Orientador: Verônica Fabrini Machado de Almeida / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-16T05:47:04Z (GMT). No. of bitstreams: 1 Frias_CassianeTomilhero_M.pdf: 3569078 bytes, checksum: d9c0428c2f4e4972db506b74c49433af (MD5) Previous issue date: 2010 / Resumo: Esta pesquisa propõe uma investigação sobre os aspectos políticos presentes nas obras de Antonin Artaud e as implicações do trabalho deste autor na relação entre teatro e poder. Levando em consideração a extensa obra de Artaud e sua grande contribuição para o teatro e para a cultura, visando fazer um recorte para este trabalho, escolhemos dar maior ênfase em escritos produzidos em dois períodos da vida do autor: a participação no movimento surrealista e o período de internação em asilos da França, principalmente em Rodez. Com intuito de trazer um caráter híbrido à pesquisa teatral, procuramos analisar o estudo das obras de Artaud à luz de conceitos advindos da filosofia, principalmente às questões que se referem às relações de poder abordadas por Michel Foucault. No último capítulo, propomos uma aproximação entre as propostas artaudianas e sua contribuição para o teatro hoje através de autores como Antônio Negri e Hans-Thie Lehman, visando discutir qual é o espaço do teatro atual nas relações de poder contemporâneas / Abstract: This research proposes an investigation about the political aspects in the works of Antonin Artaud and its implications to the relation between theater and power. Due the extension of his entire work and the impact through theater and culture, we decided to focus in his writings done in two periods of his life: the participation in the surrealist movement and the period of hospitalization in French asylums, mainly Rodez. In order to bring a hybrid character to theater research, we analised the study of Artaud's works through filosofical concepts, especially issues related to power relations pointed by Michel Foulcault. In the last chapter, we approach Artaud's proposals and contributions for today theater through authors such as Antonio Negri and Hans-Thie Lehman, trying to discuss which space is left to theater in contemporary power relations / Mestrado / Artes / Mestre em Artes

Orientador: Marcos Lutz Muller / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-09T06:30:47Z (GMT). No. of bitstreams: 1 Ciotta_Tarcilio_D.pdf: 656457 bytes, checksum: 6b61ebd7dea2bda94c0e5f0757a2a2d0 (MD5) Previous issue date: 2007 / Resumo: Este trabalho tem como objeto de estudo o conceito de Sociedade Civil a partir da Filosofia do Direito de Hegel. Nessa perspectiva, o objetivo central desta investigação consiste em expor e demonstrar como Hegel, a partir de sua lógica especulativa, concebe este conceito enquanto emergência de uma nova figura da idéia ética, idéia esta que perfaz e abarca os acontecimentos do mundo moderno e apreende, neste aparecer fenomênico, o desenho e o progredir imanente da idéia da liberdade que se apresenta enquanto direito da particularidade e desenvolvimento histórico do princípio da liberdade subjetiva / Abstract: The object of study of the present work is the concept of Civil Society according to Hegel¿s Philosophy of Right. Based on this perspective, the focus of investigation is to expose and demonstrate how Hegel perceives this concept following his speculative logic, as an emergence of a new figure of the ethic idea, encompassing and involving the happenings of modern world and comprehending, in this phenomenal appearance, the design and the inherent progress in the idea of liberty as a right of particularity and historic development of the principle of subjective freedom / Doutorado / Doutor em Filosofia

Made available in DSpace on 2017-06-01T18:25:07Z (GMT). No. of bitstreams: 1 luiz_fernando_lopes.pdf: 1017570 bytes, checksum: c969f16a7168a4f5e3b90a108e48ff17 (MD5) Previous issue date: 2016-08-12 / This research descriptive and analytical, qualitative discusses the theories of the Russian philosopher Mikhail Bakhtin regarding the dialogic and polyphony in the poem Morte e Vida Severina, of João Cabral de Melo Neto. We aimed to analyze the dialogic and polyphonic categories of some stanzas of that poem, specifically, the subject as a representation of a social collective, intertextuality and poetic intergenericidade because we believe that this guy is an inseparable part of the things of the world and the things that surround. Our theoretical framework was made from Bakhtin's ideas (1998, 2005, 2011); and the Voloshinov in respect of discourse aspects, and Candido ideas (2010) of Secchin (2003), Teles (1977) and Cabral itself (2015), with regard to literary aspects. Our analysis points to the study of discursive dialogism present in the poem and its discursive marks that intertwine with historical, cultural and ideological values, featuring thus a text with great discursive richness. The presence of polyphony is another brand present in this study indicating the formation of social subjects that reflect a community of discourse, always open to multiple possibilities, whose characters being pointed in an unfinished process of evolution. This concept shall be taken in poem analysis as the position taken by the narrator - character-as a conductor of a large chorus of voices participating in the aesthetic construction. The intertextual relations are also part of our research, and it was possible to find them in the presence of elements of medieval and religious culture, which, quite influenced cabralinos writings, beyond the aspects of folklore and popular culture; all in line with the development of the poem. Finally, the multiple aspect of corpus analysis also shows up in the intergeneric relationships, because it is a theatrical text made in verse, which characterizes it as a dramatic poem. / A presente pesquisa de cunho descritivo-analítico, de natureza qualitativa procura discutir as teorias do filósofo russo Mikhail Bakhtin no que se refere ao dialogismo e à polifonia no poema Morte e Vida Severina, de João Cabral de Melo Neto. Objetivamos analisar as categorias dialógicas e polifônicas de algumas estrofes do referido poema, especificamente, o sujeito como representação de um coletivo social, a intertextualidade e a intergenericidade poética, pois acreditamos que esse sujeito é parte indissociável entre as coisas do mundo e as coisas que o cercam. Nosso arcabouço teórico foi constituído a partir das ideias de Bakhtin (1998, 2005, 2011); e as de Volochinov, no que diz respeito aos aspectos discursivos, e das ideias de Candido (2010), de Secchin (2003), de Teles (1977) e as do próprio Cabral (2015), no que diz respeito aos aspectos literários. Nossas análises apontam para o estudo do dialogismo discursivo presente no poema e suas marcas discursivas que se entrelaçam com valores históricos, culturais e ideológicos, caracterizando, assim, um texto com grande riqueza discursiva. A presença da polifonia é outra marca presente neste estudo apontando a formação de sujeitos sociais que refletem um discurso de coletividade, sempre aberto à múltiplas possibilidades, cujas personagens sendo apontadas em um processo de evolução inacabado. Tal conceito passa a ser tomado na análise do poema como a posição tomada por parte do narrador personagem -como um regente de um grande coro de vozes que participam da construção estética. As relações intertextuais também fazem parte da nossa pesquisa, e foi possível encontrá-las na presença de elementos da cultura medieval e religiosa, que, influenciaram bastante os escritos cabralinos, além, dos aspectos do folclore e da cultura popular; todos em sintonia com a elaboração do poema. Por fim, o aspecto múltiplo do corpus em análise evidencia-se também nas relações intergenéricas, por se tratar de um texto teatral feito em versos, o que caracteriza-o como poema dramático.

Thesis (MPhil (Philosophy))--University of Stellenbosch, 2005. / This study seeks to give a philosophical account of, and justification for the intuition that subjectivity is not a stable “Archimedean point” on the basis of which an intersubjective relation can be founded, but is instead profoundly affected by each different “Other” with which it enters into a relation. As a preliminary to the positive philosophical account of how this might work in Part II of the thesis, there is an attempt to critique certain of the classical accounts of intersubjectivity found in phenomenology, in order to show that these positions cannot give a satisfactory account of the type of intersubjective relation which gives rise to the abovementioned intuition. The thesis therefore starts off by examining the account of intersubjectivity in Husserl’s Cartesian Meditations (especially the Fifth Meditation). Husserl is there engaged in an attempt to overcome the charge of solipsism that might be levelled at phenomenology, since phenomenology is concerned with experience as, by definition, the experience of the subject. We try to show that Husserl cannot give a satisfactory account of the Other because he tries to derive it from the Subject, and hence reduces the Other to the Same. We then turn to two other phenomenological thinkers – Merleau-Ponty and Levinas, both of whom are themselves critical of Husserl – to examine whether they provide a better account, but conclude that (although each represents a certain advance over Husserl), neither are able to provide a decisively better account, since each is still too caught up in phenomenology and its focus on consciousness. In Part II of the thesis, we then turn to a non- (or even anti-) phenomenological thinker, namely Gilles Deleuze, to try and find an alternative theory that would be able to provide the account we seek. Our contention is that Deleuze, by seeking to give an account of the constitution of the subject itself, simultaneously provides an account of the constitution of the Other as arising at the same time as the Subject. Crucial to this account is the inversion of priority between the poles of a relation and the relation itself. Deleuze argues that a relation is “external to its terms”, and precedes these terms. Hence, by returning to a level which precedes consciousness and the order of knowledge – that is, by returning to the level of the virtual multiplicities and singular events that underlie and precede the actualization of these events and multiplicities in distinct subjects and objects – we argue that Deleuze shows that, contra phenomenology, there is in fact no primordial separation between subject and Other. The contention is therefore that the problem of intersubjectivity as posed by phenomenology is a false one that can be eluded by means of Deleuze’s philosophy. This philosophy is not based on the subject, but instead shows the subject to be the product of an underlying network of relations. Finally, we turn to Deleuze’s appropriation of Nietzsche to trace out the transformation of “ethics” that result from adopting a position like that of Deleuze.

Thesis (MPhil (Philosophy))--University of Stellenbosch, 2006. / This study constitutes a conceptual analysis and critique of the notion of the subject, and the concomitant notion of responsibility, as it has developed through the philosophical history of the modern subject. The aim of this study is to present the reader with a critical notion of responsibility. This study seeks to divorce such a position from the traditional, normative view of the subject, as typified by the Cartesian position. Following Derrida, a deconstructive reading of the subject’s conceptual development since Descartes is presented. What emerges from this reading is that, despite various re-conceptualisations of the subject by philosophers as influential and diverse as Nietzsche, Heidegger and Levinas, their respective positions continue to affirm the subject as human. The position presented in this study challenges this notion of the subject as human, with the goal of opening-up and displacing the ethical frontier between human and non-human. It is argued that displacing this ethical frontier introduces complex responsibilities. These complex responsibilities resist the violence inherent to normative positions that typically exclude the non-human – particularly the animal – from the sphere of responsibility.

Thesis (Ph. D.)--Ohio State University, 2006. / Full text release at OhioLINK's ETD Center delayed at author's request

Zugl.: Basel, Universiẗat, Diss., 2005.