Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

<p>This dissertation identifies four American novels published between 2016 and 2018—Colson Whitehead’s <em>The Underground Railroad</em> (2016), Jesmyn Ward’s <em>Sing, Unburied, Sing</em> (2017), Celeste Ng’s <em>Little Fires Everywhere</em> (2017), and Tommy Orange’s <em>There There</em> (2018)—that deploy a multifocal narrative structure to facilitate readers’ ethical engagement with their content. Specifically, these novels’ narrative structures guide readers through spatial reading, or reading across numerous characters’ perspectives of a shared space instead of with the grain of chronological time. Contextualizing these novels within the nation’s shifting racial beliefs initiated by the election of Barack Obama in 2008 and the election of Donald Trump in 2016, I argue that, in these novels, multifocalization and the spatial reading it activates dismantle the cognitive schemas and cultural discourses that sustain unjust racial ideologies. Spatial reading engages readers in acts of rereading and contextualization that diverge from the practices of generalization and erasure affiliated with myths of racial progress and the rhetoric of colorblindness, and it accordingly builds readers’ capacity to acknowledge racism as systemic, structural, and multifaceted. By emphasizing how each novel facilitates readers’ racial literacy, this project diverges from and complicates the widespread belief that the humanities contribute to antiracism by building readerly empathy, instead championing how the humanities impart upon readers the tools to analyze and critique systemic racism. </p>

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It has always been important to study history. But what we can’t forget is that there’s more than one way of doing so. One of those is literature. In this thesis I will therefore study two contemporary historical novels: The Night Watch by Sarah Waters and The Underground Railroad by Colson Whitehead. The aim is to explore how they portray different kinds of historical experiences and how that may relate to questions that are relevant even in a contemporary context. Because both novels have an interestning relationship with time and space, I’m going to use the russian literary theorist Micheal Bachtins concept of the chronotope to explore how time and space operates and relate to eachother. In the end, this thesis also aims to show that literature can be a valuable object to study for those that are intererested in histiography.

This thesis re-examines Shakespeare’s creation of tragic character through the concept of ‘arrivals’. What arrives is not an ‘individual’ but what I call a ‘subject’, which is a diffused dramatic process of arriving, rather than a self-contained entity that arrives in a final form. Not all characters are ‘subjects’. A subject only arrives through dramatic ‘events’ that rupture the existing structures of the play-world and the play-text. The generators of these irruptions are found equally in the happenings of plot and in changes of poetic intensity and form. The ‘subject’ is thus a supra- individual irruption that configures new forms of language, structure, and action. Accordingly, I explain why scrupulous historicism’s need for nameable continuums is incommensurate to the irruptive quality of Shakespearean character. The concepts of ‘process’, ‘subject’ and ‘event’ are informed by a variety of thinkers, most notably the contemporary French philosopher Alain Badiou. Badiou develops an ‘evental’ model of subjectivity in which the subject emerges in fidelity to a ‘truth- event’, which breaks into a situation from its ‘void’. Also important is the process- orientated philosophy of Bergson and Whitehead, which stresses that an entity is not a stable substance but a process of becoming. The underlying connection between the philosophers I embrace – also including the likes of Žižek, Kierkegaard, Latour, Benjamin, and Christian thinkers such as Saint Paul and Luther – is that they establish a creative alternative to the deadlock between treating the subject as either a stable substance (humanism) or a decentred product of its place in the world (postmodernism). The subject is not a pre-existing entity but something that comes to be. It is not reducible to its cultural and linguistic circumstances but is precisely what exceeds those circumstances. Such an excessive creativity is what gives rise to Shakespeare’s subjects and, I argue, underpins the continuing force of his drama. But it also produces profound dangers. In Shakespeare, ‘events’ consistently expose subjects to uncertainty, catastrophe, and horror. And these dangers imperil both the subject and the relationship between Shakespeare and the affirmative philosophy of the event.

This thesis argues that three models of trauma theory, which include traditional trauma theory, postcolonial trauma theory, and cultural trauma theory, must be joined to fully understand the trauma experienced by African Americans within the novels Song of Solomon by Toni Morrison and The Underground Railroad by Colson Whitehead. By implementing these three theories, we can see how each novel’s main character is exploring and learning about African American trauma and better understand how an adjustment of space and time creates the possibility for the implementation of trauma theory. Each novel presents a journey, and it is through this movement through space that each character can serve as a witness to African American trauma. This is done in Morrison’s text by condensing the geographical space of the American north and south into one town, which serves to pluralize African American culture. In Whitehead’s text, American history is removed from its chronological place, which creates a duality that instills Freud’s theory of the uncanny within both the character and the reader. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection

Thesis (MPhil)--Stellenbosch University, 2005. / ENGLISH ABSTRACT: The focus in this thesis is on sensemaking in organisations and the aim was to offer an interpretation of the thought of Karl E. Weick. The interpretation subsequently consists of a description and discussion of concepts, underlying theories and paradigmatic perspectives that are integrated into and deployed in Weick's sensemaking framework. After a description and definition of sensemaking terms and concepts, it is argued that a process cosmology forms the ground theory in Weick's sensemaking framework. In order to elucidate this interpretation, the organic model of the world of Bergson and Whitehead is introduced. Special attention is given to pragmatism's underlying process ontology and themes which social consructionism, symbolic interactionism and ethnomethodology share in common with pragmatism. The aim is to show how these perspectives and themes are taken up in Weick's sensemaking in organisations and organisational theory. A failure to make sense is both consequential and existential. This aspect of Weick's thought is discussed in the context of Bergson's process cosmology. It is followed by a description and discussion of Weick's use of systems theory with special attention given to Weick's concept of 'enactment' . How and why does an organisation becomes what it becomes? This question is addressed in the context of a description and discussion of complexity theory. A core concept in both complexity theory and Weick's thought is self-organisation. The aim is to show how sense making appears on systems level. Finally, this thesis attempts to addresses the question of the relationship between organisation and organising and how both terms is to be understood in terms of Weick's ontological view of the world. This aim is to show that Weick's understanding of "the" organisation (noun) can be conceived of as an abstraction and organisation (verb - 'organising') in terms of relating and as process in becoming and how he thereby gives social construction an ontological twist. The conclusion reached is that, in the type of world Weick describes, it makes sense to make sense. / AFRIKAANSE OPSOMMING: Hierdie tesis fokus op 'sensemaking' in organisasies - om die dubbelsinnige, onduidelike en onverwagse meer duidelik, begryplik and redelik te maak vir persone om te weet wat besig is om te gebeur en gepaste aksies te neem. Die doel was derhalwe 'n interpretasie van die denke van Karl E. Weick. Die interpretasie omvat gevolglik 'n beskrywing en bespreking van konsepte, teorieë en paradigmatiese perspektiewe wat Weick in sy sensemaking raamwerk integreer en ontplooi. Ná 'n definiëring en beskrywing van terme en konsepte word geargumenteer dat 'n proses beskouing van die werklikheid Weick se sensemaking raamwerk onderlê. Hierdie interpretasie word toegelig met 'n bespreking en beskrywing van die organiese model van Bergson en Whitehead, sowel as die proses ontologie onderliggend aan pragmatisme. Gevolglik kom pragmatisme, sosiale konstruksionisme, simboliese interaksionisme en etnometodologie aan die orde. Verskeie temas word beskryf en bespreek in die konteks van sensemaking en organisasie-teorie. 'n Mislukking in sensemaking het newe gevolge en is dit ook eksistensieël van aard. Hierdie aspek van Weick se denke word beskryf en bespreek in die konteks van Bergson se proses kosmologie en word die interpretasie opgevolg met 'n bespreking van sisteem-teorie. Hoe en waarom verander organisasies wanneer hulle verander? Die antwoord op hierdie vraag kom aan die orde in die konteks van 'n bespreking van kompleksiteits-teorie. 'n Kern konsep in beide Weick se sensemaking en kompleksiteits-teorie is self-organisasie. 'n Baie belangrike doel is om aan te dui hoe sensemaking voorkom en plaasvind op sisteem-vlak. Ten slotte poog die tesis om die verband tussen organisasie en organisering in Weick se denke meer verstaanbaar te maak. Die argument hier is dat Weick se verstaan van "die" organisasie (selfstandige naamwoord) as 'n abstraksie en organisasie (werkwoord) in terme van relasies en proses in wording geïnterpreteer kan word, en Weick sodoende 'n ontologiese kinkel in die verstaan van sosiale konstruksionisme teweeg bring. Die slotsom tot waartoe in hierdie studie gekom word is dat, in die wêreld wat Weick beskryf, maak dit 'sense' om 'sense' te maak.

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The goal of the thesis is to create a predictor of the effect of a mutation on protein solubility given its initial 3D structure. Protein solubility prediction is a bioinformatics problem which is still considered unsolved. Especially a prediction using a 3D structure has not gained much attention yet. A relevant knowledge about proteins, protein solubility and existing predictors is included in the text. The principle of the designed predictor is inspired by the Surface Patches article and therefore it also aims to validate the results achieved by its authors. The designed tool uses changes of positive regions of the electric potential above the protein's surface to make a prediction. The tool has been successfully implemented and series of computationally expensive experiments have been performed. It was shown that the electric potential, hence the predictor itself too, can be successfully used just for a limited set of proteins. On top of that, the method used in the article correlates with a much simpler variable - the protein's net charge.