The rise of terrorism and transnational organised crime (TOC) post-9/11, two previously separate phenomena, are now both a plague of the 21st century. The emergence of unconventional forms of terrorist organisations such as the Islamic State (IS) indicates new features in the crime-terror nexus. This requires rethinking of the conventional crime-terror convergence frameworks; including the crime-terror continuum (CTC) model, which is used to explain and categorise the relationships between organised crime (OC) and terrorism. The original 2003-2004 CTC model suggests that the relationship between crime and terrorism is not static but has evolved into a continuum. The CTC tracks down how the organisational dynamics and operational nature of both terrorism and OC changes over time. A single group can slide up and down between OC and terrorism, depending on the operational environment. Contemporary terrorism practices suggest that post-9/11 terrorist organisations have undergone significant transformations, and that the boundaries between organised crime and terrorism have become blurred. This brings into question the explanatory power and applicability of the conventional convergence trends, which are depicted in the 2003-2014 versions of the CTC model, to the reality of the transformation of terrorist organisations post-9/11. The conventional convergence trends revolve around ‘realities’ of relationships between OC and terrorism in the form of alliances, appropriation of tactics, integration, hybridisation, and transformation from terrorist to criminal entities or vice versa. The current realities raise several questions about the applicability of the CTC model, as an explanatory tool. Terrorist organisations can originate as criminal organisations, using ideological motives as a recruiting poster for criminal activities. This points to gaps in the relationship of contemporary terrorism and OC, which are found in the crime-terror nexus and its discourse. These gaps pave the way for rethinking and critical evaluation of the explanatory power of the CTC model in the post-9/11 period and lay the basis for the development of an alternative framework as a foundation for further research. This study aims to critically rethink the explanatory power and revisit the applicability of the CTC to changes in the relationship between crime and terrorism post-9/11. This study employs a systematic literature overview design followed by critical evaluation. It isolates key works on the crime-terror nexus and convergence phenomenon, and assesses their limitations, so as to better understand and tackle terrorism in the post-9/11 period. / Mini Dissertation (MSS)--University of Pretoria, 2018. / Political Sciences / MSS / Unrestricted

Studien undersöker marginaliseringens socioekonomiska, politiska och kulturella konsekvenser för ökande radikalisering bland vissa ungdomar med invandrarbakgrund och hur socialt arbete kan motverka rekryteringen av dessa ungdomar till terroristgrupper. Uppsatsens vetenskapsteoretiska grund ligger i hermeneutiken och socialkonstruktivismen. Datainsamlingen består av kvalitativa semi-strukturerade intervjuer med 8 personer som har god kännedom om våldsbejakande extremism och 2 ungdomar som sympatiserar med terroristgrupper, varav en av dessa unga män har varit hos terrorgruppen Islamiska Staten (IS) i Syrien och Irak. Urvalet har bestämts genom en målinriktad urvalsteknik och det empiriska materialet har analyserats med hjälp av en kvalitativ innehållsanalys. Resultatet visar att religiösa och etniska konflikter som utspelar sig i världen och västländers inblandning i dessa konflikter påverkar marginaliserade ungdomarnas sympatier för våldsbejakande ideologier. Den nyliberala globaliseringen, nedmontering av välfärdsstaten i Sverige har försämrat dessa ungdomars levnadsvillkor och ”kriget mot terrorismen” och den ökade anti-muslimismen har lett till misstron mot majoritetssamhället hos ungdomar i marginaliserade områden. Försämrade levnadsvillkoren och minskade möjligheter till integration i Sverige gör vissa marginaliserade ungdomar mer benägna att söka sig till våldbejakande terrorgrupper som erbjuder en sammanhängande mening och en känsla av tillhörighet. För att motverka våldsbejakande extremism måste socialt arbete utmana och ifrågasätta nedmonteringen av välfärdsstaten, ökade marginaliseringen och bekämpa politiken av ”kriget mot terrorismen”. Det innebär också att motverka ökad anti-muslimism och främja social sammanhållning och social rättvisa.

American Popular film on the War on Terror plays a powerful role establishing cultural and political discourses surrounding the War on Terror. Furthermore, the attempts of liberal films as a source of critique of American Hollywood conservative War on Terror films are insufficient. I argue that Third Cinema from the Middle East provides a necessary counter-discourse in providing platforms for alternative discussions regarding definitions of terrorism and the production of the Orientalist other.

Surprisingly little experimental research has explored the psychological function of soul belief given its prevalence. As some have noted (e.g., Rank, 1930/1998), soul belief may have evolved to help individuals cope with existential concerns through promises of literal immortality. The research that has been conducted on the function of literal immortality shows that belief in an afterlife minimizes death-related concerns (Dechesne et al., 2003). I propose two separate hypotheses testing the psychological function of soul belief. Hypothesis 1 states that soul belief should minimize the threat of a death reminder (or mortality salience; MS); this hypothesis was supported in Study 1 where soul believers did not show an increase in death-thought accessibility (DTA) following MS, but low soul believers did show an increase. Hypothesis 2 states that soul belief should also offer protection from threats to symbolic immortality related to the prospect of the end-of-world. Studies 2, 3, 4, and 6 support the reasoning behind this hypothesis. However, Study 5 did not support Hypothesis 2. Considering the data that did support Hypothesis 2, soul believers showed less resistance to end-of-world arguments and also did not show an increase in DTA following such arguments; whereas, low soul believers respond to end-of-world arguments with more resistance and heightened DTA. The discussion focuses on interpretations of these findings and remaining questions.

This study is focused on the spreading wave of militancy in the Muslim youth after 9/11 era.  The role Al Qaeda is researched in understanding this problem in the case study of Pakistan. Al Qaeda is considered as the nursery for the rising of militancy in the Muslims while Pakistan is the birthplace of Al Qaeda. The problem of militancy rose to the alarming level in Pakistan after 9/11 when the Pakistani state started to support the US in the war against terror which Al Qaeda and other Islamists consider as the war against Islam. The recruitment strategies of Al Qaeda and other Pakistani militant groups like Tihreak Taliban Pakistan (TTP or Pakistani Taliban movement) are studied through the discourse analysis. The primary data from the militant sources like the speeches, books and interviews of their leadership and ideologues, their official magazines and press releases are selected for this research. All this data is available in Urdu language which is translated to the English for this research. The theoretical framework of this research is based on the “Soft theory” of Josef Nye (2006) and the “three dimensions of Power” theory of Steven Lukes (2005). The results of this research show that the militants mostly use different types of arguments in their messages to the youth in their efforts for recruiting them to the path of militancy which include mostly the religious arguments. Along with it, they also attract youth to their path on targeting their grievances and hopes. They present to them the path of militancy as an end and the only way of revenge for their all grievances. These results also show that the militants also present militancy to the youth as the only mean for achievement of their various hopes which they believe these Muslims youth cannot get without militancy.

The scope and purpose of this thesis is an evaluation of Camus' literary and philosophical works and their implication to the concept of political revolt. His examination of the origins and effects of modern political revolutions provided insight to the nature of the twentieth century totalitarianism. His ideas also helped to explain the modern emergence of "irrational" terror and political oppression.

Pat Tillman—an Arizona Cardinals player who sacrificed everything to serve his country but died in Afghanistan—was initially touted as a true American hero who was killed by enemy fire. In reality, however, the Tillman narrative was based on nothing but military propaganda. This research focused on how mainstream U.S. newspapers used news frames, overall story tone, and news sources before and after the official acknowledgement of the true cause of Tillman's death as fratricide. As hypothesized from C. Wright Mills' "lesser institutions," Antonio Gramsci's hegemony, and Edward S. Herman and Noam Chomsky's propaganda model, the newspapers generally decreased both direct and indirect references to news frames involving "lesser institutions" (e.g., NFL, Arizona State University) and ideological values (e.g., heroism, patriotism) after the revelation, but they were not critical of the Iraq/Afghanistan wars or the Bush administration at all. In addition, they increased their dependence on official sources and decreased family and friend sources after his cause of death was changed. The results as a whole indicate that in the Tillman saga, the revelation of his true cause of death introduced a significant disruption to the propaganda information system, causing news frames to decrease, but the third filter of the propaganda model—reliance on official sources—was strong enough to overcome that disruptive event and continue to protect the power elite.

This paper discusses non-military options for confronting international terrorism. It investigates the non-military discourse contained in United Nations and United States policy documents. It then compares the principles in the discourse to the reality of the counter-terrorism policies of the last five years. Finally it looks at what alternative options are being presented in the academic and think-tank literature, to current counterterrorism practices.

This dissertation studies the cultural traces of the experience of fear in relation to the social and cultural legacies of the Spanish Civil War and the Francoist dictatorship. By applying the theoretical and narratological insights afforded by the horror genre and through the figure of the monster, the research identifies and analyzes alternative memories of the traumatic past, exploring the experience of fear within film and literature to reveal and claim an unrecognized approach to the representation of the war, with key critical findings and implications regarding the shaping and interpretation of the Spanish social imaginary of this event in this most persistent of cultural debates. Chapter II, explores the maquis in Luna de lobos (1985) by Julio Llamazares, tracing the human involution of a group of men that seeking refuge from Francoist repression become monstrous shells of themselves. It pursues this degradation to rethink the locus of the monster, finding it in the monstrous policies of the regime, that demands the exorcism of the resistance movement—the ultimate Other—rendering it ghostly by community and family as the cornerstone foundational violence of a new society. Chapter III, delves into the cinematographic representation of monsters and monstrous elements in Pa negre (2010) by Agustí Villaronga. It studies the competing narratives in postwar Spain that turn a child of the defeated into a monstrous regime supporter, a process that suggests the origins of contemporary society as the monstrous traces of Francoist society. It analyzes the features that render its protagonist, first, a monster in the eyes of the new regime—along the lines of the classical monster—to later on, through disappointment, shame and betrayal, a monster to his family and social class—thus becoming a modern monster. Chapter IV tackles a cinematographic allegorical representation of the past in Balada triste de trompeta (2010) by Álex de la Iglesia, a tour de force that attempts to be a total narrative of the war, a collage of historical memory through the monstrous moments that define Francoism. The fusion of elements from “esperpento”, horror and melodramatic national romance render a unique postnational satire.

Orientador: Marcelo Magalhães Bulhões / Banca: Ana Sílvia Lopes Davi Médola / Banca: José Carlos Marques / Banca: Laura Loguercio Cânepa / Banca: Valquiria Michela John / Resumo: Apesar de recorrente como referência de filmes dos mais variados gêneros, os textos jornalísticos nem sempre ganham a devida atenção no âmbito da pesquisa cinematográfica. Nesta tese, busca-se lançar um olhar ao tema, direcionando o trabalho para as narrativas jornalísticas usadas como referencial para cineastas, que transformam em narrativa audiovisual a representação da realidade de uma história que ganhou as páginas dos jornais ou de um livro-reportagem. O foco da pesquisa é no cinema de horror, que costuma não apenas valer-se deste material, como também se utilizar do vínculo com a não ficção como estratégia para atrair o espectador com a promessa da reprodução de um "caso verídico". Parte- se, pois, da hipótese de que a frase "baseado em uma história real" no início da película funciona como estímulo da curiosidade do espectador. Para o presente estudo, optou-se pelo clássico Horror em Amityville (The Amityville Horror, 1979), adaptado do livro-reportagem homônimo de Jay Anson, de 1977, que ganhou uma nova edição no Brasil neste ano, pela Darkside. O remake de 2005, cujo título é o mesmo, também faz parte da pesquisa. Como corpus de análise, também serão utilizadas reportagens do jornal Newsday, de Long Island, do período em que a história da casa supostamente mal-assombrada foi destaque e do crime que teria dado início à história de assombração. O objetivo desta pesquisa é analisar como se dá o entrelaçamento de narrativas jornalísticas, jornalístico- literária e cinema... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: Although recurring as a reference of films of varied genres, journalistic texts do not always gain an attention in the space of film research. In this thesis, the aim is to take a look at the theme, to direct the work to narrate the news narratives as a reference for the filmmakers, who transform the audiovisual narrative into a presentation of the reality of a winning story as pages of a book or a book - reporting. The focus of the research is horror film, which is not only a didactic material, but also makes use of a link with a strategy to attract the viewer with the promise to replicate a true case. It is therefore hypothesized that the phrase "based on a true story" at the beginning of the film works as a stimulus for the spectator's curiosity. For the present study, we opted for the classic Amityville Horror (1979 and 2005), adapted from Jay Anson's eponymous book, which won a new edition in Brazil this year by Darkside. The remake of 2005, whose title is the same, is also part of the research. As a corpus of analysis, reports from the Newsday newspaper of Long Island will also be used for the period in which the story of the supposedly haunted house was highlighted and the crime that would have started the haunting story. The objective of this research is to analyze how the intertwining of journalistic, journalistic-literary and cinematographic narratives occurs, seeking in this work to point out how the process of translation from one medium to another was transformed... (Complete abstract click electronic access below) / Doutor