This research tracks the emergence of ‘soft’ workfare in Toronto. This refers to a set of attitudes and practices apparent in the delivery of welfare-to-work programs through the Ontario Works framework, which use compulsion to push people towards employment while simultaneously encouraging limited and specific practices of individual choice. Research findings are derived from eight interviews and relevant policy reports, focusing on the experiences of three non-profit agencies and the City of Toronto, who provide employment assistance and financial assistance through Ontario Works, respectively. These findings indicate that grassroots organizations pioneered employment services for social assistance recipients, and, alongside the municipal government, had been calling for active employment programs. They made use of the distance between policy rules and their own programs to alleviate the most punitive features of OW, but judge compulsion as a means to meet a necessary end. This demonstrates how disciplinary tendencies reside within liberal governmentalities.

L'utilisation des produits dérivés a suscité une large littérature traitant des déterminants de la couverture. Il reste pourtant beaucoup à faire dans ce domaine de recherche. Nous avons choisi dans ce mémoire d'étudier les déterminants de la couverture par les produits dérivés pour les firmes non financières constituant l'indice canadien S&P/TSX 60. En plus d'étudier les déterminants de la couverture dans le contexte canadien, notre étude contribue à la littérature en dressant le profil de l'utilisation des produits dérivés par type de risque, par type d'industrie et par type de produits dérivés utilisés par les 50 grandes entreprises canadiennes. A cette fin, une base de données a été constituée à l'aide de laquelle nous avons pu établir des relations statistiquement significatives entre le niveau de couverture et plusieurs déterminants. Ainsi, nos résultats suggèrent que les mesures de l'avantage de taxe, la taille de l'entreprise ainsi que les substituts de la couverture sont négativement liées à cette dernière, tandis que les mesures de la détresse financière et de sous-investissement sont positivement liées au niveau de la couverture. Nous avons établi, également, une relation positive significative entre le niveau des ventes à l'étranger et le niveau de couverture du risque de taux de change. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Gestion des risques financiers, produits dérivés, compagnies du S&P/TSX 60, exposition, création de valeur.

This study examines how the Toronto Anti-Draft Programme (TADP) assisted American war resisters who came to Canada in response to the Vietnam War. It illustrates how the TADP responded to political decisions in Canada and in the United States and adapted its strategies to meet the changing needs of war resisters who fled to Canada. The main sources of material used for this research were the TADP’s archival records, newspaper accounts and secondary literature. This study traces the organization’s origins in the Canadian New Left before looking at how TADP released the Manual for Draft-Age Immigrants to Canada; a document that advised war resisters on how to successfully prepare for immigration. It will also explore how TADP provided immigration counselling, employment, housing services and emotional support to American war resisters. Some of the organization’s principal actors and its relationship with other Canadian aid organizations are also examined. As the number of draft resisters coming to Canada decreased during the war, the number of military resisters entering the country increased. This shift led to a change in the type of counselling the TADP provided, a reorientation that is also discussed here. As well, the unexpected numbers of African-Americans and women resisters who crossed the border presented a unique set of challenges to the TADP. Finally, this thesis examines the TADP’s attempts to aid American war resisters in Sweden, spread the word about the Canadian government’s liberalized immigration regulations in 1973, and address the issue of amnesty for resisters in America.

This thesis strives to establish a set of design guidelines for the upcoming Eglinton Crosstown Light Rail Transit development in Toronto. The primary design goals are to promote an enjoyable travel experience to commuters, offer positive public spaces in vicinity, and contribute to the greater social and cultural matrices of the city. Under a realistic project setting, the study will meditate upon spatial anthropological theories to identify essential public space qualities and to formulate underground lighting strategies. The main objective is to complete the development of both underground station and surface stop prototypes that can be flexibly implemented along the entire transit line. The vision is for these stations to not only provide convenient public transit amenities but also function as locale identifiers, showcasing Toronto’s culture virtually as unique rooms in a gallery. Three sites are chosen: Mount Pleasant, Dufferin, and Keele stations. These stations will provide interesting conditions to demonstrate the way in which a set of design guidelines can facilitate the positive development of subway stations into the powerful loci envisioned.

This study examines how the Toronto Anti-Draft Programme (TADP) assisted American war resisters who came to Canada in response to the Vietnam War. It illustrates how the TADP responded to political decisions in Canada and in the United States and adapted its strategies to meet the changing needs of war resisters who fled to Canada. The main sources of material used for this research were the TADP’s archival records, newspaper accounts and secondary literature. This study traces the organization’s origins in the Canadian New Left before looking at how TADP released the Manual for Draft-Age Immigrants to Canada; a document that advised war resisters on how to successfully prepare for immigration. It will also explore how TADP provided immigration counselling, employment, housing services and emotional support to American war resisters. Some of the organization’s principal actors and its relationship with other Canadian aid organizations are also examined. As the number of draft resisters coming to Canada decreased during the war, the number of military resisters entering the country increased. This shift led to a change in the type of counselling the TADP provided, a reorientation that is also discussed here. As well, the unexpected numbers of African-Americans and women resisters who crossed the border presented a unique set of challenges to the TADP. Finally, this thesis examines the TADP’s attempts to aid American war resisters in Sweden, spread the word about the Canadian government’s liberalized immigration regulations in 1973, and address the issue of amnesty for resisters in America.

This thesis strives to establish a set of design guidelines for the upcoming Eglinton Crosstown Light Rail Transit development in Toronto. The primary design goals are to promote an enjoyable travel experience to commuters, offer positive public spaces in vicinity, and contribute to the greater social and cultural matrices of the city. Under a realistic project setting, the study will meditate upon spatial anthropological theories to identify essential public space qualities and to formulate underground lighting strategies. The main objective is to complete the development of both underground station and surface stop prototypes that can be flexibly implemented along the entire transit line. The vision is for these stations to not only provide convenient public transit amenities but also function as locale identifiers, showcasing Toronto’s culture virtually as unique rooms in a gallery. Three sites are chosen: Mount Pleasant, Dufferin, and Keele stations. These stations will provide interesting conditions to demonstrate the way in which a set of design guidelines can facilitate the positive development of subway stations into the powerful loci envisioned.

Increased urban diversity in the metropolises of North America urges us to examine the different forms of mobility of transnational communities in cosmopolitan societies. Recent technological advancements, including developments in transport and communication networks, have significantly influenced participation in transnational activities and belonging to transnational social spaces. This study examines the relationships between long-term mobility (migration) and short-term mobility (tourism) by investigation the “visiting friends and family” travel of immigrants that best exemplifies the nexus between the two contemporary phenomena. As increasing levels of globalization and international migration are likely to be accompanied by increased transnationalism, the research uses transnationalism as a conceptual framework to study immigrants’ overseas travel. Research into the relationship between tourism and migration requires engaging with issues of citizenship as different categories of migrants have different rights in the country of settlement. This has implications for travel as revealed in the movements that occur between the places of origin of immigrants (which become destinations) and the new places of residence (which become new origins). These movements are likely to be influenced by the rights and duties of immigrants as citizens living within and moving around different states. This study examines the relationship between the overseas travel patterns of immigrants and their citizenship status. It also examines the role of ethnic and family reunion in shaping these travel patterns. The study also provides a deeper theoretical and empirical analysis of the role of ethnic reunion in shaping the travel patterns of immigrants and of the social and cultural meanings associated with the travel to the ancestral homeland. All of these issues are tackled by examining Palestinian immigrants in the Greater Toronto Area (GTA) and by employing a mixed methods approach engaging both quantitative and qualitative data collection and analysis. Major research methods that are employed in the research include key informant interviews, questionnaire surveys, in-depth interviews, observation and field notes, and the use of secondary data. The study explored the politics of mobility for Palestinian-Canadians, an understudied population in terms of transnational practices and issues of identity and hybridity. It also explored issues of citizenship and belonging using extensive interview data with Palestinian-Canadians in the GTA. Throughout the thesis the highly politicized aspect of mobility/immobility, national identity, and national autonomy in the Palestinian case was present. The research highlighted the continuing role of state actors in determining mobility and rights, despite the increasing rhetoric of borderless mobility. The study reveals that the majority of the Palestinian Canadians travel overseas regularly and their outbound travel patterns demonstrate a significant ethnic component. Palestinian Canadians travel to their country of birth as their dominant outbound travel destination for the purposes of visiting friends and relatives and maintaining social and cultural ties, indicating strong ties with homeland that have ethnic links. However, Palestinians holding Canadian citizenship have a higher propensity to travel overseas than permanent resident. The return visits have social and cultural significance to the first and second generations. However, these return visits do not facilitate return migration.

Woven within fashion and dress is the innate ability to create atmosphere and transformative experiences. Architecturally, the façade of a building acts as its skin, having responsibilities that exceed the functions of shelter and materiality. The process of dressing buildings create and shape dynamic relationships with all the elements of its surroundings. Beyond the basic need for convenience and protection, both practices operate as part of a larger world of personified and tailored objects that create ambience and space. This thesis, entitled unDressing Spectacle, explores the parallels between the fashion and architecture within the context of their own industries as well as each other’s. Themes of dress and undress are juxtaposed onto both crafts - literally and metaphorically - at three different scales: the adornment of the individual; the design object within society and the urban fabric; and the discourse between branding and the economic condition. Creating the framework for fantastic events within the urban fabric, this thesis takes the form of a Fashion & Design Event Centre upon which the discourse between user and the design object unfolds. Placed in Toronto’s vibrant west end, the building is a symbol of permanence and an icon for fashion and design. The proposed design is the manifestation of the inherent conflict within the thesis, juxtaposing fashion’s ability to seduce and manufacture desires with the complex structuring of neutral spaces to allow for a multiplicity of users and events. At the city scale, the luminous and dynamic layers of building skin attracts and lures; as users approach and ultimately enter the building, the imagery is transformed into unique atmospheric experiences. This thesis harnesses the glamour of fashion as the medium to ignite the re-imagination of architecture’s value and the interpretation of beauty and style, providing the means for experiences to transcend into a world of spectacle.

In 1988, Canada enshrined multiculturalism into law, a democratizing manoeuver that allowed practitioners of non-Western and non-classical forms of music to agitate for equitable access to public arts funding. This agitation ultimately forced government-funded Canadian arts councils to re-examine their Eurocentric granting programs and to expand the parameters by which they fund music. Today’s arts council peer assessors must now assess applications covering a broad range of musical genres and differing aesthetic values, and must incorporate into their evaluations the councils' sociopolitical priorities emphasizing diversity and inclusivity. Yet, few assessors understand why and how identity politics informs the contemporary music-making of ethnocultural minorities and how collectively held stereotypes influence Canadians’ expectation for ethnocultural representation. In this thesis, I endeavour to separate the historical, sociopolitical and philosophical threads that have contributed to the current musical environment in Canada. I begin by examining the parallel histories of funding for high culture—which led to public arts funding—and early celebrations of multiculturalism. I then examine liberal democratic philosophy and how it fostered the “politics of difference” that characterizes Canadian multiculturalism. Although liberal democracy holds that each citizen be recognized as equal and have equality of opportunity to nurture his or her individual, authentic self, Canadians have historically treated ethnocultural minorities unequally, resulting in the latter pursuing politics of difference based upon collective characteristics. Collective difference politics, though, are prone to stereotype. In the Canadian music world these stereotypes are manifest in external desires for authentic ethnocultural representation, which can overshadow a minority musician’s ability to cultivate a unique musical voice. I devote the second part of my thesis to examining the effects of equity initiatives on Canadian arts councils. Based upon interviews with music and equity officers from the Canada Council, the Ontario Arts Council and the Toronto Arts Council, I show how the dichotomy between collective and individual authenticities results in unequal modes of assessment that perpetuate both ethnocultural stereotypes and Western classical music’s monopoly over funding, limiting our definitions of Canadian music.

In 1988, Canada enshrined multiculturalism into law, a democratizing manoeuver that allowed practitioners of non-Western and non-classical forms of music to agitate for equitable access to public arts funding. This agitation ultimately forced government-funded Canadian arts councils to re-examine their Eurocentric granting programs and to expand the parameters by which they fund music. Today’s arts council peer assessors must now assess applications covering a broad range of musical genres and differing aesthetic values, and must incorporate into their evaluations the councils' sociopolitical priorities emphasizing diversity and inclusivity. Yet, few assessors understand why and how identity politics informs the contemporary music-making of ethnocultural minorities and how collectively held stereotypes influence Canadians’ expectation for ethnocultural representation. In this thesis, I endeavour to separate the historical, sociopolitical and philosophical threads that have contributed to the current musical environment in Canada. I begin by examining the parallel histories of funding for high culture—which led to public arts funding—and early celebrations of multiculturalism. I then examine liberal democratic philosophy and how it fostered the “politics of difference” that characterizes Canadian multiculturalism. Although liberal democracy holds that each citizen be recognized as equal and have equality of opportunity to nurture his or her individual, authentic self, Canadians have historically treated ethnocultural minorities unequally, resulting in the latter pursuing politics of difference based upon collective characteristics. Collective difference politics, though, are prone to stereotype. In the Canadian music world these stereotypes are manifest in external desires for authentic ethnocultural representation, which can overshadow a minority musician’s ability to cultivate a unique musical voice. I devote the second part of my thesis to examining the effects of equity initiatives on Canadian arts councils. Based upon interviews with music and equity officers from the Canada Council, the Ontario Arts Council and the Toronto Arts Council, I show how the dichotomy between collective and individual authenticities results in unequal modes of assessment that perpetuate both ethnocultural stereotypes and Western classical music’s monopoly over funding, limiting our definitions of Canadian music.