Diss.--Bonn, 2001. / Bibliogr. p. 329-348.

Habil.-Schr.: Diss.--Bochum, 1989. / Bibliogr. p. 297-319. Index.

Texte remanié de: Diss.--Philosophische Fakultät--München--Ludwig-Maximilians-Universität, 1961. / Notes bibliogr. Bibliogr. p. 314-317. Index.

L’objet de cette thèse est de mettre en lumière la politique dynastique des Wittelsbach dans le premier tiers du XIXe siècle. L’étude part de l’hypothèse qu’il s’agit là d’une politique savamment orchestrée qui, le plus souvent, fut couronnée de succès. De plus, ce travail dégage le concept d’ensemble de cette politique en démontrant qu’elle repose sur les trois piliers de « pouvoir », « parenté » et « amour ». Après avoir présenté les acteurs principaux dans le contexte de leur réseau familial (qui servit de moyen de consolidation de pouvoir), l’étude se penche sur le rôle éminent de l’éducation dispensée aux enfants princiers. Sont ensuite examinées les négociations menées pour marier ces princes et princesses le plus avantageusement possible : ici, l’étude démontre que les idées nouvelles (postulant la primauté du mariage d’inclination sur le mariage de raison) n’ont été prônées que pour voiler le calcul politique. Finalement, l’examen des conséquences de la politique dynastique révèle une grande homogénéité entre les principes transmis par les parents et l’action des enfants. / This thesis analyses the dynastic politics of the House of Wittelsbach in the first third of the 19th century. The study assumes that these politics were well orchestrated and most often successful. Furthermore, the thesis aims at showing that the global concept of these politics was based on the three pillars “power”, “kinship” and “love”. After presenting the main actors in the context of their family network (which served as a medium of consolidating power), the study examines the key role played by the education of the royal children. The thesis then explores the negotiations led in order to marry the princes and princesses to the highest advantage: here it is shown that the new ideas (postulating the primacy of the marriage for love over the marriage of convenience) were only used in order to veil political calculation. Finally, the focus is put on the consequences of these dynastic politics: it is revealed that a great degree of congruence exists between the parents’ principles and the children’s actions.

4 Abstract This thesis is devoted to Ludmilla of Bohemia, the daughter of Frederick, Duke of Bohemia and his wife Elizabeth of Hungary, Duchess of Bohemia. In the first part of this thesis history of the Bogen dynasty and the beginning of the House of Wittelsbach are described. The main part of this thesis deals with the life of Ludmilla of Bohemia. Along with it brief biographies of both of her husbands, Albert III, Count of Bogen and Ludwig I, Duke of Bavaria member of Wittelsbach dynasty as well as the biographies of her four sons Berhtold, Luitpold and Albert of Bogen and Otto II, Duke of Bavaria are included. The last chapter of this thesis deals with Seligenthal monastery by the town of Landshut which Ludmilla founded in 1232. Key words: the Middle ages, Bavaria, Ludmilla of Bohemia, Counts of Bogen, House of Wittelsbach, Seligenthal monastery

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Title: The Last Princess of Luxembourg. The Life Elizabeth of Görlitz in the Period between Years 1390 - 1425. Abstract: The thesis aims to describe the life of the last princess of the House of Luxembourg, Elisabeth of Görlitz. Based on an analysis of narrative and diplomatic material spanning between 1390 - 1425 it describes her life from birth until the moment she ultimately became a widow. Elisabeth of Görlitz (1390 - 1451) was the granddaughter of the emperor Charles the IV. and the Swedish king Albrecht I. During a significant period she used to be the only heir of the House of Luxembourg and therefore since her childhood she was an important woman from the political point of view. She married Anthony Duke of Brabant after several unsuccessful engagements. This marriage led Elizabeth to the Western Europe, where she spent the rest of her life. Thanks to this marriage, Luxembourg became the property of the newly married couple. After few years Anthony died in one of the most famous battles of Hundred Years' War - The battle of Agincourt. Soon after that, Elizabeth got married for the second time. Her second husband was John III the Pitiless, the former Prince-Bishop of Liège, which was during this time most known for his efforts of acquiring Holland and Zeeland. However, John died a few years after the...

The aim of this thesis is to describe in detail three military campaigns of Emperor Charles IV. (1316 - 1378) within the territory of the Holy Roman Empire. It uses diplomatic and narrative historical sources to map the political circumstances, proces, and military aspects of the three given campaigns. The first campaign is Charles IV's struggle for power over the Holy Roman Empire in the years 1347 - 1349. The second is the military expedition against counts of Württemberg in 1360. The third conflict is Emperor's conquest of Mark Brandenburg, connected with the pursuit of a second electoral vote for the house of Luxembourgs, which took place in the years 1371 - 1373. The thesis tries to be beneficial to the question of the role, that the use of military power might have had in the politics of Charles IV. By comparing the process and circumstances of the three given conflicts, the thesis aims to confirm or deny the existence any kind of specific military-strategic doctrine of Charles IV. One of the discussed problems is also the structure of the armyies that Charles IV had at his disposal during the studied campaigns. It seeks to answer, whether the core of Emperor's forces was made rather by noblemen of the Lands of the Bohemian Crown, or for example mercenaries hired in various locations of the...

The thesis has been written on the basis of main architectural concepts and their application in real life within a historical context investigation. Main architectural concepts are represented in a harmony of architectural composition that deals with relations among form, structure and space in the unique art work. Genius loci play very important role in the architectural creation - it represents a special and extra-ordinary urban locality and its architectural value in the historical, geographical and cultural context. The origin of Ostravice village within the historical frame concept of Moravia domain is the topic of this thesis. Other historical documents gave information about Bruneswerde as the Brno Castle. That means Brno Castle had to be founded not in Brno (as it has been consid-ered for many years) but it was located in Beskydy at Ostravice. The sacred city – Civitas Dei had been located in Bruneswerde region in early ages as the centre of European culture, education and spiritual life. Civitas Dei – divine Jerusalem in the transcription of St. Augustine's book De civitate Dei – is not only glorification of God and religious fantasy. It is also one of significant clues for recognition of historical architecture. The depiction of unknown settlement from the book of unde-fined origin is a superb testimony about extinct architectural works. They are legible from cadastral maps. Brno Castle - residence of nobility and power served shelter to St. Vojtěch, St. Prokop, St. Václav and St. Ludmila as it is obvious for the mentioned picture. Three major temples, three com-position axes symbolized by three towers on coins are in analogical relation to Brno triangle of four saints - the Saint family of Brno temples. Powerful ambitions of Brno City principals and clergy are inscribed into the urban structure in the way of composition relations which are legible to them who devoted themselves to the mystery of harmony. The absence of historical continuity affects personal attitudes and also identity of the whole community. The architecture truly reflects the past state of polis and it is eloquent even after its death. The architectural composition relations influence the natural environment for long time, longer than the architectural work existence. The geometric order of Renaissance Brno existence has not been in attention of architects so far. The features were discovered in characteristic paintings by Albrecht Durer. They are evidently secret works of the genius. A meaningful collaborator and follower in the extensive project was also his friend Jan Čert from Brno and lately from Vienna. His noble genealogy played a significant role in history of Silesia and Moravia for centuries. It is tendency to consider him as Austrian or even German architect. It is because of the fact that the genealogy tree of his noble family had roots in Moravia. It is supposed that Durer with Jan Čert´s support created the extraordinarily monumental architectural and urban works in Brno. A remarkable consensus in the urban composition of two squares and transition of traditional urban structure of Ostravice Civitas Dei into the modern Brno is also confirmed due to the identification of noble creators and owners, who were at the foundation, transformation and extinction of elements of the Moravian urban structure.