Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-05-16T18:10:24Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) PERCURSOS DA MEMÓRIA - UM ESTUDO SEMIÓTICO DE DOIS IRMÃOS E LEITE DERRAMADO.pdf: 967180 bytes, checksum: 6b591a3a5ea8f2771dff6f3fe4ba7efc (MD5) / Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-23T20:24:58Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) PERCURSOS DA MEMÓRIA - UM ESTUDO SEMIÓTICO DE DOIS IRMÃOS E LEITE DERRAMADO.pdf: 967180 bytes, checksum: 6b591a3a5ea8f2771dff6f3fe4ba7efc (MD5) / Made available in DSpace on 2017-05-23T20:24:58Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) PERCURSOS DA MEMÓRIA - UM ESTUDO SEMIÓTICO DE DOIS IRMÃOS E LEITE DERRAMADO.pdf: 967180 bytes, checksum: 6b591a3a5ea8f2771dff6f3fe4ba7efc (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Moldados por lembranças e esquecimentos, os percursos da memória traçados em Dois irmãos, de Milton Hatoum, e Leite derramado, de Chico Buarque, denunciam um passado marcado por ruínas e angústias e, ao mesmo tempo, revelam o perfil dos narradores dos romances. À luz do ferramental teórico da Semiótica, o objetivo deste trabalho é examinar as estratégias mobilizadas nessas obras, para verificar, a partir do uso que cada narrador faz da narrativa de memória, como se delineia esse perfil no discurso. Através de um mapeamento geral das obras, analisa-se a organização das estruturas sintáticas, a dimensão patêmica do discurso, a aspectualização actancial conferida aos sujeitos e as figuras que revestem as narrativas e evidenciam a temática da decadência / Shaped by memories and forgetfulness, the paths of memory traced in Dois irmãos, by Milton Hatoum, and Leite derramado, by Chico Buarque, denounce a past marked by ruins and anguish and, at the same time, reveal the profile of the narrators of the novels. In the light of the theoretical tools of Semiotics, the aim of this study is to examine the strategies deployed in these novels in order to verify, from each narrator’s memory narrative, how this profile is determined. Therefore, the organization of syntactical structures, the passions of speech, the subjects aspectualization given to the narrators and the figures that cover the stories and highlight the theme of decay will be analyzed through a general mapping of both novels

After eleven years from the launch of his first novel, A tale of a certain Orient (1989), Milton Hatoum presents us the work The Brothers, the two brothers (2000). The author uses, in it, another time the manauara universe, as a romantic space; the Lebanese immigrant community; a narrator with social characteristics of exclusion. The aim of this work is to analyse the trajectory of the narrator Nael which, tormented by a non legitimate affiliation, and also the fact of being subordinate, through the narrative, he goes to the past in search of the origin of his paternity, discovering throughout the narrative, being a bearer of various origins, as well as Manaus , a port city, situated at the center of the forest, on the shore of Negro river. He realized that paternal identity was not important and reflecting on the space which he lives, will transform his own writing in a suitable space to give voice to the silenced voices by an efervescent city. Our approach will be on the social, cultural and historical questions which includes this challenge, and understanding them, we focus on themes as the consequences of the urbanization of the cities, the fragments of the individual, the process of cultural hybrid. The method for these analyses is based on the cultural hybrid theories from Nestor Canclini and studies on Identity, from Stuart Hall. For understanding the ficcional universe of Milton Hatoum, we will use literary theory and also reflections about critical studies on the author. / Onze anos após lançar o primeiro romance, Relato de um certo Oriente (1989), Milton Hatoum nos apresenta a obra Dois irmãos (2000). Nela, o autor utiliza novamente o universo manauara como espaço romanesco; o núcleo imigrante libanês; um narrador com marcas sociais de exclusão. Nosso trabalho tem por objetivo analisar a trajetória do narrador Nael que, atormentado pela bastardia e pela subalternidade, através da narração, empreende uma volta ao passado em busca da origem paterna, descobrindo ao longo da narrativa, ser portador de uma origem plural, assim como Manaus, cidade portuária, situada no coração da floresta e às margens do rio Negro. Percebendo ser a identidade paterna irrelevante e refletindo o espaço que habita, transformará a própria escrita em espaço propício para dá voz às vozes silenciadas pela efervescência da cidade. Abordaremos as questões sociais, culturais e históricas que envolvem essa empreitada e, procurando entendê-las, enfocaremos temas como as consequências da urbanização das cidades, a fragmentação do indivíduo, o processo de hibridação cultural. Metodologicamente, essas análises serão amparadas nas teorias de hibridação cultural de Nestor Canclini e nos estudos sobre identidade de Stuart Hall. Para compreendermos o universo ficcional de Milton Hatoum, faremos uso da teoria literária aliada às reflexões da fortuna critica do autor.

is study is composed of two units: manuscript of the author's publication Interpreting Ancient Egyptian Narratives: A Structural Analysis of the Tale of Two Brothers, the Anat Myth, the Osirian Cycle, and the Astarte Papyrus (Nouvelles études orientales, Bruxelles-Fernelmont: EME, 2014) and an additonal chapter entitled Accommodating Ambivalence: Case of the Doomed Prince and His Dog, which follows directly a er the Index of the first unit and which extends the applied methodology to yet another New Kingdom mythological narrative, the so-called Tale of the Doomed Prince. Methodologically, the author follows the neo-structuralist approach. Both studies explain the strong configurational character of ancient Egyptian (mythological) thought which has the ability to connect various ontological levels of human experience with the surrounding world into complex synchronic structures. ese symbolical systems are shown to be mediating between the various cultural paradoxes which were inherent to ancient Egyptian society. Axial role in this process is a ributed to the institution of positional kingship represented by the Pharaoh. Its transformative function is also put into relation to the special status of female characters who are shown to play the part of the "powerful powerless ones" further personifying...