In this thesis artwork is defined, through analogy with quantum mechanics, as the conjoining of the nonsimultaneously measurable momentum (waves) of artwork-text (words within the primary sources and exhibition catalogues) with the position (particles) of artwork-objects (artist- productivity/exhibition-quantities). Such a proposition allows for the changes within the artwork of the Russian avant-garde to be charted, as such artwork-objects are juxtaposed with different artwork-texts from 1902 to 2009. The artwork of an initial period from 1902 to 1934 is examined using primary-source artwork-text produced by Russian artists and critics in relation to the contemporaneous production-levels of various types of Russian-avant-garde artwork-objects. The primary sources in this dataset are those reproduced in the artwork-text produced by the 62 exhibitions described below, and those published in John E. Bowlt's 1991 edition of Russian Art of the Avant-Garde: Theory and Criticism. The production of artwork in the latter period from 1935 to 2009 is examined through consecutive exhibitions, and the relationship between the artwork-text produced by these exhibitions and the artwork-objects exhibited at them. The exhibitions examined within this thesis are 62 containing Russian avant-garde artwork, held in Britain from 1935 to 2009. Content analysis, using an indices-and-symptom analytical construct, functions to convert the textual, unstructured data of the artwork-text words to numerical, structured data of recording-unit weighted percentages. Whilst artist-productivity and exhibition-quantities of types of artwork-object convert the individual artwork-objects to structured data. Bivariate correlation, descriptive statistics, graphs and charts are used to define and compare relationships between: The recording units of the artwork-texts; the artist-productivity/ exhibition-quantities of types of artwork-objects; the structured artwork-text data and structured artwork-object data. These various correlations between structured artwork-text data and structured artwork-object data are calculated in relationship to time (Years) to chart the changes within these relationships. The changes within these relationships are synonymous with changes within Russian avant-garde artwork as presented from 1902 to 1934 and within the 62 British exhibitions from 1935 to 2009. Bivariate correlations between structured artwork-texts data and structured artwork-objects data express numerically (quantitatively) the ineffable relationships formed over time by large sets of unstructured data in the continued (re)creation of artwork.

This dissertation of limited scope traces the attempts by Gorbachev (1985-1991) to reform an economic, political and social system which was in a state of terminal decline. The origins of its demise, it is argued, lay in the ossified command economy inherited from Stalin. The enormous damage inflicted on Soviet agriculture during collectivisation in the 1930s~ when millions of productive peasants died, proved to be a fatal blow to that sector. Tlms, Gorbachev followed a two-fold strategy ofrefonn. Glasnost (openness) was introduced to allow constructive debate on economic and social matters. Despite a hesitant beginning, the right to criticise allowed the emergence of more radical campaigners, such as Yeltsin who demanded greater democracy. Significantly, the revival of ethnic nationalist demands in the republics led to disintegration. Perestroika (restructuring) was intended to modernise and boost living standards. The economy faltered but the market was not yet in place / History / M.A. (History)

xiv, 934 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / The dissertation focuses on Protestants in the Soviet Ukraine from the end of the Second World War to the collapse of the USSR. It has two major aims. The first is to elucidate the evolution of Soviet policy toward Protestant denominations, using archival evidence that was not available to previous students of this subject. The second is to reconstruct the internal life of Protestant congregations as marginalized social groups. The dissertation is thus a case study both of religious persecution under state-sponsored atheism and of the efforts of individual believers and their communities to survive without compromising their religious principles. The opportunity to function legally came at a cost to Protestant communities in Ukraine and elsewhere in the USSR. In the 1940s-1980s, Protestant communities lived within a tight encirclement of numerous governmental restrictions designed to contain and, ultimately, reduce all manifestations of religiosity in the republic both quantitatively and qualitatively. The Soviet state specifically focused on interrupting the generational continuity of religious tradition by driving a wedge between believing parents and their children. Aware of these technologies of containment and their purpose, Protestants devised a variety of survival strategies that allowed them, when possible, to circumvent the stifling effects of containment and ensure the preservation and transmission of religious traditions to the next generation. The dissertation investigates how the Soviet government exploited the state institutions and ecclesiastic structures in its effort to transform communities of believers into malleable societies of timid and nominal Christians and how the diverse Protestant communities responded to this challenge. Faced with serious ethical choices--to collaborate with the government or resist its persistent interference in the internal affairs of their communities-- many Ukrainian Evangelicals joined the vocal opposition movement that contributed to an increased international pressure on the Soviet government and subsequent evolution of the Soviet policy from confrontation to co-existence with religion. The dissertation examines both theoretical and practical aspects of the Soviet secularization project and advances a number of arguments that help account for religion's survival in the Soviet Union during the 1940-1980s. / Committee in charge: Julie Hessler, Chairperson, History; R Alan Kimball, Member, History; Jack Maddex, Member, History; William Husband, Member, Not from U of O Caleb Southworth, Outside Member, Sociology

The tenorhorn and baryton (euphonium), as members of the valved conical brass family, were highly regarded by Oskar Böhme (1870-1938) and Victor Ewald (1860-1935). This study examines the role the tenorhorn and baryton played in selected works by these two composers of the Russian Chamber Brass School. A chronology of the research leading to the discovery and naming of the Russian Chamber Brass School is included as well as a discussion on brass chamber music performance practice both then and now.

Indiana University-Purdue University Indianapolis (IUPUI) / The collapse of communism and the fall of the Soviet Union offered an unprecedented opportunity for the international community to support transitions to democracy in a region that had long known only totalitarian rule. Among the key players engaged in supporting efforts were U.S. grantmaking institutions, including both non-state and quasi-state aid providers. This thesis explores the motivations and evolving strategies of three different types of grantmaking institutions in a single country, Russia, with a particular focus on democracy aid provision from 1988-2002. The three types of grantmaking organizations examined through case studies include: the Ford Foundation, a private foundation with a history of international grantmaking spanning several decades; the Charles Stewart Mott Foundation, a private foundation known primarily for its domestic focus with a much shorter history of international grantmaking; and, finally, the National Endowment for Democracy, a U.S. government-created and heavily taxpayer-funded organization established as a private nonprofit organization to make grants specifically for democracy promotion. Motivating factors for initiating or expanding grantmaking in Russia in the late 1980s included a previous history of grantmaking in the region, a previously established institutional commitment to democracy promotion, international peace and security concerns, and interest from a top institutional leader. Over the course of the fourteen year period studied, five grantmaking features are identified as influencing the development of grantmaking strategies: professional grantmaking staff; organizational habit; global political, social, and economic environments; market and other funding source influences; and physical presence. Though subject to constraints, the non-state and quasi-state grantmaking institutions included in this study were able to avoid weaknesses identified with private philanthropy in other research and demonstrated a willingness to experiment and take risks, an ability to operate at the non-governmental level, and a commitment to long-term grantmaking, informed by expertise.

Indiana University-Purdue University Indianapolis (IUPUI) / In the early 1950s, President Dwight Eisenhower encouraged citizens to “Wake Up! Sign Up! Look Up!” to the Soviet atomic threat by joining the Ground Observer Corps (GOC). Established by the United States Air Force (USAF), the GOC involved civilian volunteers surveying the skies for Soviet aircraft via watchtowers, alerting the Air Force if they suspected threatening aircraft. This thesis examines the 1950s response to the longstanding problem posed by the invention of any new weapon: how to adapt defensive technology to meet the potential threat. In the case of the early Cold War period, the GOC was the USAF’s best, albeit faulty, defense option against a weapon that did not discriminate between soldiers and citizens and rendered traditional ground troops useless. After the Korean War, Air Force officials promoted the GOC for its espousal of volunteerism and individualism. Encouraged to take ownership of the program, observers appropriated the GOC for their personal and community needs, comprised of social gatherings and policing activities, thus greatly expanding the USAF’s original objectives.