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1	Searching for Svea Rike Hallstensson, Filippa January 2022 (has links) 2030 marks the 100-year anniversary of The Stockholm Exhibition 1930 and what is often described as an important breakthrough of modernism in Sweden. The “special exhibition” Svea Rike - with the task of strengthening the national identity- has not been given the same attention as other exhibition halls in The Stockholm Exhibition in architectural history. Svea Rike was not part of the initial plans of The Stockholm Exhibition 1930 and is therefore missing in the early and most published plans and models of the exhibition. Exterior and interior photographs of the special exhibition disclose parts of Svea Rike but it’s never entirely uncovered. In the Svea Rike pavilion at The Stockholm Exhibition 1930 the development of Sweden was shown in a full picture and near the entrance, Herman Lundborg, Head of the State Institute for Racial Biology in Uppsala presented his work on typical racial descriptions and the significance of heritage through photographs, sculptures, and illustration. To see the building Svea Rike is also to see how race and modernity are interconnected and central in the history. Through careful research into archives and collections, examining drawings, photographs, objects, correspondence and other texts, this project aims to find out what the building Svea Rike looked like. Through reading, investigating, approximating, drawing, and model, information is overlapped and a reconstruction of Svea Rike offers a way to see the Stockholm Exhibition from the building Svea Rike. The Stockholm Exhibition 1930 Stockholmsutställningen 1930 Svea Rike Swedish national identity State Institute for Racial Biology archive photography Asplund Architecture Arkitektur
2	Att måla en ö : Karl Nordströms Tjörn runt 1910 Juster, Daniel January 2021 (has links) Denna uppsats studerar Karl Fredrik Nordströms (1855–1923) konstnärliga relation till ön Tjörn på den svenska västkusten med särskilt fokus på åren kring 1910. Nordström återkom ständigt i sina landskapsmålningar till Tjörn och prövade sig fram genom olika konstinriktningar som impressionism, syntetism, symbolism och nationalromantik. Genom bildanalys av tre verk, observationer samt källforskning finner jag att Nordström under lång tid sökte efter att återge Tjörn på ett nöjaktigt sätt, men att först efter att ha funnit sin egen konstnärliga process, ett konstnärligt uttryck, och var fri från omvärldens krav, lyckades han i sin föresats. / This paper studies the artist Karl Nordström's (1855-1925) artistic relation to the Swedish island Tjörn with a specific emphasis on the years around 1910. Norsdstöm repeatedly returned to Tjörn for inspiration for his landscape portraits, practicing impressionism, synthetism, symbolism and national romantics. By analyzing three different paintings, by observations at Tjörn and by studying primary sources, I find that Nordström kept on trying to capture the nature at Tjörn, but it was only after he had found his own process and expression, and was freed from outside expectations, that he succeded. Landscape art Stockholm exhibition Synthetism Impressionism Nationalism Tjörn Bohuslän Varberg Landskapsmåleri Stockholmsutställning Konstnärsförbundet Syntetism Impressionism Nationalromantik Nationalism Tjörn Bohuslän Varbergsskolan Art History Konstvetenskap

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Att måla en ö : Karl Nordströms Tjörn runt 1910