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1	Poe's Gothic Protagonist : Isolation and melancholy in four of Poe's works Wrangö, Johan January 2008 (has links) This paper will argue that there are similarities between “The Raven”, “The Fall of the House of Usher”, “Ligeia” and “Berenice” in their treatment of the common motifs of isolation and melancholy, and, furthermore, that their protagonists are similar due to their relation to these two motifs. The paper will also argue that the usage of the motif of isolation is a strategic way for the author to emphasise the Gothic horror. In order to support my argument, I will, firstly, provide an outline of how melancholy, isolation and the Gothic were understood in the nineteenth century. Secondly, I will demonstrate ways in which the works are similar. By comparing the characters’ personalities and behaviour to each other, I will illustrate how melancholy and isolation are represented in similar ways in the works of this study. Thirdly, I will show how the motif of isolation reinforces the Gothic. Edgar Allan Poe Poe Isolation Melancholy Gothic Protagonist The Raven The Fall of the House of Usher Berenice Ligeia Literature Litteraturvetenskap
2	Midnight drearies : three moods on Edgar Allan Poe Davis, Andrew Delamater 03 June 2013 (has links) Edgar Allan Poe has long been considered one of the great writers in Gothic literature. His works, as he himself suggested in his essay “The Philosophy of Composition,” are intended to strike a unique balance between mainstream appeal and higher literary craft. In many ways, my goals as a composer are similar, not just in mitigating this often tenuous dynamic, but also in tapping into powerful emotional states. Poe is a master at creating moods, for instantly drawing the reader into his dynamic worlds. Many of his works spend a significant amount of time, sometimes paragraph upon paragraph as in the opening to The Fall of the House of Usher, simply detailing his specific vision of the story’s tenor. In this piece, I was interested in musically depicting the imagery, which Poe so eloquently writes. I have chosen three of Poe’s short stories: The Black Cat, The Pit and the Pendulum, and The Fall of the House of Usher. In each movement, I deliberately avoid any programmatic connection to the story, that is to say specific events in the music do not coincide with any actual depiction of an event within the intended story. Rather this piece examines and details the specific tone of each story. Midnight Drearies: Three Moods on Edgar Allan Poe was written for Dan Welcher and the University of Texas New Music Ensemble. / text Music Composition Edgar Allan Poe The Black Cat The Pit and the Pendulum The Fall of the House of Usher
3	Det desillusionerade sinnets sökande efter kunskap : En berättarteknisk studie av tre noveller av Edgar Allan Poe Janackovic, Valentina January 2014 (has links) En berättarteknisk studie av "Ligeia", "The Tell-Tale Heart" samt "The Fall of the House of Usher". Studien fokuseras till kunskap respektive destruktivitet och dess funktion i de skilda novellerna. Genom att se till de berättartekniska aspekterna skapas en ny ingång till förståelsen för novellerna och en ny grund för en kompletterande motivanalys. De tre novellernas narrativa framställning och strukturella uppbyggnad skiljer sig men delar vissa gemensamma grepp vilket möjliggör för vidgad förståelse av novellerna. Berättarteknik Narratologi Edgar Allan Poe Ligeia The Tell-Tale Heart The Fall of the House of Usher
4	Poe's Gothic Protagonist : Isolation and melancholy in four of Poe's works Wrangö, Johan January 2008 (has links) <p>This paper will argue that there are similarities between “The Raven”, “The Fall of the House of Usher”, “Ligeia” and “Berenice” in their treatment of the common motifs of isolation and melancholy, and, furthermore, that their protagonists are similar due to their relation to these two motifs. The paper will also argue that the usage of the motif of isolation is a strategic way for the author to emphasise the Gothic horror. In order to support my argument, I will, firstly, provide an outline of how melancholy, isolation and the Gothic were understood in the nineteenth century. Secondly, I will demonstrate ways in which the works are similar. By comparing the characters’ personalities and behaviour to each other, I will illustrate how melancholy and isolation are represented in similar ways in the works of this study. Thirdly, I will show how the motif of isolation reinforces the Gothic.</p> Edgar Allan Poe Poe Isolation Melancholy Gothic Protagonist The Raven The Fall of the House of Usher Berenice Ligeia Literature Litteraturvetenskap
5	Madeline Usher: An Opera in One Act Roberts, Phillip Christopher 16 April 2014 (has links) No description available. American Literature Music Composition music opera Edgar Allan Poe The Fall of the House of Usher classic literature horror films chamber orchestra vocalist
6	Maktspel och död i två gotiska verk : En analys av Catherine Earnshaw och Madeleine Usher med fokus på makt och temat döden / Power and death in two gothic texts : An analysis of Catherine Earnshaw and Madeleine Usher focusing on the themes of power and death Wall, Anna-Lena January 2021 (has links) No description available. power Emily Brontë Edgar Allan Poe relations gothic feminism gothic fiction death Madeleine Usher Catherine Earnshaw Wuthering Heights The Fall of the House of Usher makt Emily Brontë Edgar Allan Poe relationer gotisk feminism gotisk litteratur temat döden Madeleine Usher Catherine Earnshaw Wuthering Heights The Fall of the House of Usher Humanities and the Arts Humaniora och konst General Literature Studies Litteraturvetenskap

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