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Female agency in Burnt Shadows and Postcolonial Feminism in the EFL ClassroomFloryd, Vanja January 2019 (has links)
This essay analyses Burnt Shadows (2009) by Kamila Shamsie from a postcolonial feminist perspective, with a focus on agency of women, representation and re-presentation, and cultural stereotypes. The degree of agency in the main characters Hiroko, Elizabeth and Kim is discussed, followed by an analysis of the re-presentation of Indian, Pakistani and Arab Muslim women characters in the text, with a focus on homogenisation and voice. Moreover, suggestions of how to teach Burnt Shadows with a postcolonial (and) feminist lens within the course English 6 in the Swedish upper secondary school EFL classroom are discussed. It is concluded that Hiroko, Elizabeth and Kim have voice and agency to various degrees. Moreover, it is stated that Indian, Pakistani and Arab Muslim women are re-presented in a stereotypical and homogenising way, and their lack of voice obstruct the possibilities of regarding these characters from a contextual, historical, and cultural perspective. The pedagogical framework concludes that Burnt Shadows can be used to study postcolonial feminist theory in the EFL classroom. Given that the teacher is open-minded, inclusive and objective, the teaching can pursue equality and solidarity in line with the fundamental values of the Swedish upper secondary school.
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In love and war : the politics of romance in four 21st-century Pakistani novelsDuce, Cristy Lee January 2011 (has links)
Writers of fiction have long since relied on love, romance, and desire to drive the
plots of their work, yet some postcolonial authors use romance and interpersonal
relationships to illustrate the larger political and social forces that affect their relatively
marginalized experiences in a global context. To illustrate this literary strategy, I have
chosen to discuss four novels written in the twenty-first century by Pakistani authors: Tbe
Reluctant Fundamentalist by Mohsin Hamid, Trespassing by Uzma Aslam Khan, The
Wasted Vigil by Nadeem Aslam, and Burnt Shadows by Kamila Shamsie. With the
geographical origin of these writers as a common starting place from which to compare
and contrast their perspectives on global politics, their understandings of gender, and
their perceptions of how the public and the private constitute and intersect each other, I
will use postcolonial theory to dissect the treatment of romance in their respective novels. / v, 85 leaves ; 29 cm
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Cosmopolitanism, Fundamentalism, and Empire: 9/11 Fiction and Film from Pakistan and the Pakistani DiasporaMehta, Suhaan Kiran January 2013 (has links)
No description available.
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