The principle objective of this thesis is to expand the term “technological sublime” to include technologies of artificial intelligence. In defining new realms of the technological sublime, we must not only consider the ecological integration of technology within natural surroundings, but also appreciate modern technological objects that instigate sublime experiences. This work examines science fictional portrayals of interactions with sentient artificial intelligence in I, Robot, 2001: A Space Odyssey and other major works of science fiction. In each of these works, characters who encounter technologies possessing artificial intelligence share sublime experiences. This thesis considers various levels of embodiment associated with the objects of artificial intelligence and discusses the sublime qualities of both cybernetic and android beings. Finally, this work examines how our perceptions of environment are altered by the introduction of virtual reality and virtual landscapes, which consequently affects our mindscapes and contribute to the technological sublime.

This paper sheds light on a West African technological landscape of the early twentieth century that transcended the boundaries of various West African population groups and natural environments. The conceptual framework of technological landscape employed in this study serves to explore the everyday spaces and details of trade and transport activities of merchants from Northern Nigeria, as well as the engagement of forest dwellers in Côte d’Ivoire in the trade of gold and other natural resources they cultivated, harvested and produced in the forest. Building on archival materials from Nigeria and Côte d’Ivoire, the paper considers various historical actors who have often been neglected in history of technology narratives but who are certainly relevant in West African (transport) history.