- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 401 to 410 of 792 (0.031 seconds)| 401 |
Innate MaterialityBachtel, April 26 May 2011 (has links)
No description available.
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| 402 |
But why is it so Long?: Eschatology and Time Perception as an Interpretation of Morton Feldman's 'For Philip Guston'Manchur, Jeffrey M. 21 April 2015 (has links)
No description available.
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| 403 |
EXAMINING THE EFFECTS OF A FRACTION INTERVENTION ON SIXTH GRADESTUDENTS RATIONAL NUMBER SENSEPerkins, Allison L. 25 May 2017 (has links)
No description available.
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| 404 |
EXTENSIBILITY OF AN OBJECT-ORIENTED COMPILIER INTERMEDIATE WITH A FOCUS ON CLONINGMORE, JOHN Andrew 13 July 2005 (has links)
No description available.
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| 405 |
A Generalization of Sylow’s TheoremThomas, Teri M. 30 October 2009 (has links)
No description available.
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| 406 |
Semi-Regular Sequences over F2Molina Aristizabal, Sergio D. January 2015 (has links)
No description available.
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| 407 |
Subgroups of Finite Wreath Product Groups for p=3Gonda, Jessica Lynn 10 June 2016 (has links)
No description available.
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| 408 |
ANONIMITYThomas, Andrew D. 06 May 2016 (has links)
No description available.
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| 409 |
Cy Twombly's 'Ferragosto' SeriesTrapp, Elizabeth J. 23 September 2010 (has links)
No description available.
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| 410 |
Corporeal Modernity: Shared Concepts in the Work of Jackson Pollock, Martha Graham, and Merce CunninghamLynch, Regina January 2012 (has links)
Although working in two different mediums, Jackson Pollock, Martha Graham, and Merce Cunningham created works during the 1940s and 1950s that share several analogous formal characteristics, as well as a body-centered process that reminded viewers of both the corporeality of the artists and of themselves. My thesis identifies and interprets the formal analogies evident in each the artists' approach to asymmetry, repetition, gravity, and space. I argue that the common aspects among the works of the three artists resulted from their participation in a shared modernist discourse circulating post-war America, especially in New York. This discourse provided the artists access to common sources of inspiration, such as the writings of Carl Jung, Native American imagery, and Asian cultures. Each of these elements characterizes the work of all three artists, along with similar ideas concerning the individual, national identity, and modern technology. / Art History
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