Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008. / Includes bibliographical references (leaves 306-317).

Thesis--Basel. / Vita. Includes indexes. Includes bibliographical references (p. 350-368).

Thesis--Princeton. / Bibliography : p. [271]-277. Bibliography: p.

No description available.

Thèse--arts plastiques--Paris--Panthéon-Sorbonne, 1989. / Contient le texte du livret "Arlequin favori de la fortune" (t.2) p. 65-112. Bibliogr.(t.1) p. 236-238 (t.2) p. 377-388.

Claude Debussy (1862-1918) was an outstanding composer in French mélodie history. He composed approximately 80 songs, and chose to set poetry of his contemporaries, notably Verlaine and Mallarmé. Discussing Debussy¡¦s two sets of Verlaine¡¦s poetry, Fêtes Galantes I and Fêtes Galantes II in the study which explored the connection between literature and painting, and the combination of the melody, harmony and poetry as a complete entity. The research includes four main parts: the biography of Claude Debussy, Debussy¡¦s mélodie style, Watteau¡¦s painting style of Fêtes Galantes, Verlains¡¦s Les Fêtes Galantes, and the analysis of Debussy¡¦s Fêtes Galantes I and II. Debussy¡¦s ability to blend of the declamatory style, variety of accompaniment patterns, and fluid harmonic structure makes his mélodie unique in the history of French songs.

Made available in DSpace on 2015-09-29T02:05:42Z (GMT). No. of bitstreams: 1 000475265-Texto+Completo-0.pdf: 16634258 bytes, checksum: 88cf78796806542f98e580b06d05ab78 (MD5) Previous issue date: 2015 / The present work deals with the relationship between the artistic production of French painter Jean Antoine Watteau (1684 – 1721) and the universe of fashion. Fashion is here presented as a new perpsective to analyze Watteau’s works. The proposed study has a multidisciplinary character, which helps to adress the production of a very complex artist, whose work shows several connections and analogies to other kinds of artistic productions. During her reaearch period in Paris, the author had access to new sources and bibliography, which helped to better understand the way Watteau’s work relates not only to French fashion in the XVIIIth century, but with fashion history as a whole. The work’s mains source is a set of etchings done by different artists, called Figures de Différents Caractères; those images were based on a series of drawings originally done by Watteau. The Figures make up the two first volumes of the Recueil Julienne, a compendium of the artist’s work. Besides the etching, some oil paintings were also studied. Relationships between images produced in the XVIIIth century and images from other temporalities were taken into consideration. The researcher sook to understand the ways clothe and/or fashion impact on the constitution of the artist’s visuality; besides, the work has analysed the construction of memories pertaining clothes and clothings as shown in Watteau’s etchings and paintings; therefore, through the selected images, the researcher has explored the territory occupied by clothes and fashion in te artist’s work. Another element taken into account was the role performed by clothes in the construction of movement and gesture within the selected images. The researcher has investigated which connections can be estabilished between the selected images and the period’s social forms and dress codes. Fashion is a phenomenon characterized by speedy changes and capable of great impact on individuals. Most scholars who adressed that question have pointed the XVIIIth century as the turning point when fashion started to show those characteristics. Watteau’s artistic path has been re-traced here through some biographic data, and his insertion in French culture and society of the XVIIIth century has been investigated; the “survival” of his works in diferent times has also been pondered. The works deals extensively with Watteau’s relationship with theatre and with a genre of painting known as fêtes galantes. The relationship between the selected etchings and French fashion plates has also been examined. / A presente pesquisa trata sobre a relação existente entre a obra do pintor francês Jean Antoine Watteau (1684 – 1721) e o universo da moda, analisando-se a obra do artista pelo viés da moda como tentativa de propor uma nova abordagem. O estudo aqui proposto possui um caráter multidisciplinar, que auxilia a refletir sobre a produção de um pintor complexo, cuja obra estabelece várias relações com outras expressões artísticas. Realizou-se um período de estudos em Paris, que ampliou fontes e bibliografia, definindo melhor de que maneira a obra de Watteau se relaciona com a moda não apenas da França de seu tempo, mas com a história da moda como um todo. A fonte principal da pesquisa é um conjunto de gravuras em água-forte feitas por diferentes artistas a partir de desenhos de Watteau, que receberam o nome de Figures de Différents Caractères. Ele compõe os dois primeiros tomos do chamado Recueil Julienne, um compêndio com a obra completa do artista. Utilizou-se também algumas pinturas à óleo. Levou-se em consideração algumas relações entre as imagens produzidas no século XVIII com imagens de outras temporalidades. Buscou-se refletir sobre a maneira com que o traje e/ou a moda participaram na constituição da visualidade do artista, além de analisar a construção da memória em torno dos trajes presentes nas obras de Watteau, percorrendo, através das imagens selecionadas, o território que os trajes e a moda ocuparam na obra do artista. Verificou-se o papel desempenhado pela roupa na construção da gestualidade e do movimento das figuras analisadas. Investigou-se quais relações as imagens selecionadas estabelecem com as sociabilidades e as formas de vestir da época em que foram produzidas. A moda é um fenômeno caracterizado por mudanças rápidas, exercendo grande impacto sobre os indivíduos.A maioria daqueles que se dedicaram a responder essa questão apontam o século XVIII como o momento de virada em que a moda passou a apresentar essas características. Traçou-se a trajetória artística de Watteau através de alguns dados biográficos, bem como a sua inserção no século XVIII francês e algumas questões à respeito das “sobrevivências” de sua obra em diferentes tempos. Destacou-se a relação do artista com o teatro e suas obras classificadas como fêtes galantes. Observou-se também a relação entre as gravuras da fonte principal e a tradição das gravuras de moda francesas.

Detta konstnärliga examensarbete är ett försök att nå en fördjupad förståelse för pianostycket L’Isle joyeuse L.106 komponerat av Claude Debussy år 1904, i syfte att se hur den kunskapen kan sättas i relation till min musikaliska gestaltning av musiken. Till bakgrunden hör att stycket är förmodat inspirerat av 1700-talskonstnären Antoine Watteaus målning Le Pèlerinage à l’île de Cythère. Målningen föreställande kärlekspar på väg till eller från kärleksgudinnan Afrodites födelseö Kythera kan sättas i relation till att Debussy komponerade stycket under en vistelse på ön Jersey dit han reste med sin kärlek Emma Bardac. I bakgrunden tar jag upp historia både kring Debussys liv men även om tavlan och de stildrag i Watteaus måleri som jag tror kan ha varit en källa till inspiration för Debussy. Jag gör därtill en analys av stycket, mestadels utifrån mina egna tolkningar och associationer vid studerandet av den musikaliska texten men även till viss del med hjälp av litteratur om ämnet. I Watteaus måleri finns en atmosfär av elegans, glädje och lätthet som jag även finner i Debussys komposition och min analys av stycket leder fram till flera associationer kopplade till vatten, hav och lycka. Studien kan inte ge några konkreta svar på exakt vad Debussy ville när han komponerade musiken men kan fungera som utgångspunkt till inspiration för en pianist som planerar att spela verket. / This artistic thesis is an attempt to reach a deeper understanding of the piano piece L'Isle joyeuse L.106, composed by Claude Debussy in 1904, with the aim of seeing how that knowledge can be put in relation to my interpretation of the music. The piece is supposedly inspired by the 18th century artist Antoine Watteau's painting Le Pèlerinage à l'île de Cythère, which depicts several couples on their way to or from the birthplace of Aphrodite, the Island of Kythera. This can be put in relation to the fact that Debussy composed the piece during a stay on the island of Jersey where he traveled with his love Emma Bardac. In the thesis I present the historical background, both about Debussy's life but also about the painting and the stylistic features in Watteau's art that I believe may have been a source of inspiration for Debussy. I also do an analysis of the piece, mostly based on my own interpretation and associations when studying the musical text, but also to some extent with the help of literature on the subject. In Watteau's painting there is an atmosphere of elegance, joy and lightness that I also find in Debussy's composition and my analysis of the piece leads to several associations linked to water, sea and happiness. The study cannot provide any concrete answers to exactly what Debussy wanted when he composed the music but it can serve as a starting point for inspiration for a pianist who plans to play the work. / <p>Franz Schubert - Impromptu i f-moll, Op. 142 D. 935, No. 1 </p><p>Joseph Haydn - Pianosonat i Eb-dur, Hob. XVI 49 </p><p>Claude Debussy - Ur preludier bok 1 L. 117, No. 5 ”Les Collines d’Anacapri” </p><p>Claude Debussy - Ur preludier bok 2 L.123, No. 10 ”Canope”</p><p>Claude Debussy - L’isle joyeuse, L. 106 </p><p> </p>

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2015-09-28T11:31:07Z No. of bitstreams: 1 475265 - Texto Completo.pdf: 16634258 bytes, checksum: 88cf78796806542f98e580b06d05ab78 (MD5) / Made available in DSpace on 2015-09-28T11:31:07Z (GMT). No. of bitstreams: 1 475265 - Texto Completo.pdf: 16634258 bytes, checksum: 88cf78796806542f98e580b06d05ab78 (MD5) Previous issue date: 2015-08-31 / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The present work deals with the relationship between the artistic production of French painter Jean Antoine Watteau (1684 ? 1721) and the universe of fashion. Fashion is here presented as a new perpsective to analyze Watteau?s works. The proposed study has a multidisciplinary character, which helps to adress the production of a very complex artist, whose work shows several connections and analogies to other kinds of artistic productions. During her reaearch period in Paris, the author had access to new sources and bibliography, which helped to better understand the way Watteau?s work relates not only to French fashion in the XVIIIth century, but with fashion history as a whole. The work?s mains source is a set of etchings done by different artists, called Figures de Diff?rents Caract?res; those images were based on a series of drawings originally done by Watteau. The Figures make up the two first volumes of the Recueil Julienne, a compendium of the artist?s work. Besides the etching, some oil paintings were also studied. Relationships between images produced in the XVIIIth century and images from other temporalities were taken into consideration. The researcher sook to understand the ways clothe and/or fashion impact on the constitution of the artist?s visuality; besides, the work has analysed the construction of memories pertaining clothes and clothings as shown in Watteau?s etchings and paintings; therefore, through the selected images, the researcher has explored the territory occupied by clothes and fashion in te artist?s work. Another element taken into account was the role performed by clothes in the construction of movement and gesture within the selected images. The researcher has investigated which connections can be estabilished between the selected images and the period?s social forms and dress codes. Fashion is a phenomenon characterized by speedy changes and capable of great impact on individuals. Most scholars who adressed that question have pointed the XVIIIth century as the turning point when fashion started to show those characteristics. Watteau?s artistic path has been re-traced here through some biographic data, and his insertion in French culture and society of the XVIIIth century has been investigated; the ?survival? of his works in diferent times has also been pondered. The works deals extensively with Watteau?s relationship with theatre and with a genre of painting known as f?tes galantes. The relationship between the selected etchings and French fashion plates has also been examined. / A presente pesquisa trata sobre a rela??o existente entre a obra do pintor franc?s Jean Antoine Watteau (1684 ? 1721) e o universo da moda, analisando-se a obra do artista pelo vi?s da moda como tentativa de propor uma nova abordagem. O estudo aqui proposto possui um car?ter multidisciplinar, que auxilia a refletir sobre a produ??o de um pintor complexo, cuja obra estabelece v?rias rela??es com outras express?es art?sticas. Realizou-se um per?odo de estudos em Paris, que ampliou fontes e bibliografia, definindo melhor de que maneira a obra de Watteau se relaciona com a moda n?o apenas da Fran?a de seu tempo, mas com a hist?ria da moda como um todo. A fonte principal da pesquisa ? um conjunto de gravuras em ?gua-forte feitas por diferentes artistas a partir de desenhos de Watteau, que receberam o nome de Figures de Diff?rents Caract?res. Ele comp?e os dois primeiros tomos do chamado Recueil Julienne, um comp?ndio com a obra completa do artista. Utilizou-se tamb?m algumas pinturas ? ?leo. Levou-se em considera??o algumas rela??es entre as imagens produzidas no s?culo XVIII com imagens de outras temporalidades. Buscou-se refletir sobre a maneira com que o traje e/ou a moda participaram na constitui??o da visualidade do artista, al?m de analisar a constru??o da mem?ria em torno dos trajes presentes nas obras de Watteau, percorrendo, atrav?s das imagens selecionadas, o territ?rio que os trajes e a moda ocuparam na obra do artista. Verificou-se o papel desempenhado pela roupa na constru??o da gestualidade e do movimento das figuras analisadas. Investigou-se quais rela??es as imagens selecionadas estabelecem com as sociabilidades e as formas de vestir da ?poca em que foram produzidas. A moda ? um fen?meno caracterizado por mudan?as r?pidas, exercendo grande impacto sobre os indiv?duos. A maioria daqueles que se dedicaram a responder essa quest?o apontam o s?culo XVIII como o momento de virada em que a moda passou a apresentar essas caracter?sticas. Tra?ou-se a trajet?ria art?stica de Watteau atrav?s de alguns dados biogr?ficos, bem como a sua inser??o no s?culo XVIII franc?s e algumas quest?es ? respeito das ?sobreviv?ncias? de sua obra em diferentes tempos. Destacou-se a rela??o do artista com o teatro e suas obras classificadas como f?tes galantes. Observou-se tamb?m a rela??o entre as gravuras da fonte principal e a tradi??o das gravuras de moda francesas.

Techn. Universiẗat, Diss., 2004--Darmstadt.