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Drawing upon Homi. K. Bhabha's essay A Personal Response and Gayatri Chakravorty Spivak's Can The Subaltern Speak? I initiated my research project When the Silenced Voices Meet Homi. K. Bhabha's "Megaohone". The focal point of this paper aims at identifying and questioning the limitatpons of Bhabha's theories while highlighting Spivak's insightful perspectives. In conducting this project, the motif of my paper is derived, which is to question male scholars’ gender-blindness under the feminist lens in the field of post-colonial studies. Issues, such as identity, hybridity and representation are under discussion; meanwhile by citing the example of and debate on sati, the gender issue and the special contributions of postcolonial feminism are developed.

Thesis (M.A.)--University of California, Santa Cruz, 1983. / Typescript. Includes bibliographical references (leaves 128-133).

Revision of the author's Thesis (Ph. D.)--Sukhadia University, Udaipur, 1987). / Includes bibliographical references (p. [153]-162) and index.

Revision of the author's Thesis (Ph. D.)--Sukhadia University, Udaipur, 1987). / Includes bibliographical references (p. [153]-162) and index.

Some cultures have customs against women. The sati tradition in India is one of them. According to sati, if the husband dies the woman is set on fire with his corpse. These women are believed to become immortal saints. A woman who dies burning herself on her husband&rsquo / s funeral fire is considered virtuous, and are believed to go to Heaven. Another tradition is &ldquo / female circumcision.&rdquo / It is performed in African countries. People believing in the necessity of this custom circumcise women by cutting their clitoris. Circumcised women cannot have sexually pleasure. These women are there to satisfy men&rsquo / s desires and give birth to babies. The third tradition is the general name of which is t&ouml / re is performed in the eastern parts of Turkey. According to t&ouml / re, women are put on trial by their families and killed if they have any sexual relationships without marriage bond. In other words, even if a woman is raped, she is found guilty because of having a sexual relationship. In this thesis, these issues and how women are degraded in cultures will be discussed by using the works of famous Indian, Black American and Turkish writers. The books that are discussed in this thesis, Nayantara Sahgal&rsquo / s &ldquo / Rich Like Us,&rdquo / Lakshmi Persaud&rsquo / s &ldquo / Raise the Lanterns High,&rdquo / &ldquo / Possessing the Secret of Joy&rdquo / by Alice Walker and &ldquo / Bliss&rdquo / by Z&uuml / lf&uuml / Livaneli all contribute to this study showing how women are oppressed by different customs in different countries, the common point of which is to serve men&rsquo / s interests.

Thesis (Ph. D.)--University of Oklahoma, 1997. / Includes bibliographical references.

In autumn of 2010 the phenomenon of ‘Greek crisis’ was aggressively developed to a new experience of Greece. As a theatre practitioner from Athens, the specific historical time pushed me to question big-scale narratives of identity, home and belonging-ness. I relocated my training outdoors. My aim was to create a site-specific performance process that investigates place as a psychophysical experience and the ways through which it integrates with the cultural practices embedded in situ. The thesis builds around a Geographical/Buddhist framework where a cultural landscape epistemology outlined by Mitch Rose and John Wylie (2006) is realised through the practice of samatha vipashyana. The accounts of Rose and Wylie organise the examination of space as a body-landscape interrelationship. The Buddhist notion of mindfulness (sati) structures the investigation of the experience in space through theatre and dance disciplines in situ. The Buddhist concept of selflessness (anatta) permeates the performance practice in situ as a discipline of presence. Designated as Geopoetics, the practice of thesis applies meditation practices of breathing and walking to explore site through movement, feeling and activity. It further extends such a process via the disciplines of Somatics, Grotowski-based actor training and Dilley’s ‘dance.art.lab’. It employs the notions of ‘story’ from the Six Viewpoints system and ‘living myth’ of Anna Halprin to formulate a devising process of site-specific performance as an enactment of interrelationship between subject(s) and space. Geopoetics creates experiential containers within which the participant/ watcher is enabled to contemplate and re-examine her political, perceptual and emotional present. Based on its methodology of mindfulness (sati) notions of ‘identity’, ‘home’ and ‘sense of belonging’ are seen as individual or collective modes of attachment which altogether co-formulate the event of landscape. The practice of Geopoetics suggests an inquiry of place through the body for site-specific devisers and performers. It also relates to the discipline of architects, geographers and planners as a practice which investigates space’s contextual paradoxes and dynamics through the body.

Denna uppsats handlar om hur Indiens populära mytologiska tv-serier ger de gamla myterna en ny språkdräkt i nya medier. Samtidigt som de får en ny språkdräkt förändras vilka värden som betonas och hur gudarna framställs. Uppsatsen gör en jämförande analys av hur tv-serien Devon Ke Dev Mahadev, som började sändas 2011 på indisk tv, och urkunden Shiva Purana framställer berättelsen om när Shiva först gifter sig med Sati och sedan Parvati. Uppsatsen tar avstamp i postkoloniala teorier, kolonialismens historia och läskunnighet i Indien för att visa på vilka värden som ändrats och försöker även ge en förklaring till förändringen. Uppsatsen diskuterar även myternas förändringsbarhet och flexibilitet.

This dissertation aims at analyzing mindfulness as a concept and a multidimensional phenomenon in its historic and primordial but also contemporary contexts. In the course of examining this more general question, this dissertation targets four specific objectives: 1) classifying existing definitions of mindfulness, 2) critically analyzing and interpreting the Buddhist and Western interpretations and practices of mindfulness, 3) elaborating on the social and existential dimensions of mindfulness, and 4) applying these dimensions in advancing the notion of mindful sustainable aging in the context of successful aging. Paper I examines and assesses the numerous definitions of mindfulness that have been presented over the years by a wide range of scholars from a variety of disciplines. Paper II traces the roots of modern mindfulness in Buddhism. It continues by exploring the utility and practices of mindfulness in the context of social work. The definitions provided in Paper I and the Buddhist underpinnings discussed in Paper II call attention to the fact that in addition to the more commonly considered physical and mental dimensions, mindfulness contains a social and an existential dimension as well – dimensions that remain under-researched and not well understood. To redress this imbalance, Paper III elaborates on these two latter dimensions, emphasizing their potential to enhance health, wellbeing and meaning in life. Paper III further argues that a more nuanced understanding of physical, mental, social and existential mindfulness can be obtained by examining the interconnectedness of all four fields. Paper IV continues the discussion of the social and the existential dimensions of mindfulness with specific emphasis on their utility for successful aging, and advances the notion of mindful sustainable aging. Paper IV highlights the potential of mindfulness for living a meaningful life and boosting the elderly’s capacity to find deeper meaning in their final stage of life.