Dana, the Black female protagonist in Octavia Butler’s novel Kindred (1979), finds herself literally and figuratively in medias res as she sporadically travels between her present day life in 1976 and her ancestral plantation of 1815 – two time periods that represent two converse concepts of her identity as a Black woman. As a result, her time travel experiences cause her to revise her racial and gendered identity from a historically fragmented Black woman, who defines herself solely on her contemporary experiences, to a Black woman who defines herself based on her present life and her personal and ancestral history of experiencing and overcoming racial and gendered oppression. Using Black feminist theory scholarship, this thesis examines Dana’s movement out of in medias res, through temporal double-consciousness, into a historically integrated identity or interstitial consciousness.

The National Mall in Washington DC has become an “encyclopaedia of American history,” however conspicuous in its absence, is the history of African American slavery upon which this national artifact was built. Slavery may not be cause for celebration as one of America`s proudest moments, however its history is critical to understanding the history of America and why the deep-seated antagonism between the races continues to exist within its very core. The purpose of the thesis is to focus on this aspect of American history in order to design an appropriate memorial that would satisfy this gap between this history and its recognition on the National Mall. Secondly, the slave memorial intends to honour the victims of slavery who have been largely ignored, trivialized, or misrepresented by the few memorials in Washington that claim to address their memory. A major portion of this thesis constitutes a mapping of the memorials and monuments of Washington DC in an attempt to understand how the capital has come to embody the “national identity” of the United States. The thesis also contains a summarized history of slavery and racial tension in the United States. This material is included in the thesis in order to remind us of the depth and seriousness of the history that the slave memorial must address through its built, architectural form.

This dissertation explores postcolonial fiction that reflects the structural situation of a genocidal number of third-world women who are being trafficked for sexual purposes from postcolonial countries into the global north—invariably, gender, class and race play a crucial role in their exploitation. Above all, these women share a systemic disposability and invisibility, as the business relies on the victim’s illegality and criminality to generate maximum revenues. My research suggests that the presence of these abject women is not only recognized by ideological and repressive state apparatuses on every side of the trafficking scheme (in the form of governments, military establishments, juridical systems, transnational corporations, etc.) but is also understood as necessary for the current neoliberal model to thrive undisturbed by ethical imperatives. Beginning with the turn of the twentieth century, then, I analyze sexual slavery transnationally by looking at James Joyce’s “Eveline,” Therese Park’s A Gift of the Emperor, Mahasweta Devi’s “Douloti the Bountiful,” Amma Darko’s Beyond the Horizon, Chris Abani’s Becoming Abigail, and Roberto Bolaño’s 2666, concentrating on the political, economic, and social discourses in which the narratives are immersed through the lens of Marxist, feminist, and postcolonial theory. By interrogating these postcolonial narratives, my project reexamines the sex slave-trafficker-consumer triad in order to determine the effect of each party’s presence or absence from the text and the implications in terms of the discourses their representations may tacitly legitimize. At the same time, this work investigates the type of postcolonial stories the West privileges and the reasons, and the subjective role postcolonial theory plays in overcoming subaltern women’s exploitation within the current neocolonial context. Overall, I interrogate the role postcolonial literature plays as a means of achieving (or not) social change, analyze the purpose of artists in representing exploitative situations, identify the type of engagement readers have with these characters, and seek to understand audiences’ response to such literature. I look at authors who have attempted to discover fruitful avenues of expression for third-world women, who, despite increasingly constituting the bulk of the work force worldwide, continue to be exploited and, in the case of sex trafficking, brutally violated.

The National Mall in Washington DC has become an “encyclopaedia of American history,” however conspicuous in its absence, is the history of African American slavery upon which this national artifact was built. Slavery may not be cause for celebration as one of America`s proudest moments, however its history is critical to understanding the history of America and why the deep-seated antagonism between the races continues to exist within its very core. The purpose of the thesis is to focus on this aspect of American history in order to design an appropriate memorial that would satisfy this gap between this history and its recognition on the National Mall. Secondly, the slave memorial intends to honour the victims of slavery who have been largely ignored, trivialized, or misrepresented by the few memorials in Washington that claim to address their memory. A major portion of this thesis constitutes a mapping of the memorials and monuments of Washington DC in an attempt to understand how the capital has come to embody the “national identity” of the United States. The thesis also contains a summarized history of slavery and racial tension in the United States. This material is included in the thesis in order to remind us of the depth and seriousness of the history that the slave memorial must address through its built, architectural form.

Jane Austens <i>Mansfield Park</i> has earned a reputation as a difficult text for its politically-charged negotiations of ethics and unsatisfactory heroine. Since Edward Said presented the novel as an example of British literature that contributed to an expanding imperialist venture (95), scholarly attention has shifted to focus on the extent to which the novel critically engages with macrocosmic power structures and hegemonic discourse. That is, how does Mansfield Parks description of power dynamics at home reflect slave-related issues in the foreign atmosphere? Austens interest in and familial connections to slave-related issues, contemporary cultural awareness of abolitionist sentiment, and textual allusions to the slave trade all contribute to the novels counterpoint between domestic and foreign spaces: the Bertram family is economically dependent on a slave plantation in Antigua. A microcosm of plantation life, Mansfield Park represents the dilemmas of marginalized women who are presented with choices to rebel against or submit to patriarchal authority. In order to preserve her own physical, emotional, and psychological safety, Fanny Price bids for patriarchal favour. While others are punished severely for their rebellion, Fanny is rewarded for her submissive choices and enjoys an elevated social status. However, she inspires no reformation and remains an unsatisfactory heroine. Like the grateful Negro of contemporary plantation tales, Fanny functions to stabilize the status quo through her gratitude and loyalty, reinforcing societys tightly-controlled boundaries of acceptable behaviour. Mansfield Parks revelatory strength is that it exposes the mechanisms by which power is produced and maintained in domestic and imperial spaces.

In this paper, I invoke a sociolinguistic approach to complement the historical record in order to examine the use of the word utumwa itself as it has changed to reveal distinct class and gender connotations especially in northem Swahili communities. To explore utumwa is difficult. There is no consensus with regard to what the word and its derivatives mean that applies consistently, yet it is clear that there has been a meaning shift since the nineteenth century. This paper examines the construction and transformation of a non-Westem-molded form of service in Africa. Oral traditions and terminological variation will be brought to bear on an analysis of utumwa `slavery, service` as an important concept of social change in East Africa and, in particular, on the northern Kenya coast What this term, its derivatives, and other terms associated with it have come to mean to Swahili speakers and culture bearers will be seen to mirror aspects of the history of Swahili-speaking people fi-om the 1Oth-11th century to the present.

<p>In the century and a half since Emancipation, slavery has remained a central topic at Somerset Place, a plantation-turned-state historic site in northeastern North Carolina, and programmers and audiences have thought about and interpreted it in many different ways. When North Carolina's Department of Archives and History first adopted the former plantation into its Historic Sites System in 1967, Somerset was dedicated to memorializing the planter, Josiah Collins III; the enslaved rarely made it into the site's narrative at all, and if they did it was as objects rather than subjects. In the final decades of the twentieth century, Somerset Place began to celebrate the lives of the 850 slaves who lived and worked at the plantation during the antebellum era, framing their history as a story about kinship, triumph and reconciliation. Both versions of the story--as well as the many other stories that the site has told since the end of slavery in 1865--require careful historical analysis and critique. </p><p>This dissertation considers Somerset's history and varying interpretations since the end of Reconstruction. It examines the gradual invention of Somerset Place State Historic Site in order to explore the nature and implications of representations of slavery, and the development of Americans' historical consciousness of slavery during their nation's long transition into freedom. It employs manuscript sources; oral histories and interviews; public documents, records and reports; and material artifacts in order to trace Somerset's gradual shift from a site of agricultural production to one of cultural representation, situated within North Carolina's developing public history programming and tourism industry. This research joins a rich body of literature that addresses southern history, epistemology, memory, and politics. It is comparative: it sets two centuries side by side, excavating literal cause-and-effect--the ways in which the events of the nineteenth century led to those of the twentieth--and their figurative relationship, the dialectical play between the ante- and post-bellum worlds. By examining the ways twentieth-century Americans employed the antebellum era as an intellectual and cultural category, this dissertation sheds light on slavery's diverse legacies and the complexity of living with collective historical traumas.</p> / Dissertation

<p>Slavery and freedom are central issues in the historiography of nineteenth-century America. In the antebellum era (1820-1860), personal status was a fluid concept and was never as simple as black and white. The courts provide a revealing window for examining these ambiguities because court cases often served as the venue for negotiations over who was enslaved and who was free. In St. Louis, enslaved men and women contributed to debates and discussions about the meaning of personal status by suing for their freedom. By questioning their enslavement in freedom suits, slaves played an important role in blurring the law's understanding of slavery; in the process, they incurred the enormous personal risks of abuse and the possibility of sale. </p><p>Using the records of over 300 slaves who sued for freedom, as well as a variety of manuscript sources, newspapers, and additional court records, this project traces these freedom suits over time, and examines how slave law and the law of freedom suits shifted, mainly in response to local and national debates over slavery and also to the growing threat of anti-slavery encroachment into St. Louis. When the laws tightened in response to these threats, the outcomes of freedom suits also adjusted, but in ways that did not fit the pattern of increasing restrictions on personal liberty. Instead, the unique situation in St. Louis in the 1840s and 1850s, with its increasingly anti-slavery immigrant population, allowed slaves suing for freedom to succeed at greater rates than in previous decades.</p> / Dissertation

<p><italic>Narrating Infanticide: Constructing the Modern Gendered State in Nineteenth-Century America</italic> traces how modern ideas about gender and race became embedded in the institutions of law and government between the Revolution and the end of Reconstruction. Contemporary understandings of gender and race actually consolidated only in the aftermath of the Civil War, as communities embraced beliefs that women and African Americans constituted distinctive groups with shared, innate characteristics related solely to the fact that they were female or racially different. People then applied these ideas about gender and race to all arenas of life, including the law. </p> <p>Yet understanding the roles of women and African Americans through universalizing legal conceptions of gender and/or race--conceptions that crystallized in law only in the wake of the Civil War--elides the complexity of the ways in which antebellum communities responded to the interactions of women, the enslaved, and free blacks with the legal system. My study's focus on infanticide, a crime that could only be perpetrated by females, reveals how women--and men--of all races involved themselves in the day-to-day legal processes that shaped the daily lives of Americans during the early republic and antebellum periods. Communities responded to cases of infant death informed by understandings of motherhood and child mortality specific to that particular case and individual, rather than shaping outcomes--as they began to do so after the Civil War--based on broad assumptions about the race or gender of the offender. My conclusions are drawn from almost one hundred cases of infanticide and infant death between 1789 and 1877 gleaned primarily from court records and newspapers in Connecticut, Illinois, and North Carolina. In addition, the study draws on reports of other instances from around the nation, as narrated in sources such as diaries, periodicals, newspapers, crime pamphlets, and medical journals.</p> / Dissertation

This paper seeks to explain the existence of wealthy and socially influential slaves in the fourth century BCE at Athens, Greece. I describe what went on at Athens from the late seventh century until the early third century and show that transformation in the land to labor ratio combined with cultural, legal and political changes led to a period of time where slaves acquired wealth and power. First, changes in the land to labor ratio at a time when Athens was going through vast political change led to a culture where it was socially unacceptable for a free Athenian to work for another free Athenian. Slaves could then work in sectors unavailable to free Athenians, which led them to gain wealth and eventually societal power.