<p>This thesis examines the nature and theological function of God’s revelation of knowledge in five texts discovered at Qumran: <em>Instruction</em>, the <em>Treatise on the Two Spirits</em>, the <em>Hodayot</em>, the <em>Songs of the Sabbath Sacrifice</em>, and the <em>Songs of the Sage</em>. Chapter 1 is a historical survey of the different ways scholars have understood and classified God’s revelation of knowledge in the Scrolls. Scholars have often interpreted these texts in isolation from one another, and they have disagreed about whether the concept of divine revelation expressed in them is derived from the sapiential, prophetic, or apocalyptic traditions. I propose that all five of these texts should be interpreted together and that they all drew upon a single distinct revelatory tradition.</p> <p>In chapters 2–6, I examine each of the texts mentioned above by asking three questions: What did God reveal? How did he reveal it? What is the theological function of God’s revelation? In asking the last question, I am particularly interested in the role that God’s revelation of knowledge plays in the anthropological and soteriological worldview of the authors. Over the course of chapters 2–6, I argue that all five of these texts represent essentially the same revelatory tradition. In this tradition, God has revealed the mysteries of his cosmic design and the statutes of his covenant with creation to certain righteous people. God’s act of revelation takes place either through a visionary experience or an indwelling spirit that imparts knowledge. This knowledge of God’s cosmic design has the power to rectify the corrupt human condition which, in turn, allows those who have knowledge to enter into paradise where they can commune with the angels. Through God’s revelation of knowledge, the righteous can obtain the glorious state that Adam once possessed in the Garden of Eden.</p> <p>In chapter 7, I conclude the thesis by summarizing the principle features of the revelatory tradition contained in these five texts. I argue that this tradition did not flow directly from any of the standard tradition streams of which scholars typically speak (sapiential, prophetic, or apocalyptic), although, it does contain elements from all of these. Instead, these texts utilize a revelatory tradition that originated from within the Jerusalem temple establishment. This temple tradition equated the inner sanctuary of the temple with the Garden of Eden and the high priest with Adam. Within the holy of holies one could access God’s throne and receive the knowledge of his cosmic design. This tradition was eventually brought out of the temple and into religious communities which came to see themselves as the true paradisiacal temple. These communities believed that God continued to reveal his cosmic design in and through them allowing the community members to become like Adam and join together with the angels in communal worship of God.</p> / Doctor of Philosophy (PhD)

Denna uppsats kommer att fokusera på propaganda utifrån tidningsmedian New York Times under Operation Market Garden. Detta skedde under de sista faserna av andra världskriget. Studien argumenterar om opinionsbildning inom Market Garden. Eftersom de allierade inte hade lyckats med sitt strategiska mål att invadera Nazityskland från Nederländerna, samt avsluta kriget före jul, så hade propagandanätverket hittat olika tillvägagångssätt och följa utvecklingen under och efter operationen för att blidka hemmafronten. Genom att analysera på New York Times kommer uppsatsen att ge ett nytt perspektiv på hur militära misslyckanden rapporterades, samt hur diskurser förändras på kort tid under krigstid. Med stöd från tidigare forskning kommer uppsatsen också ge ett förståelse hur New York Times och andra media rapportage kunde censureras från krigsministeriet med mål att skydda läsarna från demoraliserade nyheter som kunde skada hemmafrontens disciplin från att stödja krigsinsatsen.

This thesis traces the figure of the idealized child through three of Frances Hodgson Burnett's children's books: Editha's Burglar (1888), Little Lord Fauntleroy (1886), and The Secret Garden (1911). In all three books Frances Hodgson Burnett introduces child characters who have a nuanced understanding of the world around them that allows them to cure the brokenness in the adult world. Burnett's use of the child figure and of illness as a representation of flaws in society reflected increased focus on these topics in the nineteenth century; they also rose from her belief in mind cure. This thesis examines the source of the curative power each protagonist wields, the impacts of their cure, and what the need for cure says about the larger society and the characters themselves. It also emphasizes how this cure was shaped by the children's gender and socioeconomic status. I argue that throughout all three works Burnett's protagonists take on traits of the idealized child to restore the world to her view of the natural world order. In doing this, Burnett reaffirms traditional family structure, separate spheres ideology, and class hierarchy. / Master of Arts / This thesis traces the figure of the idealized child through three of Frances Hodgson Burnett's children's books: Editha's Burglar (1888), Little Lord Fauntleroy (1886), and The Secret Garden (1911). In all three books Frances Hodgson Burnett introduces child characters who have a nuanced understanding of the world around them that allows them to cure the brokenness in the adult world. Burnett's use of the child figure and of illness as a representation of flaws in society reflected increased focus on these topics in the nineteenth century; they also rose from her belief in mind cure. This thesis examines the source of the curative power each protagonist wields, the impacts of their cure, and what the need for cure says about the larger society and the characters themselves. It also emphasizes how this cure was shaped by the children's gender and socioeconomic status. I argue that throughout all three works Burnett's protagonists take on traits of the idealized child to restore the world to her view of the natural world order. In doing this, Burnett reaffirms traditional family structure, separate spheres ideology, and class hierarchy.

A library for rare books and a reading garden, the following project emerged from an attempt to better understand the idea of an autonomous architecture. Framing architectural questions as a choice between opposing alternatives of perceived relevance (e.g., geometric construction versus geometric composition, self referential versus self governing, singular versus universal) the project, which at its beginning was a simple exercise in geometric constructive technique, evolved as it was viewed through the lenses of those dualities. / Master of Architecture

This thesis is an investigation of the role of architecture in reclaiming deteriorating urban constructs, consequently restoring the placedness of a given community - in this case, East Nashville. Through careful consideration of the built environment, architecture as well as landscape architecture can transform our existence on the land and sustain a harmonious economy through the cultivation of food grown within the neighborhood. How we structure ourselves on the landscape via architecture speaks to our perception of the material world given to us. / Master of Architecture

Through natural and constructed elements, landscape architects design public landscapes to engage the public in the great outdoors. While many local governments and designers actively create landscapes to keep the unsheltered and homeless out of public spaces, keep water in storm drains, and keep native plants on the periphery of the public landscape, my project, Safe Haven, is about creating an inclusive public landscape for people, water, and native plants. Preliminary research into the history of property ownership, discrimination, economic inequality, and government programs for the unsheltered created a picture of why certain demographics struggle with housing. Case studies of homeless encampments in the Washington DC area of NOMA, Abbot's Camp in Austin, Texas, and car camping in San Diego, California, and Seattle, Washington, gave insight into the current landscape needs of unsheltered people. Studies of the watershed and plants native to the site inspired a water retention system and a seasonal pallet of plants. The design incorporates existing infrastructure, new buildings, a natural playground, wilderness camping, a Mount Vernon-inspired vegetable garden, and a sunken garden designed to retain water while showcasing native plants. Describing the design are narratives sharing the perspective of water, native plants, the unsheltered, and the homeless. Lady Landscape guides the stories and offers her views on the responsibilities of a landscape architect. / Master of Landscape Architecture / Inclusive landscapes create a vision of places where children, older adults, people with and without disabilities enjoy the beauty of Mother Nature. There are ADA regulations that ensure everyone can be accommodated within a public landscape, but those regulations don't extend to the needs of unsheltered or homeless people. Their needs to enjoy public parks and recreation areas are different from housed people. They're looking for a home, and many public spaces are built to deter them from living on public lands. My project is a landscape designed with the unsheltered and homeless as the primary client. My project is about creating room for people without homes in the landscape - offering them dignity and meeting them where they are. Researching the needs of the homeless and what is presently available helped guide my design. After choosing an appropriate site in Fairfax City, Virginia, it became apparent that water and native plants would also need a home in this project. A thorough study of the water pattern over the area informed design elements that gave water a home through a Vegetative Swale and Sunken Garden while native plants found space in garden rooms. The thesis is presented as a narrative with Lady Landscape guiding the reader through the design by introducing them to the people and natural elements the landscape offers refuge to.

This project represents the search for an architecture within the physical, historical, and political situation that an existing city presents. Set within the physical bounds of Savannah, it builds upon an understanding of the city as a series of Utopian propositions existing subliminally and often incongruously. As such, the project concerns the making of public space--space to relieve the culturally disjointed condition of modern urban life by acting as a sort of stage for creative expression and collective improvisation. This also involves the making of characteristic places, which by energetically acknowledging, confronting, challenging, or amplifying the cityâ s conceptions of itself, have the potential to generate both physical and metaphysical transformations. Furthermore, in response to urban development paradigms that are either senselessly uncoordinated or mechanistically authoritarian, the project proposes an alternative: the structured interweaving of a â civic layerâ of these generative urban centers, each serving a different part of the city. The centers must function architecturally as the symbols and containers of civic life, providing space and programmatic flexibility to allow for open cultural engagement while aesthetically enlivening the urban fabric and serving collectively as an index to the city at large. / Master of Architecture

Local adaptation to climate in temperate forest trees involves the integration of multiple physiological, morphological, and phenological traits. Latitudinal clines for the relevant component traits are frequently observed for species that have a north-south distribution, but these relationships do not account for climatic variation within a given latitudinal band, which may be reflected in adaptive traits. We used black cottonwood (Populus trichocarpa) as a model to characterize the interplay between geography, climate, and adaptation to abiotic factors. Twelve traits (height, diameter, volume index, crown diameter, number of branches, number of sylleptic branches, relative number of branches, Relative canopy depth, Bud set, Bud flush, cold index of injury, carbon isotope ratio) were measured in a range-wide sample of 124 P. trichocarpa genotypes grown in a common garden. Heritability's were moderate to high (0.24 to 0.55) and significant population differentiation (QST > 0.3) suggested adaptive divergence. When climate variables were taken as predictors and the 12 traits as response variables in a multivariate regression tree analysis, aridity (Eref) explained the most variation, with subsequent splits grouping individuals according to mean temperature of the warmest month, frost-free period (FFP), and mean annual precipitation (MAP). This grouping matches relatively well the splits using geographic variables as predictors: the northernmost groups (short FFP and low Eref) had the lowest growth performance, and the highest cold hardiness. The groups spanning the south of British Columbia (low Eref and intermediate temperatures) displayed an average growth and cold hardiness. The group from the coast of California and Oregon (high Eref and FFP) had the best growth performance and the lowest cold hardiness. The southernmost and high-elevated group (with High Eref and low FFP) performed poorly, had a low cold hardiness and a significantly lower WUE. / Master of Science

This thesis proposes a hypothetical building that intends to provide a relatively "private space" while in a public park to facilitate a conversation with therapists, small group-talk sessions, and classrooms to practice yoga. People are encouraged to walk and talk, and exercises are methods of psychotherapy. The architecture plan of this thesis encourages people with depression to evolve with others, and all programs have at least two people as a group. The distance between the two is the main key for all the designing of space. In other words, this thesis is also about a study of human psychology about "comfort zones." / Overall, the project is going to be a two-story building on the empty space of an urban park while its existence does not break the original park's intention which is providing space for the community to relax and enjoy life. It is a project with its form and function that embodies care for humanity physically and psychologically.

Walls are important elements in architecture design history. Walls have been used as barriers and as structural elements as well. The biggest scale of a wall is a city wall which can protect the whole city area as a fortification--boundary. Another scale is the wall around buildings, which can define a site, a landscape, and separate a building from its surroundings. At a smaller scale, walls divide spaces in buildings. From ancient times to modern times, the wall was developed into various shapes and functions with different kinds of materials. This thesis is a study of walls of different scales and their harmonious whole. I am very interested in the city walls of Nanjing, a famous Chinese old city very close to where I was born. These city walls were built more than 200 years ago. These old walls are combined with new walls to make a space for communication and a new public attraction for the city. People can see the walls, feel the walls and then know much about the walls and architectural space. Wall gallery, visitor center and cafe/gift shop are located in this wall garden that I call "Paradise Island". / Master of Architecture