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1	Vem, hur, vad och varför? : En narratologisk analys av Stephen Kings skräckroman Dimman Andersson, Sofia January 2016 (has links) This essays content is about a narratological analysis of “The Mist”, written by Stephen King, with a focus on who, how, and what in relationship with the story. It also contains a deeper analysis on chosen characters and the meaning behind them. The analysis also takes a look on why King has chosen to use them and their specific details. By mainly using Shlomith Rimmon-Kenan and Jimmy Vulovic I manage to find the voice of the story, how it’s told and what it contains. There is a deeper meaning behind the details that King has selected for his story, for example the colors is not randomly chosen but have a point and a deeper sense behind them. The characters all have a meaning, big and small. The three main characters becomes pillars of the story where they give it and eachother balance with the ir significant roles as hero, villain and helper. It also turns out that the extraterrestrial beings are not the biggest threat of the story, the humans are. Stephen King Dimman Narratologi Narratologisk analys The Mist Narratology Rimmon - Kenan Vulovic
2	När utlandsadopterade författare skriver om sig själva: om berättarposition och framställning i självbiografier : When transnationally adopted authors write about themselves: considering narrator position and self-construction in autobiographies Sundelin, Jennifer January 2021 (has links) This essay explores the life writing of two transnationally adopted authors of Scandinavian nationality. Both are adopted from Korea and the essay aims to analyse how they make use of self construction, or how they stage themselves as subjects in their autobiographies. It also discusses how multiculturalism affects the writers perspective and how this is woven into the narrative. My thesis is that those who are seeking their identity in their past, but cannot find any answers there, experience a certain void that needs to be filled. A comparative reading of the two adoption memoirs Kinamann ( Tjønn, 2011) and Blod är tjockare än vatten (Trotzig, 1996) illustrates this. On the one hand this void both empowers and complicates the construction of narrative identity. On the other hand it allows for interesting differences in narrative technique to emerge between how the two authors construct and interpret their lives. Litteraturvetenskap självbiografier adoption adoptionsmemoarer berättarposition framställning självkonstruktion Trotzig Tjønn Hübinette Butler Riceour Vulovic Humanities and the Arts Humaniora och konst

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Vem, hur, vad och varför? : En narratologisk analys av Stephen Kings skräckroman Dimman

När utlandsadopterade författare skriver om sig själva: om berättarposition och framställning i självbiografier : When transnationally adopted authors write about themselves: considering narrator position and self-construction in autobiographies