Submitted by Mariana Dornelles Vargas (marianadv) on 2015-05-21T15:57:17Z No. of bitstreams: 1 aos_leitores.pdf: 3089423 bytes, checksum: 9ed39a1573630d0515a016380d40eff0 (MD5) / Made available in DSpace on 2015-05-21T15:57:17Z (GMT). No. of bitstreams: 1 aos_leitores.pdf: 3089423 bytes, checksum: 9ed39a1573630d0515a016380d40eff0 (MD5) Previous issue date: 2011 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / A pesquisa expõe estratégias autorreferencias investidas no editorial da revista Veja, que possibilitam a criação de vínculos de confiança e credibilidade com seu público. Descreve o perfil do jornalismo opinativo a partir da narração dos processos de produção das reportagens dando ênfase aos seus colaboradores, como repórteres e fotógrafos durante suas rotinas de trabalho. Para classificar os tipos de discursos enunciados pela seção examinada, os textos dividem-se em categorias. Após uma minuciosa análise quantitativa realizada sobre as edições do ano de 2009, elegeu-se a ?celebração profissional? como parâmetro da análise qualitativa. O estudo compara os editoriais enquanto ?Carta do Editor? e ?Carta ao Leitor?, apresenta suas características, e discorre sobre suas relações com outras seções da revista, como as imagens que acompanham os editoriais procurando comprovar o que está sendo dito em seus textos. A pesquisa identifica marcas autorreferenciais no discurso de Veja enquanto sujeito enunciador que, através da persuasão, e de forma implícita, instiga o leitor a render-se aos seus ditames. / The research seeks to study the self-referential strategies invested in the editorial of the magazine Veja that allow the creation of bonds of trust and credibility with your audience. Describes the profile of opinionated journalism from the recounting of stories of production processes with emphasis on its employees, as reporters andphotographers during their routine work. To classify the types of speeches declared by section examined, the texts are divided into categories. A detailed quantitative analysis performed on the issues of 2009, he was elected a "professional celebration" as a parameter for qualitative analysis. Compares the editorial "Letter from the Editor" and "Letter to the Reader" by presenting their characteristics, and talks are on their relationships with other sections of the magazine, as the images accompanying editorial looking to prove what is being said in their texts. Brands are identified in the self-referential of Veja discourses, characterized as enunciating subject who, through persuasion, and, implicitly encourages, the reader to surrender to its dictates.

Symmetry and symmetry-breaking have, in the last one hundred and fifty years, become incorporated as central explanatory concepts within the natural sciences and mathematics. An abbreviated review of the incorporation of symmetry within the disciplines of mathematics, physics, philosophy and biology, provides a frame within which to develop of a model of mind. This thesis combines the framework provided by symmetry and symmetry-breaking with a structural understanding of self-referential dynamics in examining the implied Kantian model of mind. It considers that Kant’s assumption of a transcendental self unnecessarily isolates consciousness from being understood as a product of complex natural processes. Kant’s structural model of mind is examined and reformulated in terms of a more fundamental form and process. The space required for any non-reductionist model of mind is proposed as being generated through an enfolding of dimensionality in the occurrence of categorical level symmetry breaking during evolutionary development. The temporally extended function is accounted for in terms of self-referential structural dynamics operating within the primary temporal asymmetry. The model of mind proposed is created through application of naturalistic explanations incorporating symmetry and has attributes that may prove of interest to non-reductionists. The phenomenological geometry established provides a framework to understand the experiential phenomenon of qualia while conforming to the requirements of a natural explanation. Information is conceived as being transmitted inwaveforms propagated across spaces of enfolded dimensionalities through structural framesdemarcating nested spaces and condensing in the synthesis of unity in the object of attention,or image, and returning to distribute, the now reformulated, information outward acrosscontextual frames and spaces. This simplified dynamic is considered to operate at all levels of natural phenomena and involves the reintroduction of Bohm’s concepts of implicate and explicate order. The result is a model of mind employing a minimum structural form and self-referential dynamics that has potential for integration across the discipline theoretic frames of the natural sciences while retaining, for the domain of conscious phenomena, an independent causal significance in terms of a temporal structuralism.

The contradiction between architecture&rsquo / s &ldquo / autonomy&rdquo / , its existence as an entity with its own &ldquo / disciplinary specificity&rdquo / - and its social &ldquo / engagement&rdquo / , its involvement in culture, ideology and economy, has been the subject of numerous discussions in architectural discourse, initially in Europe and later in North America. It is argued in this thesis that although &ldquo / autonomy&rdquo / and &ldquo / engagement&rdquo / seem contradictory to each other, architecture&rsquo / s &ldquo / critical status&rdquo / is rooted in this contradiction. Autonomy is regarded as one of the essential sides of architecture&rsquo / s dual position. This suggests that the in-between, or in Stanford Anderson&rsquo / s terms, &ldquo / quasi-autonomous&rdquo / status of architecture can only be sustained through its existence as an entity that has a certain degree of autonomy. Autonomy is an agent for architectural discourse to isolate architecture from its involvement in the external reality and increase awareness within the discipline by concentrating on its specific knowledge. Autonomy aids architecture to pretend to be &ldquo / detached&rdquo / while in reality it is &ldquo / engaged&rdquo / . To focus on the autonomous dimension of architecture, to search for architecture&rsquo / s own intrinsic qualities, helps to produce knowledge within the discipline and provides a &ldquo / critical distance&rdquo / for architecture to resist any &ldquo / external authority&rdquo / . Thus this thesis intends to explore the potentials of the conceptualization and problematization of &ldquo / autonomy&rdquo / in architecture and its employment as a critical tool by architectural discourse to re-assess architectural practice. The private house projects designed by Boran Ekinci in Turkey are exemplified and utilized for the re-conceptualization of the term and enable the transfer of the discourse related with autonomy to the local context where the issue hardly gained a popularity. By doing so, both the appreciation of autonomy in general and reappreciation of architecture in Turkey are aimed.

The conceptual model of emotion regulation (ER) of Gross and Thompson (2007) introduces families of ER strategies ordered on a temporal scale. This scale has been attributed implications both for the grouping strategies but also for the neurocognitive processing. The two event-related potential (ERP) studies of emotional regulation presented here focus on emotional regulation at different temporal distances, as well as, different stages of cognitive processing. Trying to discern if various neural processes could be disentangled by looking at different stages of the late positive potential (LPP). The theoretical background begins with the neurocognitive science of emotionality and visits cognitive processing at both early and late stages before summating results of the contemporary research of emotional regulation. 39 participants were enrolled within the two experiments aiming to compare the efficiency of different strategies in reducing negative social emotion induced by photographs of angry faces. Technical difficulties discourage conclusions about how temporal distancing is most effectively adapted. Results suggest self-focused distancing strategies are more effective than situation-focused reappraisal and could be preferred for therapeutic purposes based on greater observed LPP effect.

Esta tese procura identificar quais eram os principais objetivos intelectuais e políticos de Juan Natalicio González (1897-1966), um escritor paraguaio que desempenhou um amplo leque de atividades jornalista, ensaísta, editor, político, militante do Partido Colorado e diplomata. A partir da análise de suas biografias, de seus próprios textos (autobiografia, ensaios e a revista Guarania) e do resgate feito pela historiografia, consideramos que González atingiu parcialmente suas ambições políticas, na medida em que chegou a ser presidente de seu país, foi derrubado e já não pôde voltar a ocupar um papel protagonista na cena política nacional. Por outro lado, teve grande sucesso na difusão e na consolidação da interpretação revisionista da história paraguaia, ao articular-se em diversos grupos de intelectuais latino-americanos que reproduziram amplamente sua versão da história. / This thesis seeks to identify the main intellectual and political objectives of Juan Natalicio González (1897-1966), a Paraguayan writer who played an extensive variety of activities (journalist, essayist, editor, politician, Colorado Partys member and diplomatic). From the analysis of their biographies, their own texts (autobiography, essays and magazine Guarania) and the study done by historians we consider that Gonzalez partially achieved his political ambitions, because he became president of his country but he was deposed and did not return to play a leading role in the national political scene. He succeeded in spreading and consolidation of the revisionist interpretation of Paraguayan history, after participating in various groups of Latin American intellectuals who widely reproduced his version of the history.

Esta tese procura identificar quais eram os principais objetivos intelectuais e políticos de Juan Natalicio González (1897-1966), um escritor paraguaio que desempenhou um amplo leque de atividades jornalista, ensaísta, editor, político, militante do Partido Colorado e diplomata. A partir da análise de suas biografias, de seus próprios textos (autobiografia, ensaios e a revista Guarania) e do resgate feito pela historiografia, consideramos que González atingiu parcialmente suas ambições políticas, na medida em que chegou a ser presidente de seu país, foi derrubado e já não pôde voltar a ocupar um papel protagonista na cena política nacional. Por outro lado, teve grande sucesso na difusão e na consolidação da interpretação revisionista da história paraguaia, ao articular-se em diversos grupos de intelectuais latino-americanos que reproduziram amplamente sua versão da história. / This thesis seeks to identify the main intellectual and political objectives of Juan Natalicio González (1897-1966), a Paraguayan writer who played an extensive variety of activities (journalist, essayist, editor, politician, Colorado Partys member and diplomatic). From the analysis of their biographies, their own texts (autobiography, essays and magazine Guarania) and the study done by historians we consider that Gonzalez partially achieved his political ambitions, because he became president of his country but he was deposed and did not return to play a leading role in the national political scene. He succeeded in spreading and consolidation of the revisionist interpretation of Paraguayan history, after participating in various groups of Latin American intellectuals who widely reproduced his version of the history.

The advanced stage of capitalism that we now live in has brought many changes to the way that society consumes and produces. One of the biggest shifts to the modern economy was the use of visual culture to distract, pacify, and exert power over the masses; a cultural change French theorist Guy Debord named the Society of the Spectacle. As a result, Debord and the Situationist International developed a movement of resistance to reclaim the territories of everyday life being eroded by the spectacle through separation and alienation. Since the term was coined the use of visual culture has accelerated and become even more pervasive in the postmodern world which led Jean Baudrillard to claim that the real has been replaced by simulation and hyperreality. This thesis explores this cultural shift to determine whether the practices of resistance theorized by Debord and the Situationists are still relevant as the reach of postmodernism increases. Link to associated video file: https://vimeo.com/64727252

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / In this work the focus given to the printed newspaper goes beyond the function institutionalized in the social construction of reports and is focused on the notion product media to be "sold" the advertising market. The attention is back to ads that reference the vehicle of communication in which being published as self-referential ads. The main goal is to investigate the construction of newspaper in self-referential ads from daily Diário Gaúcho, owned by RBS - Rede Brasil Sul to systematize the variables present in the contracts of communication advertisements in order to find formations that indicate the mise en scène of the media product and the popular reader. Contribution of concept of articulation (HALL, 2003) aligned with cultural studies, suggests that the text and context of advertising fall within production journalism as a self-reference: the media instance strain promise and product in the same space of movement, marked by certain cultural matrices (SUNKEL, 1985). Adopts the notion of communication contract (CHARAUDEAU, 2006) as a theoretical methodological analysis of the corpus consisted of nineteen ads published in different editions of the newspaper Diário Gaúcho, between 2008 and 2009. It appears that the link between advertising and the media context fuses the joints themselves the product of the media with his audience. For Diário Gaúcho is remarkable transposition of concepts adopted in its editorial announcements: strengthens precepts of popular journalism, directed to an audience without the habit of reading. The newspaper is mise en scène as a friend of the reader, there is thus erasing the characteristics of newspaper as media product. The reader is mise en scène in two perspectives: one that celebrates the warmth, joy, color and traditions, and another that refers to position of subordination and helplessness experienced by the working classes. Advertising self-referential Diário Gaúcho builds the newspaper by subjective and emotional bias in the manner cultural matrix of symbolic-dramatic, of overlapping the contract to identification with the reader. / O enfoque dado ao jornal impresso, neste trabalho, extrapola a função institucionalizada na construção social dos relatos e direciona-se à noção de produto midiático a ser vendido pelo mercado publicitário. Nossa atenção volta-se a anúncios que referenciam o próprio veículo de comunicação em que estão sendo difundidos, anúncios que denominamos autorreferenciais. Nosso principal objetivo é investigar a construção do jornal em anúncios autorreferenciais do jornal Diário Gaúcho, pertencente ao Grupo RBS Rede Brasil Sul -, para sistematizar as variáveis presentes nos contratos de comunicação dos anúncios publicitários, a fim de encontrar formações que indiquem os modos de encenação do produto midiático e do leitor popular. O aporte do conceito de articulação (HALL, 2003), alinhado aos Estudos Culturais, permite considerarmos que o texto e o contexto da mensagem publicitária se inscrevem no espaço de produção jornalística como uma autorreferência: a instância midiática tensiona promessa e produto em um mesmo espaço de circulação, marcado por determinadas matrizes culturais (SUNKEL, 1985). Adotamos a noção de contrato de comunicação (CHARAUDEAU, 2006) como instrumento teórico-metodológico de análise do corpus, composto por dezenove anúncios veiculados em diferentes edições do jornal Diário Gaúcho, no período entre 2008 e 2009. Verificamos que a vinculação entre anúncio e contexto midiático se funde a articulações próprias do produto midiático com seu público. No caso do Diário Gaúcho, é notável a transposição de conceitos adotados em sua linha editorial aos anúncios: reforça preceitos de jornalismo popular direcionado a um público sem o hábito de leitura. O jornal é encenado como um amigo do leitor, havendo, portanto, apagamento das características do jornal como produto midiático. O leitor, por sua vez, é encenado sob duas perspectivas: uma que exalta a afetividade, a alegria, o colorido e as tradições; e outra que remete à posição de subordinação e desamparo vivenciada pelas camadas populares. A publicidade autorreferencial do Diário Gaúcho constrói o jornal pelo viés subjetivo e emocional nos moldes da matriz cultural simbólico-dramática, que imbrica o contrato à identificação com o leitor.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This work is part of the current scenario of media coverage in the range of access to new information technologies and communication as well as the many media devices, affects different social systems and even the media themselves, changing ways of doing and relationship between the contacts and the degree of complexity of these processes and relationships. In this context, we recognize the places crowded by the media of print journalism Santa Maria - RS, by studying the strategies of production of meaning in self-referential discourse of newspapers A Razão and Diário de Santa Maria, in the campaign for municipal elections 2008. We seek to investigate what role that self-referential journalism of print media of Santa Maria seeks to establish through their discourses? From this, our specific objectives are: Contextualizing the impact of self-referentiality as a result of the change strategies of media devices as a result of mediatization; Present method of construction of selfreferential journalistic discourse the media, linking theoretical and empirical knowledge; Identify the core meanings/discursive formations and the scene of enunciation of self-referential discourses that will enable us to visualize the image of himself (discursive ethos) constructed by each newspaper; Recognize the communication contract proposed by the self-referential discourses of the newspapers in study. We used as theoretical and methodological Discourse Analysis of the French line, especially developed by Dominique Maingueneau (1997, 2006, 2008). Thus, the analysis of the discursive strategies of self-referentiality newspaper A Razão and Diário de Santa Maria helped us to verify that newspapers compete to fill posts of legitimate statements of facts or information to the public space in mediated society. This competition for places in the context of media coverage changes the processes and journalistic practices, and modes of enunciation of his discourses. Thus, the journalistic system becomes a space actorization of events and information that become news, showing its reality, how to stage makes the process of newsworthiness. Thus, it appears that apart from the competition between the media system is the journalistic competition to the place that speaks of legitimate society also mediated with the other social systems. Therefore, this study points to the need for future research should discuss and reflect the power relations of the journalistic system with other systems and points to the need to rethink this logic self-referential change the current system to a journalistic role agent democratic in contemporary public space. / O presente trabalho se inscreve no atual cenário da midiatização, em que a amplitude de acesso às novas tecnologias de informação e comunicação, bem como aos inúmeros dispositivos midiáticos, afeta os diversos sistemas sociais e, inclusive as próprias mídias, alterando os modos de fazer e o relacionamento entre os comunicantes e aumentando o grau de complexidade desses processos e relações. Nesse contexto, propomos reconhecer os lugares concorridos pelas mídias jornalísticas impressas de Santa Maria RS, por meio do estudo das estratégias de produção de sentidos no discurso autorreferencial dos jornais A Razão e Diário de Santa Maria, no período de campanha para as eleições municipais de 2008. Buscamos investigar qual é o lugar que o jornalismo autorreferencial de mídia impressa de Santa Maria busca instituir por meio dos seus discursos? A partir disso, nossos objetivos específicos são: Contextualizar a incidência da autorreferencialidade como uma consequência da mudança de estratégias dos dispositivos midiáticos em decorrência da midiatização; Apresentar o modo de construção do discurso jornalístico autorreferencial das mídias, relacionando conhecimento teórico e empírico; Identificar os núcleos de sentidos/formações discursivas e a cena da enunciação dos discursos autorreferenciais que vão nos possibilitar visualizar a imagem de si (ethos discursivo) construída por cada um dos jornais; Reconhecer o contrato de comunicação proposto pelos discursos autorreferenciais dos jornais em estudo. Para tanto, utilizamos como embasamento teóricometodológico a Análise do Discurso de linha francesa, especialmente desenvolvida por Dominique Maingueneau (1997, 2006, 2008). Desse modo, a análise das estratégias discursivas de autorreferencialidade dos jornais A Razão e Diário de Santa Maria nos possibilitaram verificar que os jornais concorrem para ocuparem os lugares de legítimos enunciadores dos fatos e informações do espaço público na sociedade midiatizada. Essa concorrência por lugares no contexto da midiatização altera os processos e práticas jornalísticas, bem como os modos de enunciação de seus discursos. Com isso, o sistema jornalístico torna-se um espaço de atorização dos acontecimentos e informações que se tornam notícia, ao mostrar a sua realidade, o modo como faz para encenar esse processo de noticiabilidade. Assim, constata-se que além da concorrência entre as mídias no sistema jornalístico há a concorrência pelo lugar de enunciador legítimo da sociedade midiatizada também com os demais sistemas sociais. Por isso, o presente trabalho aponta para a necessidade de pesquisas futuras que problematizem e reflitam as relações de poder do sistema jornalístico com os demais sistemas, bem como aponta para a necessidade de repensar a mudança dessa lógica autorreferencial do sistema jornalístico atual para um papel de agente democrático no espaço público contemporâneo.

The advanced stage of capitalism that we now live in has brought many changes to the way that society consumes and produces. One of the biggest shifts to the modern economy was the use of visual culture to distract, pacify, and exert power over the masses; a cultural change French theorist Guy Debord named the Society of the Spectacle. As a result, Debord and the Situationist International developed a movement of resistance to reclaim the territories of everyday life being eroded by the spectacle through separation and alienation. Since the term was coined the use of visual culture has accelerated and become even more pervasive in the postmodern world which led Jean Baudrillard to claim that the real has been replaced by simulation and hyperreality. This thesis explores this cultural shift to determine whether the practices of resistance theorized by Debord and the Situationists are still relevant as the reach of postmodernism increases. Link to associated video file: https://vimeo.com/64727252