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Submitted by Maurílio Figueiredo (maurilioafigueiredo@yahoo.com.br) on 2013-02-28T19:45:15Z No. of bitstreams: 1 DISSERTAÇÃO_TarefaInfinitaSchiller.pdf: 599569 bytes, checksum: 221dd18ddf5d3a0102aff91d78c59657 (MD5) / Approved for entry into archive by Neide Nativa (neide@sisbin.ufop.br) on 2013-03-04T18:41:07Z (GMT) No. of bitstreams: 1 DISSERTAÇÃO_TarefaInfinitaSchiller.pdf: 599569 bytes, checksum: 221dd18ddf5d3a0102aff91d78c59657 (MD5) / Made available in DSpace on 2013-03-04T18:41:07Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO_TarefaInfinitaSchiller.pdf: 599569 bytes, checksum: 221dd18ddf5d3a0102aff91d78c59657 (MD5) Previous issue date: 2009 / Este trabalho pretende investigar em que medida e de que maneira Friedrich Schiller desenvolveu uma teoria da escrita filosófica. Para tanto, recorremos às suas influências filosóficas diretas, sobretudo suas leituras de Kant, assim como nos dispusemos a procurar em outros escritos, como os textos sobre o teatro e suas obras dramáticas, as referências que pudessem contribuir para a execução desta empreitada. As reflexões de Schiller sobre o tema nos surpreenderam positivamente, o que nos levou, inclusive, a buscar na filosofia contemporânea os desdobramentos das suas ideias sobre a disputa entre a filosofia, a ciência e a arte pelo papel preponderante na formação cultural da humanidade (Bildung). Afinal, este fora o contexto político e histórico de suas investigações, que ele jamais deixou de lado em seu pensamento. _______________________________________________________________________________________________________________________________________ ABSTRACT: This work intends to investigate how far and in what manner Friedrich Schiller has developed a theory of philosophical writing. For that, reason, we have invoked his direct philosophical influences, especially his readings of Kant. We have also looked upon some of his writings, to say, his texts about drama and some plays, in order to find references that could lead us to such a conclusion. Schiller‟s thoughts about writing have positively surprised us, what lead up to a deeper search of the consequences, in contemporary philosophy, of his ideas on a possible dispute among philosophy, science and art for a principal and historical context of his investigations, which has never been diminished in this thought.

In the wake of the French Revolution and the failure of subsequent governments to enact humanistic reforms, Schiller observed in frustration that “a great moment has found a little people…” As we emerge from a once-in-a-century pandemic, navigating crisis after crisis amidst uncertainty and instability, it is easy to sympathize with Schiller’s frustrations. For parents and teachers, the pandemic and its effect on public education have been eye-opening, and present a clear call to action. We are currently in an important historical moment with both challenges and opportunity. For education theorists and policy makers, this moment calls for a rethinking and reimagining of our schools (and schooling), if not our entire educational paradigm. This is a moment that calls for a re-evaluation of contemporary education reform - a deeply flawed movement guided largely by assessment and accountability culture. Unfortunately, this moment has been met by characteristic smallness and a lack of imagination and dedication to our public commons and social infrastructure of which our schools are an integral component. It is not a reimagining to defund public education; and it is not a reimagining to transfer our current, inadequate curriculum (guided by a flawed neoliberal paradigm) onto a synchronous or asynchronous digital platform. This moment called for imagination, creativity, kindness and audacity, but instead we got a doubling down on efficiency, assessment, and a model of schooling closer to “educational accounting” than anything even remotely resembling a rich and broad humanistic education. The goal of this dissertation is in part to highlight an important concept that could broaden our thinking about contemporary education. That thing is play, not in a narrow, gamified sense but rather the robust rich conception paidia. In this dissertation, I argue we must re-engage with paidia in order to reclaim the ancient notion of paideia, or an ideal education in the broadest sense. This exploration of the serious play as the basis of education in the philosophical tradition begins with Plato, Aristotle, and others in Greek antiquity, and evolves through the thought of Kant, Schiller, Heidegger, Gadamer, Dewey, and others. Once we have traced this concept from its foundational discussion in Plato’s philosophical dialogues through German romanticism and into the 20th century and beyond, we can put this concept into conversation with contemporary schooling and the philosophical underpinnings of contemporary education reform. We also will look at how this idea of a broad, engaging education has been lost, what is at stake if we lose it permanently, and what paidia can offer our present age with respect to reimagining education for a post-pandemic 21st century. This discussion attempts to retrieve something important from the tradition of thinking about education more broadly - paideia - education not merely as a matter of utility, efficiency, or credentialing, but also as a matter of justice. This discussion will inform our understanding of education as a matter of justice and lifelong learning that encourages real fulfillment and has the potential to open structures and potentialities. We will demonstrate that the concept and history of paidia are relevant for reflecting on the impoverished education paradigm we have today, but it is also helpful in pointing the way towards a new paradigm.

Submitted by Cássio da Cruz Nogueira (cassionogueirakk@gmail.com) on 2017-10-19T16:21:24Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_ComposicoesEsteticasSchiller.pdf: 866847 bytes, checksum: 072b983780e64384e1ddfe7604feeb44 (MD5) / Approved for entry into archive by Edisangela Bastos (edisangela@ufpa.br) on 2017-12-13T17:27:26Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_ComposicoesEsteticasSchiller.pdf: 866847 bytes, checksum: 072b983780e64384e1ddfe7604feeb44 (MD5) / Made available in DSpace on 2017-12-13T17:27:26Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_ComposicoesEsteticasSchiller.pdf: 866847 bytes, checksum: 072b983780e64384e1ddfe7604feeb44 (MD5) Previous issue date: 2017 / Quando se fala em estética qual a primeira imagem que nos vem à mente? A cada pessoa que se faça essa pergunta poderemos ter uma resposta diversa, tamanha a plasticidade do termo. Diante desta plasticidade, a presente investigação tem como ponto principal discutir o papel da estética na formação humana, tecendo um interlúdio composicional entre alguns aspectos de duas insignes teorias filosóficas que cotejam a importância da arte e a formação humana do ponto de vista estético, a saber, a perspectiva estética de Friedrich Von Schiller contidas mormente em suas obras A educação estética do homem numa série de cartas e Poesia ingênua e sentimental, bem como a teoria estética de Friedrich Nietzsche diluída em obras como O nascimento da tragédia, A filosofia na época trágica dos gregos e Humano, demasiado humano. O debate a ser suscitado entre esses pensadores e suas perspectivas estéticas perpassará suas principais concepções acerca da estética, tentando vislumbrar em que pontos tais teorias filosóficas se encontram, para uma possível visualização da estética como elemento amalgamado às práticas formativas. Diante disso, e tomando a estética como pedra angular da formação plena do ser humano, esteio que foi soterrado, cumpre-nos a tarefa de relevar o seu valor formativo na educação. Pelo prisma sensível destes pensadores, veremos o feixe de luz que nos ajudará a refletir sobre de que maneiras a estética está amalgamada à educação, aqui entendida de modo amplo como formação. / When talking about aesthetics what is the first image that comes to mind? To each person we ask this question we may have a different answer, due to the plasticity of the term. In the face of this plasticity, the present research has as main point to discuss the role of aesthetics in human formation, weaving a compositional interlude between some aspects of two philosophical theories that compare the importance of art and human formation from the aesthetic point of view, namely, the aesthetic of Friedrich von Schiller presented mainly in his works Letters Upon The Aesthetic Education of Man and Naive and sentimental Poetry, as well as the aesthetic theory of Friedrich Nietzsche diluted in works such as The Birth of Tragedy, Philosophy in the tragic age of the greeks and Human, all too human. The debate made between these thinkers and their aesthetic perspectives will cross their main conceptions about aesthetics, trying to glimpse at what points these philosophical theories are, for a possible visualization of aesthetics as an element amalgamated to the formative practices. Faced with this, and taking the aesthetic as the cornerstone of the full formation of the human being, a pillar that has been buried, we have the task of emphasizing its formative value in education. Through the sensitive prism of these thinkers, we will see the beam of light that will help us reflect on how aesthetics is amalgamated into education, understood here broadly as formation.

LIMA, Dalton Oscar Walbruni. Schiller, educação e o estado estético. 2014. 192f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-graduação em Educação Brasileira, Fortaleza (CE), 2014. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-11-28T11:34:20Z No. of bitstreams: 1 2014_tese_dowlima.pdf: 1912086 bytes, checksum: 5e2ab928fc49e9220e0f3a600e7f2d93 (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2014-11-28T15:13:06Z (GMT) No. of bitstreams: 1 2014_tese_dowlima.pdf: 1912086 bytes, checksum: 5e2ab928fc49e9220e0f3a600e7f2d93 (MD5) / Made available in DSpace on 2014-11-28T15:13:06Z (GMT). No. of bitstreams: 1 2014_tese_dowlima.pdf: 1912086 bytes, checksum: 5e2ab928fc49e9220e0f3a600e7f2d93 (MD5) Previous issue date: 2014 / The thesis aims to demonstrate the importance it attaches to Schiller aesthetic education as the foundation for human freedom. Schiller of the antagonism between the impulses, and through aesthetic education through theater, the man of a sensitive and rational nature, dialectically impulses will autoconhecendo, and that self-man reach a balance between the impulses developed historically by play drive that lead man to the Aesthetic State. The thesis is divided into five chapters. In the first chapter a study on the Titanism and Romanticism. In the second chapter of childbirth influences of Kant thought about Schillerian while overcoming the Kantian Schiller. In the third chapter the look of Hegel's aesthetics of Schiller. In the third chapter a study on the sensitive, rational and playful impulse and the Aesthetic State. In the fourth chapter a dramatic piece entitled Suicide Schiller on Century Media that is based confronting Schiller's aesthetic with contemporary art. Two players share the drama; Schiller and Industry of Death. The Industry of Death character created by Dalton Walbruni representing the "consumer culture" of today's society. / A tese tem como objetivo demonstrar a importância que Schiller atribui à educação estética como fundamento para a liberdade humana. Schiller parte do antagonismo entre os impulsos, e através da educação estética via teatro, o homem dotado de uma natureza sensível e racional, dialeticamente os impulsos vão se autoconhecendo, e nesse autoconhecimento, o homem atingirá o equilíbrio entre os impulsos desenvolvidos historicamente pelo impulso lúdico que conduzirá o homem ao Estado Estético. A tese divide-se em cinco capítulos. No primeiro capítulo, um estudo sobre o Titanismo e o Romantismo. No segundo capítulo parto das influências de Kant sobre o pensamento schilleriano e ao mesmo tempo a superação do pensamento kantiano por Schiller. No terceiro capítulo, o olhar de Hegel sobre a estética de Schiller. No terceiro capítulo, um estudo sobre o impulso sensível, racional e lúdico e o Estado Estético. No quarto capítulo, uma peça dramática cujo título O suicídio de Schiller no Século da Mídia que tem como fundamento confrontar a estética schilleriana com a arte contemporânea. Dois protagonistas dividem o drama: Schiller e a Indústria da Morte. A Indústria da Morte, personagem criado por Dalton Walbruni, representando a “cultura de consumo” da sociedade atual.

Made available in DSpace on 2014-06-11T19:28:16Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-02-09Bitstream added on 2014-06-13T20:57:44Z : No. of bitstreams: 1 pedroso_az_me_mar.pdf: 571971 bytes, checksum: c0d4246dd4ae7bc541e4750b69c96678 (MD5) / A dimensão estética é abordada por alguns filósofos desde a modernidade até o período contemporâneo como o lugar de reconciliação da ruptura entre sujeito e objeto, que reflete-se na dicotomia entre as faculdades: sensibilidade e intelecto; desejo e cognição. Uma terceira faculdade, que comumente não é considerada nessas divisões bipartida do homem, é a do julgamento estético, uma faculdade de ajuizamento da sensificação de idéias morais. Este texto traz algumas considerações sobre o juízo estético, a partir da filosofia de Kant e dos escritos de Schiller. A experiência estética, para Kant, é uma forma de comunicação nas relações intersubjetivas dos homens, assim sendo, deve ter um poder unificador. Para Schiller, ela é o médium pelo qual o ser humano se forma para a verdadeira liberdade política formação que diz respeito ao contexto coletivo, e não unicamente ao indivíduo. Com base nesse aparato teórico, num segundo momento, são elaboradas algumas reflexões sobre a importância da formação estética para os dias atuais. Por meio da arte pode-se desenvolver intelectual e esteticamente os seres humanos, para que eles possam ser seres plenos também em sua dignidade humana. Mas a divisão entre razão/emoção é refletida também na organização do ensino que visa formar seres divididos e fragmentados para um mundo especializado. Ou seja, no processo de formação escolar o desvalor à experiência e juízo estéticos são indubitáveis, devendo, pois, comprometer essa formação, haja vista que uma potencialidade do ser humano fica bloqueada. / The aesthetic dimension is boarded for some philosophers since modernity until the period contemporary as the place of reconciliation of the rupture between citizen and object, that is reflected in the dichotomy between the facultieses: sensitivity and intellect; desire and cognition. One third college, that is usually not considered in these divisions bipartite of the man, is of the aesthetic judgment, a college of the filling of a suit of the sensification of moral ideas. This text brings some considerations on the aesthetic judgment, from the philosophy of Kant and of the writings of Schiller. The aesthetic experience, for Kant, is a form of communication in the intersubjecetives relations of the men, thus being, must have an unifying power. For Schiller, it are médium for which the human being if form for the true freedom politics? Formation that says respect to the collective context, and not solely to the individual. With base in this theoretical apparatus, at as a moment, some reflections on the importance of the aesthetic formation for the current days are elaborated. By means of the art intellectual can itself be developed aesthetic and the human beings, so that they also can be full beings in its dignity human being. But the division between reason/emotion is also reflected in the organization of the education that it aims at to form beings divided and fragmented for a specialized world. Or either, in the process of pertaining to school formation the desvalor to the aesthetic experience and judgment is doubtless, having, therefore, to compromise this formation, has seen that a potentiality of the human being is blocked.

This study examines the finale of Beethoven's choral symphony and focuses on its inspirations and aims to invoke critical theories involving genre, namely genre's "horizon of expectation", and lead to an enriched perspective that points toward a number of compelling aspects of the Choral Finale overlooked by previous commentators.