This dissertation aims to analyze the transformation of Pusan by examining the social, political, economic, and cultural changes during the open-port period (1876-1910). Prior to annexation, Pusan, as the first open port in Korea, reflected features of the colonial urban development in which alien power achieved and sustained a hegemonic domination on socio-cultural-economic dimensions of people’s lives. Colonial history in Korea has been divided and moving on parallel lines. The ‘nationalist school’ and the ‘socioeconomic school’ have failed to come together and move us into a deeper understanding of the Japanese colonial period. In order to narrow the gap between the two schools of thought, this thesis suggests looking at ‘colonial modernity’ through the analytical lens of the colonial city of Pusan. The approach examines changes in the social, economic, and cultural life of people rather than through the traditional binary construction of ‘victim versus victimizer’ or ‘colonial repression versus national resistance.’ In particular, I pay close attention to the fact that colonization is a process of imperial expansion by means of colonialists. In the end, the process of colonization in Pusan was a process by which the Japanese settlers expanded in wealth, population, influence, and power. The cluster of factors – enlargement of settlement (living space), the expansion of the economy (economic opportunity), improvement of public enterprises, such as transportation infrastructure, water supply and hygiene (improving quality of life) – were catalysts for the Japanese settlers to take up residence in Pusan. Based on the transformation of the urban space of Pusan at this micro level, I discuss a hierarchy of power relations within the spatial boundary of Pusan. In other words, I focus on human aspects of these changes rather than on systemic changes. I attempt to demonstrate how studying a city can offer a useful category of analysis for the question of ‘modernity’ in Korea.

This thesis casts a new light on the role of Southeast Asia in the ancient Indian Ocean World. It brings together data and approaches from archaeology and historical linguistics to examine cultural and language contact between Southeast Asia and South Asia, East Africa and the Middle East. The interdisciplinary approach employed in this study reveals that insular Southeast Asian seafarers, traders and settlers had impacted on these parts of the world in pre-modern times through the transmission of numerous biological and cultural items. It is further demonstrated that the words used for these commodities often contain clues about the precise ethno-linguistic communities involved in their transoceanic dispersal. The Methodology chapter introduces some common linguistic strategies to examine language contact and lexical borrowing, to determine the directionality of loanwords and to circumvent the main caveats of such an approach. The study then proceeds to delve deeper into the socio-cultural background of interethnic contact in the Bay of Bengal and the Indian Ocean as a whole, focusing on the oft-neglected Southeast Asian contributions to the cultural landscape of this region and addressing the nature of pre-modern contact between Southeast Asia and the different parts of the Indian Ocean Word. Following from that, the last three chapters look in-depth at the dispersal of respectively Southeast Asian plants, spices and maritime technology into the wider Indian Ocean World. Although concepts and their names do not always neatly travel together across ethno-linguistic boundaries, these chapters demonstrate how a closer examination of lexical data offers supportive evidence and new perspectives on events of cultural contact not otherwise documented. Cumulatively, this study underlines that the analysis of lexical data is a strong tool to examine interethnic contact, particularly in pre-literate societies. Throughout the Indian Ocean World, Southeast Asian products and concepts were mainly dispersed by Malay-speaking communities, although others played a role as well.

How the world of experience, text-based medicine, and the social world came to interact with each other in a historically situated way is the subject of this doctoral thesis, which studies what I shall call zhang ("miasma") medicine in Song China (960-1279 CE). By the phrase "the world of experience," I refer to the bodily experience of the environment in a given region as well as to experiences of medical practices. "The social world" broadly refers to concomitant social, intellectual, and political events or trends. This thesis proposes a new approach to the study of the environment within the history of medicine in Imperial China (around 202 BCE-1911 CE), an approach which is inspired by anthropological analytical concepts. It highlights individuals' world of experience, treating their knowledge about environmental medicine as the culmination of a dynamic collaboration of their experiential world and existing culture-specific concepts, such as those deriving from scholarly medicine. This new approach dictates a re-examination of the sources that have received intensive attention in the history of medicine in Imperial China: texts up to the thirteenth century on the aetiology, therapies, and prevention methods of zhang as disorders endemic in Lingnan (in Guangdong and Guangxi provinces). Based on this re-examination, I contend that the Song period witnessed the emergence of a pronounced explanatory mode among authors of writings about zhang medicine about how their world of experience informed and affirmed their medical knowledge and practices relating to zhang. This Song explanatory mode embodies, I argue, the endeavor of Song scholar-officials and physicians to extend the proliferation of scholarly medicine at that time to zhang medicine, which lacked widely acknowledged textual references and therapies of medicinal effectiveness. The findings in this thesis firstly broaden our understanding of the development of environmental medicine in Imperial China and, secondly, extend our knowledge of the expansion of scholarly medicine into southern China in Song times.

This thesis presents and analyses Chinese, Tibetan, and British sources relating to the British Mission to Tibet of 1904. It balances accounts provided by the British officers and men with modern Chinese sources. It analyses both polarised sides of the history, whilst remaining critical of all sources. British historical accounts analysed in chapter one are balanced with Chinese narratives that present the Mission as an invasion of the Motherland and its unity. Chapter two examines the role of propaganda in modern China, and how different media are used to guide the Tibetan and Chinese populations’ understanding of their history and nation. Chapters three and four provide an original translation of Bod kyi rig gnas lo rgyus dpyad gzhi’i rgyu cha bdams bsgrigs, a textbook written from a Chinese nationalistic perspective. The introductory chapter providing the Chinese narrative of the build-up to the Mission is studied in chapter three, and chapter four analyses the bloody advance into Tibet. The translation and analysis in chapter five of the letters of the Dalai Lama to the King of Nepal, the Tongsa Pönlop, and the Chögyal of Sikkim place the Mission in pan-Himalayan context, and show how the Tibetan Government sought to counter the Mission. It is the first study to provide a historical Tibetan perspective of events. Chapter six analyses the divisive issue of looting during the Mission. It examines the psychology of those who looted Tibet, and the role the items taken play in shaping the image of Tibet in the West. Modern Chinese propaganda sources from the new media are analysed in chapter seven, and demonstrate how they have been used to compliment and propagate the established narrative. The conclusions analyse the impact of the Mission, and the lessons that may be learnt for those that play the ‘New Great Game.’

Les débitages de lamelles obtenues par pression apparaissent il y a environ 20 000 ans en Asie du nord-est et leur diffusion est attestée aussi bien vers l’Asie centrale que vers l’Alaska et la Colombie-Britannique en passant par la Sibérie. Cette recherche analyse ainsi la progression de ces industries depuis l’Extrême-Orient vers l’Amérique du Nord : de nombreuses séries en provenance du Primorye, de la Sibérie et du nord-ouest de l’Amérique du Nord font l’objet d’une étude typo-technologique rigoureuse. La facile reconnaissance des industries à composante lamellaire permet d’étudier l’évolution, à une large échelle géographique et chronologique, du système techno-économique du peuplement initial du Nouveau Monde, tout en restant sur des contextes technologiquement comparables. La singularité de ce travail repose non seulement dans le choix du sujet mais aussi dans la méthodologie employée, c’est-à-dire l’application de la technologie lithique développée par l’école française à l’étude des industries paléolithiques à composante lamellaire et à certaines problématiques concernant le premier peuplement du Nouveau Monde. De nombreuses questions seront abordées : quelle est l’origine géographique et chronologique des premiers débitages lamellaires par pression ? Pouvons-nous mettre en évidence certains facteurs déclencheurs ? Comment sont employées les lamelles ? Quels éléments expliquent la variabilité des méthodes de débitages ? Sommes-nous face à un phénomène de diffusion d’une idée ou de migration de population ? Observe-t-on certaines voies migratoires préférentielles ? L’outillage associé est-il constant ou très variable ? Comment la technologie lithique permet-elle de mettre en évidence certaines zones d’interaction ? L’approche inédite développée ici permet d’aborder ces thématiques sous un angle parti culier et d’abouti r à des résultats, à des visions et à des propositions sensiblement différents de ce qui a été avancé à ce jour. / Débitage of pressure microblades appeared in the archaeological record about 20,000 years ago in Northeast Asia, followed by their diffusion toward Central Asia as well as toward Siberia, Alaska, and British Columbia. This research analyzes the spread of these microblade industries from the Asian Far East to North America, utilizing many archaeological collections from Primorye, Siberia, and northwest North America as the basis of a meticulous typo-technological study. The easy recognition of microblade-bearing sites allows studying the evolution, on a wide geographical and chronological scale, of the technoeconomic system during the initial peopling of the New World, while retaining technologically comparable backgrounds. The singularity of this work lies not only in the chosen subject but also in the chosen methodology, i.e., the application of lithic technology as developed by the French school to the study of Palaeolithic industries with microblade components, as well as to some issues concerning the first peopling of the New World. Many questions will be discussed, including: What is the geographical and chronological origin of the first pressure microblade industries? Can we highlight some factors that stimulated such an invention? How were microblades used? What elements can explain the variability of the débitage-producing methods? Is the progression of microblade industries the result of a technological diffusion or a human migration? Can any preferential migratory routes be identified? Is the associated toolkit highly variable or is it relatively constant? How does the analysis of lithic technology allow the assessment of interactions between groups? The new approach developed here addresses the issues from a different angle and leads to new visions, proposals, and results that are noticeably different from those that have been suggested to date.

Notre étude se propose d’analyser les enjeux et les formes de la représentation de la figure de l’auteur dans le roman vietnamien francophone dans la première moitié du XXe siècle, roman dont les thématiques sont liées au contexte colonial. Cette figure est l’image que l’auteur veut donner de lui-même dans son discours, une manière de se définir et de se positionner dans les confrontations culturelles entre l’Occident et l’Extrême-Orient. La colonisation française apporte à l’espace culturel vietnamien une nouvelle vision qui est fondamentalement différente de la culture et des représentations extrême-orientales. Dans ce contexte de coexistence des cultures, certains écrivains vietnamiens choissisent le français pour exprimer leurs problèmes identitaires résultant du métissage culturel, de leur situation paradoxale d’être à la fois colonisé indigène et médiateur francophile. Ils tendent à se présenter dans leurs œuvres à travers l’expression d’une multitude de nuances entre deux attitudes opposées envers l’altérité dans la société vietnamienne coloniale : d’un côté la fascination de l’Occident de la part des jeunes intellectuels modernistes ; de l’autre, le rejet de l’Occident de la part des conservateurs confucéens. Un engouement excessif s’oppose alors à une attitude d’hésitation non dénuée d’ambiguïtés à l’égard de l’occupant, et à des tentatives pour concilier les deux cultures. Nous analyserons les figures discursives de l’auteur, en tant que sujet multiculturel, dans douze romans (de 1921 à 1964) représentatifs de l’ensemble de la production romanesque de langue française de l’époque coloniale jusqu’à la fin du XXe siècle. / Our goal in this study is to consider the ways in which authors of Vietnamese francophone novels of the early twentieth century that dealt with themes related to the colonial context chose to represent themselves in their novels. We will look at the image that the author seeks to project of himself, how he defines and places himself within the cultural confrontations between the West and the Far East and what the stakes of that representation were. French colonization brought to the Vietnamese cultural landscape a new vision that was fundamentally different from the culture and the cultural representations of the Far East. In the context in which these two cultures coexisted, certain Vietnamese writers chose French as the language with which to express the problems of identity that resulted from this cultural hybridization and of the paradox of their position within it, in which they were simultaneously colonized natives and cultural mediators. They tended to present themselves in their works by expressing the multitudinous nuances contained in the opposing attitudes to otherness in Vietnamese colonial society: On the one hand the fascination that the West holds for the younger generation of intellectuals; On the other, the rejection of the West on the part of the Confucian conservatives. Excessive enthusiasm is tempered by an attitude of hesitation fraught with ambiguity regarding the colonizer and efforts to reconcile the two cultures. We will analyze the malleable identities of the author as a multicultural subject in twelve novels (from 1921 to 1964) that are representative of the entirety of the novels written in the French language from the colonial period until the end of the twentieth century.

This dissertation Far East Motifs in the Works of Selected Authors at the Turn of the 19th and 20th Century deals with works written by Julius Zeyer, Jiří Karásek ze Lvovic and Josef (Joe) Hloucha. The thesis analyses selected works from the viewpoint of typical motifs and themes. It pursues to depict different authorial images of Far East and to find out why are these authors so fascinated by this region. Some motifs are characteristic for all the authors: love; art and beauty; fairy tale and dream. Spirituality is characteristic for Julius Zeyer - his "renewed pictures" direct the reader to think about the values that are worth searching - regardless where or when we live. Jiří Karásek ze Lvovic uses Far East surrounding to run away from monotonous reality. In his play Dream of the Empire of Beauty he wants to create a symbol depicting his own soul. His typical motifs are secret and individuality. Hloucha's Far East image is based on real facts. Cognitive function is many times more significant than aesthetic. His typical motif is Europeanism. Among others he is the only one who confronts the Asian surrounding with the European. In his works he often uses the techniques of lowbrow literature - especially love novel - that possibly caused his enormous popularity among female readers of his time....

This thesis is a comprehensive re-examination of Maritime Southeast Asia's (or the Nusantara's) Islamic conversion history between the late thirteenth and early seventeenth centuries. Traditionally, academia has attributed this event to Muslim traders and/or Sufis from either India and/or the Middle East. During the late twentieth century, however, a number of scholars began to consider the possibility of Chinese Muslim involvement. The resulting discussions focused on a re-evaluation of Javanese history in the context of attempts to re-conceptualise pre-modern Nusantara trade (considered the catalyst for Islamisation) as fundamentally orientated towards Southern China, where Muslims played a significant commercial role from the seventh through to the early fifteenth centuries. Despite the intrinsic merits of these efforts, however, they have all been limited by an overwhelming focus on Java and a tendency to examine the relevant issues over only a very narrow time span. This thesis seeks to rectify these problems. First, it will evaluate the validity of the new commercial framework over a much longer period – from the rise of Śrīvijaya in the seventh century CE to the establishment of the early seventeenth-century European trade monopolies. This longue dureé view will provide a much stronger basis for both conclusively re-orientating pre-modern Nusantaran trade towards China and also positing it as the catalyst for conversion, with Chinese Muslims at its heart. Second, the thesis will look beyond Java to examine the conversion histories of several other important Nusantara locations (Samudera-Pasai, Melaka and Brunei), as accessed through early written texts (indigenous, European and Chinese) and archaeology. The thesis then, and thirdly, couples this examination with a consideration of the Islamic influences which came to bear on the Nusantara’s early intellectual and architectural expressions of Islam. Ultimately, by taking this broad chronological, geographical and cultural approach, the thesis aims to more reliably assess the possibility that Chinese Muslims influenced the Nusantara’s initial Islamisation process.

This thesis contains a critical edition, translation and study of the Amanaska, which is a medieval Sanskrit yoga text of one hundred and ninety-eight verses in two chapters (adhyāya). Seventy-five manuscripts have been consulted for this edition and thirty-two were selected for the full collation on the basis of stemmatic analysis on a sample collation of all the manuscripts. The critical apparatus contains references to parallel verses in other works and the notes to the translation provide further information on the content, terminology and obscure passages of the text by citing other Sanskrit works, in particular, earlier Tantras and medieval yoga texts, as well as a Nepalese commentary on the Amanaska. The first part of the Introduction contains a summary of the text and an examination of the colophons of all the available manuscripts in order to establish the proper titles of the text and each of the chapters. Unlike previous editors, I have adopted the title Amanaska because it is found in the great majority of manuscript colophons. The title of previous printed editions, Amanaskayoga, appears to derive from nineteenth-century manuscript catalogues. The authorship of the text has been discussed in light of the claim made in recent Indian scholarship that it was written by Gorakṣanātha, the pupil of Matysendranātha. I conclude that the author is unknown. Discrepancies between the chapters, in particular, various incongruities in content and differences in the limits of dating, strongly suggest that both chapters were originally composed as separate works. Unlike previous editions, this one is based on the north-Indian recension. There is evidence that the north-Indian recension has preserved a more coherent version of the first chapter. The additional verses of the south-Indian recension have been edited and included separately in appendix A. The first part of the Introduction also includes fourteen sections on the content of the Amanaska. The first six of these sections are on absorption (laya), the practice of eliminating reality levels (tattva) and Layayoga, and the following sections cover yogic powers (siddhi), Śāmbhavī Mudrā, the term amanaska and the Amanaska's known sources for verses on the no-mind state. The final section called, 'Amanaska: the Effortless Leap to Liberation' examines the salient teachings of the Amanaska in light of previous ascetic, yogic and tantric traditions, in an attempt to answer questions about whom its intended audience may have been and its place within India's history of yoga. The first part of the Introduction concludes with a discussion of yoga texts which have been either directly or indirectly influenced by the Amanaska. Seeing that many of these texts have not been critically edited or translated, I have discussed their date of composition and their content in addition to the material that derives from the Amanaska. The second part of the Introduction provides essential details on the seventy-four manuscripts consulted for this edition, brief comments on the shortcomings of the previous printed editions and an explanation of the editing methodology. The recensions of the text are discussed in this section as well as my editorial policy. The critical edition and translation of the Amanaska are presented together. Each Sanskrit verse is followed by the translation and its critical apparatus is at the bottom of the page. The endnotes to each verse are located at the end of its respective chapter. Appendices B-E include four stemmatic diagrams along with brief descriptions of each hyparchetype, a list of symbols and abbreviations and an outline of the conventions used in the critical apparatus.

This study deals with the current demographic situation of the Russian Far East and tries to assess the main patterns of migration in the region. The work is structured in five chapters. The first chapter aims at defining the Russian Far East geographically and concentrates on the most important features of its economy. The second chapter is devoted to region's rapid depopulation since the beginning of 1990s. This part analyses the dominant demographic trends within the district and tries to describe the prevalent patterns of migration on its territory. The third chapter presents a brief historical overview of the colonization and resettlement policies towards the Russian Far East. The main goal of this part is to evaluate the overall effectivity of both tsarist Russia and the Soviet Union in their efforts to populate their easternmost periphery and secure the border with China. The fourth chapter deals with the problem of Chinese migration to the Russian Far East. The emphasis is put on the myth of China's "demographic expansion" and also on the question of possible benefits of drawing in more Chinese workforce in the foreseeable future. The last chapter analyses the current state program designed to attract large numbers of ethnic Russians from abroad and settle them in regions considered as...