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Dissipating through growth; Solving within illusion; Resilience in vulnerability. Through enveloping strands of tenuous connections, translucent flesh-like layers, and subtle movement through touch, my thesis installation entitled "Shiver" makes reference to the Sublime as it asks the infinite question; What is my primordial self?

Thesis (Ph. D.)--Miami University, Dept. of Psychology, 2007. / Title from second page of PDF document. Includes bibliographical references (p. 156-158).

xv, 103 p. : ill. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / While research has extensively documented the inter- and intra-personal consequences of perspective taking, less is known about the mechanisms that underlie this process. Recent research has explored self-other overlap as a mediator of perspective taking on various pro-social outcomes, such as helping and decreased stereotyping. Results have been mixed, perhaps due to the use of different methodologies and scales that actually measure different facets of self-other overlap. This dissertation investigates the structure of self-other overlap and examines how perspective taking may affect only certain facets of self-other overlap, as well as the direction in which this overlap occurs. To test the conceptual equivalence of different overlap measures, in Study 1, participants completed several previously used measures of overlap for two targets: their best friend and an acquaintance. Factor analyses revealed two distinct factors of self-other overlap-- perceived closeness and attribute overlap --although small variations emerged depending on target. These two factors had unique associations with several relationship quality and individual difference measures. Study 2 extended these results by manipulating perspective taking with a stranger. Results replicated the same factor structure from Study 1, and found that perspective taking had different effects on the two factors. Study 3 examined whether or not perspective taking affected the direction of self-other overlap by changing one's attitudes and beliefs to become more like the other person. Results supported a model in which perceived closeness predicted belief change toward the target person, even after accounting for other related consequences of perspective taking such as empathy and positive attitudes. Together, these results suggest that self-other overlap is a multi-dimensional construct associated with different psychological responses. These results are discussed in connection with the relationship between self-other overlap and perspective taking and how this may lead to "self-expansion." / Committee in charge: Sara Hodges, Chairperson, Psychology; Sanjay Srivastava, Member, Psychology; Marjorie Taylor, Member, Psychology; John Lysaker, Outside Member, Philosophy

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This study is concerned with the Self/Other dichotomy, originally formulated by scholars of South Asian history in the context of European imperialistic treatments of the peoples whom they colonized for centuries, as applied to Mexican history. I have chosen some visual, cinematic, and literary representations of indigenous and other dispossessed peoples from both colonial and post-colonial Mexico in order to gain some insights into the vision of the powerless, (the 'Other'), held by the powerful (the colonizers, whether internal or external), especially, but not exclusively, in the context of race. Some public and private works of Mexican art from the 18th , 19th. and the 20th centuries are used to understand the perceptions of the Other in Colonial Mexico City, at the time of Independence, in state-sponsored pre and post-Revolutionary spectacles representing indigenous peoples, cinematic representations of the marginalized and the dispossessed from the Golden Age of Mexican cinema, and in the representation of the marginalized in the literary and photographic works of Juan Rulfo. I conclude that an ambivalent mixture co-existed in Mexican culture through the centuries, on the one hand, honoring the blending that is expressed in the word 'mestizaje', and on the other, adhering to a thoroughly Eurocentric world view. This ambivalence persisted from the 18th century through Independence and the Revolution and its aftermath, albeit in transformed ' / M. A. / Mexico presents an interesting contrast to the United States with respect to the history of race since colonization. The 16th century Spanish conquerors, and the colonizers who followed them, acknowledged the offspring of their unions with indigenous women, setting a tradition that resulted, by the 20th century, in mixed race peoples becoming the major component of the Mexican population. Despite this, there remained a sense in the culture that Europe and those of European descent were still the ideal towards which Mexico aspired, while from time to time, there were paradoxical displays, honoring the ethnic diversity that was New Spanish/Mexican reality. In light of this ambivalence, I have examined some literary and artistic examples of the perception of the colonizers, internal or external, of those whom they marginalized.