Zugl.: Berlin, Humboldt-Univ., Diss., 2005

Thesis (Ph. D.)--Columbia University, 1935. / Vita. Published also without thesis note. "Appendix: Bibliothèque nationale, ms. Fonds français 21928. Répertoire des livres prohibés, par ordre alphabétique": p. 157-195. Bibliography: p. 196-206.

Inaug.-diss.--Königsberg. / Lebenslauf.

Thesis--Marburg. / Includes index of names. Includes bibliographical references (p. 236-243).

Zugl.: Hamburg, Univ., Diss., 2007

"Diese arbeit ist als Berliner Dissertation erschienen." / "Bibliographie": p. [9]-13.

Zugl.: Hamburg, Univ., Diss., 2007.

Après une enquête lexicographique sur les termes « aventure » et « aventurier » dans les dictionnaires en usages au XVIIIe siècle, nous nous sommes intéressés aux éléments déclencheurs de l’aventure dans l’œuvre romanesque de Diderot. La focalisation sur le hasard mais aussi l’accent mis sur l’imaginaire des personnages-et ses déterminations par le rêve, la rêverie et la lecture-permettent de conférer d’entrée de jeu au roman une dimension philosophique. Les développements de ces aventures confortent amplement cette dimension philosophique. Dans ces développements l’accent est toutefois mis sur les passions des aventuriers, sur leur dimension transgressive. Il semble que les aventuriers des romans de Diderot côtoient tout particulièrement l’errance et la folie. Il est bien une marginalité toute particulière des aventuriers de Diderot : la mise en regard et la comparaison avec les aventuriers mis en scène par d’autres romanciers des Lumières (Lesage, Voltaire notamment) le mettent nettement en évidence. L’étude dans un troisième temps des finalités de l’aventure diderotienne permet de comprendre comment les aventures narrées concourent à l’affirmation de la liberté individuelle et sont lourdes de connotation morales et politiques. Mais il est une véritable originalité des aventuriers de Diderot : leur lien à l’art, à la peinture et à la musique. Diderot romancier demeure bien le critique d’art des Salons. / After a lexicographical research into the terms “adventure” and “adventurer” used in the Eighteenth century dictionaries, we were interested in the elements adventure that manifest in the fiction writing of Diderot. The focus is on accidental instances, but stress is also laid on the imaginary characters and their determinations led by dream, daydream, and reading, allowing to confer a philosophical dimension from the beginning of the novel.The development of these adventures amply consolidates this philosophical dimension. In these developments, the stress is always laid on the adventurers’ passions and on their non-conformist dimension. It is seems that the adventurers in Diderot’s novels lead the life of a wanderer and display madness. They, in particular, display non-conformism: This is evident when you compare them with the adventurers produced by the Lumière novelists (especially by Lesage and Voltaire). The third and the final stage of the Diderotian adventure study seeks to understand how the narrated adventures contribute to defending individual freedom and how they carry heavy moral and political connotations. It is for the true originality of Diderot’s adventurers (their bond with art, painting, and music) that his novels are still thriving in the art critique forums.

Orientador: Roberto Romano da Silva / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-03T16:36:29Z (GMT). No. of bitstreams: 1 Miranda_LuizFranciscoAlbuquerquede_D.pdf: 14504691 bytes, checksum: 7df0581ba4059ea2e36a64aeb1ac3682 (MD5) Previous issue date: 2003 / Resumo: O presente trabalho trata do papel do Estado nas obras filosóficas e historiográficas de Voltaire. O texto discute as relações que ele estabelece entre a legitimidade do poder político e a noção de processo civilizador. A partir do estudo dos textos do filósofo sobre a organização do império chinês e a história da monarquia francesa, analisa-se a maneira como- ele- apresenta a centralização estatal como forma eficaz de controle das paixões e resposta aos conflitos políticos, econômicos e religiosos que ameaçam a ordem pública. Nessa perspectiva, o Estado, quando consolida sua autoridade e limita o arbítrio dos governantes, é pensado como agente civilizador / Abstract: This present work discourses on the role of the state in the philosophical and historiographical writings of Voltaire. It discusses the links he establishes between the legitimacy of the political power and the concept of civilizing process. Being rooted in Voltaire's writings upon the organization of the Chinese empire and the French monarchy, this work analyzes how the philosopher presents the state's centralization as an effective form of controlling the passions and responding to the political, economic and religious conflicts that threatens the public order. From this perspective, the state, when it consolidates its authority and restricts- the- tyranny of the rulers, is thought of as a civilizing agent / Doutorado / Doutor em Filosofia

Orientador: Roberto Romano da Silva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-24T04:19:22Z (GMT). No. of bitstreams: 1 Miranda_LuizFranciscoAlbuquerquede_M.pdf: 7399197 bytes, checksum: 496e88e25e025b927ad9f5d4f97a0ff8 (MD5) Previous issue date: 1998 / Resumo: Não informado / Abstract: Not informed. / Mestrado / Mestre em Filosofia