Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2016-08-29T21:39:05Z No. of bitstreams: 1 Disserta??o em PDF Tha?se Ara?jo.pdf: 779156 bytes, checksum: 516ffcf313a97865866cf8da2a482beb (MD5) / Made available in DSpace on 2016-08-29T21:39:05Z (GMT). No. of bitstreams: 1 Disserta??o em PDF Tha?se Ara?jo.pdf: 779156 bytes, checksum: 516ffcf313a97865866cf8da2a482beb (MD5) Previous issue date: 2015-09-26 / This dissertation analyses the image of blacks in Brazil through the literary representation from the novel Viva o povo brasileiro(1984), by Jo?o Ubaldo Ribeiro. The author?s narrative presents the root formation of the Brazilian people, recounting and establishing a critical on country history. From this perspective, Viva o povo Brasileiro acts as a form of reflection by showing scenes which reveals the suffering of a people throughout history of brazil., using the ficcional text as a funding vehicle of images from brazilian society in the specified epoch in pages from the novel. So, the research highlights the black characters from the narrative, with the intention of enhancing the people which were essential to Brazil?s cultural, ethnics and economical formation, insisting on a intertextuality relationship with history of Brazil, by mentioning the representation of the discursive formation, power relationship and the domination elements used against the blacks. In view of this, it?s analysed the ficcional and historical landmarks which features the blacks on the novel through the verisimilitude between episodes from the novel and the historical facts of the country, articulating the ficcional elements of the book to racists discourses, intending to highlight the social system of domination, based ethnic or "racially" and its consequent inequality. Thus, from suck analyses, it?s concluded that Jo?o Ubaldo Ribeiro?s narrative, is not a historical novel, but rather a literary narrative that represents a meaninful quantity of the historical contexts of the country. / Esta disserta??o analisa a figura dos negros no Brasil atrav?s da representa??o liter?ria do romance Viva o povo brasileiro (1984), de Jo?o Ubaldo Ribeiro. A narrativa ubaldiana apresenta a forma??o das ra?zes do povo brasileiro, recontando e estabelecendo uma cr?tica ? hist?ria do pa?s. Nessa perspectiva, Viva o povo brasileiro atua como forma de reflex?o ao exibir cenas que revelam as mazelas sofridas por um povo no decorrer da hist?ria do Brasil, utilizando-se do texto ficcional como um ve?culo de capta??o de imagens da sociedade brasileira em ?pocas especificadas nas p?ginas do romance. Assim, a pesquisa destaca os personagens negros da narrativa, com a inten??o de valorizar o povo, que foi essencial na forma??o econ?mica, ?tnica e cultural do Brasil, instituindo uma rela??o de intertextualidade com a Hist?ria do Brasil ao mencionar a representa??o da forma??o discursiva, as rela??es de poder e os elementos de domina??o usados contra o negro. Em vista disso, analisa-se, as marcas ficcionais e hist?ricas que caracterizam o negro no romance por meio da rela??o de verossimilhan?a entre os epis?dios romanescos com os fatos hist?ricos do pa?s, articulando os elementos ficcionais da obra em estudo com discursos racistas, na inten??o de destacar o sistema social de domina??o, fundamentado ?tnica ou ?racialmente?, e sua consequente desigualdade. Sendo assim, a partir de tais an?lises, chegou-se ? conclus?o de que a narrativa de Jo?o Ubaldo Ribeiro n?o ? um romance hist?rico, mas uma narrativa liter?ria que representa uma quantidade significativa dos contextos hist?ricos do pa?s.

Made available in DSpace on 2014-06-11T19:35:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2005-03-28Bitstream added on 2014-06-13T18:07:14Z : No. of bitstreams: 1 machado_lg_dr_sjrp.pdf: 839999 bytes, checksum: 51c8da58c6fed171a70a7dccf4f2d3ea (MD5) / Este estudo procura conhecer os processos de construção da personagem de ficção e do herói, em sua marcha, do ponto de vista mimético e antropomórfico, cuja realização se dá na obra Viva o povo brasileiro de João Ubaldo Ribeiro. Parte-se da hipótese de que o título da obra tem caráter sinedóquico, onde se identifica e realiza o herói coletivo na sua relação com as demais personagens, entendidas na sua evolução de máscara para signo narrativo. Considerou-se que, pela interlocução entre história e historiografia, na desfuncionalização e dessintagmatização dos elementos constituintes da história, constrói-se a personagem-temática e o herói coletivo representando a relação tensional entre colonizadores e colonizados; classe senhoril/patronal e escrava/ laboral. Para isso, foram utilizados conceitos como: arquétipos e motivos temáticos; personagem como sujeito virtual, atualizado, realizado e glorificado. / The aim of this study is to get to know the processes involved in building the fictional and heroic character, on its journey, from both the mimetic and anthropomorphic points of view, as it occurs in João Ubaldo Ribeiro's Long Live the Brazilians (Viva o povo brasileiro). It starts with the hypothesis that the title of the work has a synecdochic character, where the collective hero is identified and realized in his relationship with the other characters, understood in their evolution from mask to narrative sign. By means of the interlocution between history and historiography, in the defunctionalization and dissyntagmatization of the constitutive elements of the story, it was deemed that the thematic character and collective hero were constructed, representing the tensional relationship between colonizer and colonized; between the lord/master and slave/worker classes. In order to achieve this, the following concepts were used: archetypes and thematic motives, character as virtual subject, modernized, realized and glorified.