coefficients. At first, we will study, on certain initial conditions, the signals of the coefficients that we denoteby e1(q,M) e e2(q,M). Wewillhaveattheendofthiswork,inacommentformat, a necessary and sufficient condition so that all normalized Hilbert coefficients are null. / 132997/2016-9

Ce mémoire propose une étude à la croisée du religieux et du politique mettant en parallèle la pensée du pape Benoît XVI avec la théorie du Choc des civilisations de Samuel Huntington. L'analyse des écrits de ce pape théologien fait ressortir son approche critique de la modernité et de l'héritage des lumières, dans un contexte de crise culturelle et spirituelle de l'Occident. Dans une époque marquée par une dynamique interculturelle aussi incontournable qu'imprévisible, Benoît XVI se révèle un ardent défenseur d'une réconciliation entre la raison sécularisée et la foi chrétienne au sein de la culture occidentale. Contrairement à Huntington qui développe une grille de lecture où l'élément religieux représente le mur ultime séparant les grands ensembles culturels du monde, Benoît XVI affirme que l'ouverture à la vérité, présente dans chaque grande tradition religieuse de l'humanité, permet, en principe, une rencontre positive entre celles-ci. Ainsi, le Saint-Père considère que ce n'est pas la religion, mais plutôt le renoncement à la recherche de la vérité sur l'homme et sur Dieu qui représente l'obstacle le plus grand à la rencontre interculturelle. Enfin, alors qu'Huntington préconise un renoncement définitif à l'universalité des valeurs occidentales, Benoît XVI prend plutôt le pari d'un renoncement à l'universalité illusoire de la « civilisation technologique » pour redécouvrir le sens véritable de la fraternité chrétienne à l'échelle de l'humanité. Ce mémoire conclut donc que s'il existe une convergence entre les deux approches quant à l'importance de la religion et de la culture dans les relations entre les peuples et les états, des divergences fondamentales existent, tant au niveau de la perspective historique, anthropologique et philosophique que des orientations pratiques. Ceci permet d'affirmer que l'approche interculturelle de Benoît XVI ne peut pas être interprétée comme étant une approche huntingtonienne.