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The Global ETD Search service is a free service for researchers
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Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 10 of 43 (0.018 seconds)Spelling suggestions: "subject:"stockhausen"" "subject:"stockhausens""
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Karlheinz Stockhausens Musik im Brennpunkt ästhetischer Beurteilung /Braun, Thomas Manfred. January 2004 (has links)
Texte remanié de: Diss.--Philosophie--Köln, 2003. / Bibliogr. p. 197-204. Index.
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Die Grundlagung der Musik Karlheinz Stockhausens /Blumröder, Christoph von. January 1993 (has links)
Diss.--Fribourg en Brisgau, 1989/90. / Bibliogr. p. 181-182. Index.
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Karlheinz Stockhausen: Oper Mittwoch aus LichtGrohmann, Katerina January 2008 (has links)
Zugl.: Köln, Univ., Diss., 2008
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| 4 |
The electronic music of Karlheinz Stockhausen; studies on the esthetical and formal problems of its first phase.Heikinheimo, Seppo. January 1972 (has links)
Thesis--Helsinki. / Added t.p., with thesis statement, inserted. Bibliography: p. 227-228.
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The Avant Garde and its 'others' : orientalism in contemporary art musicMing, Christina Tio Ee January 2000 (has links)
No description available.
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Formel-Komposition : zu Karlheinz Stockhausens Musik der siebziger Jahre /Conen, Hermann. January 1991 (has links)
Diss.--Phil. Fak.--Cologne, 1988. / Contient la liste des oeuvres de K. Stockhausen. Bibliogr. p. 259-262. Index.
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Sacrificium intellectus : das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, Botho Strauss und Anselm Kiefer /Bauer, Christian. January 2008 (has links)
Zugl.: Wuppertal, Univ., Diss.
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| 8 |
The Saxophone Works of Karlheinz StockhausenBunt, Elizabeth January 2010 (has links)
Karlheinz Stockhausen (1928-2007) was one of the most influential composers of the second half of the twentieth century. Although his music has been written about extensively, there is little scholarship focusing directly on his saxophone music. This document is a study of Karlheinz Stockhausen's saxophone works. It introduces saxophonists, and others, to Stockhausen's idiomatic stylistic traits and techniques in the context of his saxophone pieces. Particular aspects of Stockhausen's creative output are illuminated, including the formal construction of his pieces, the visual component of his pieces, the spatialization of his pieces, and his use of electronic media. Six of Stockhausen's pieces are discussed in detail: In Freundschaft, Saxophon, Knabenduett, Linker Augentanz, Erwachen, and Edentia.
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Analyses and realizations of Karlheinz Stockhausen's Nr. 18 Stop and Nr. 21 AdieuRees, Michael W. January 1979 (has links)
This project has investigated Karlheinz Stockhausen's compositions STOP and Adieu from a primarily analytical perspective. Because the notational paradigms dictate an experimental attitude, the project has been approached in this manner. The resulting analyses have provided information concerning the pitch materials utilized and the formal constructions of these two compositions.The results obtained from the analyses were subsequently applied in performance practice. These performances of STOP and Adieu were compared with the expectations predicated by the compositions and a determination was made as to their relative successfulness. / School of Music
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| 10 |
Sacrificium intellectus : das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, Botho Strauß und Anselm KieferBauer, Christian January 2008 (has links)
Zugl.: Wuppertal, Univ., Diss.
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