Educational Studies / D.Ed. (History of Education)

This dissertation examines the growth and development of an urban African population in Pretoria from 1902 to 1923. African urbanisation in Pretoria took place within the context of limited industrial development and gave rise to a distinc!ive population, with an important permanently settled component. This study charts the struggles that ensued between the Town Council and the African population. The responses of the urban African population took on two forms: informal, defensive strategies and formal political organisation. In the early twentieth century Pretoria formed the locus of regional African political activity. However, the attempts of formal organisations to challenge the state were essentially conservative. It was rather in the realm of working class culture that real challenges were made to the municipal authorities' vision of an ordered urban environment and a controlled African proletariat. / History / M.A. (History)

Text in Afrikaans / Die ontwikkeling van 'n eiesoortige Suid-Afrikaanse instrumentale kamennusiekidioom deur die stelselmatige assimilasie van inheemse musikale elemente uit Afrika-musiek in die oorspionklike Europese georienteerde kamermusiekgenre, het gelei tot die navorsing oor die historiese ontwikkeling van Suid-Afrikaanse instrumentale kamermusiek. 'n Oorsigtelike evaluasie van geselekteerde kamermusiekkomposisies word ingesluit. Bydraes deur besoekende-, immigrante of Suid-Afrikaanse komponiste moet aan die volgende kriteria voldoen, voordat die komposisies as verwysings kan kwalifiseer: (a) Die komposisies moet hoofsaaklik op Suid-Afrikaanse bodem gekomponeer wees. (b) Instrumentale kamernusiekkomposisies moet volledig en voltooid wees. ( c) Bogenoemde werke moet vir drie tot nege instrumentaliste geskryf wees. Die omruiling of afwisseling van instrumente deur die uitvoerende kunstenaars is in aanmerking geneem. Instrumentale kamermusiekkomposisies wat tydens hul studieperiode in die buiteland deur Suid-Afrikaanse komponiste gekomponeer is, is vanwee die selfverrykende proses en die voordeel wat Suid-Afrikaanse kamermusiek uit wedersydse kultuurwisseling getrek het, ingesluit. 'n Uitgebreide Suid-Afrikaanse instrumentale kamermusiekrepertorium van 512 komposisies vanaf 1890 tot 1990, sluit 365 gedateerde werke in. Die geredelike beskikbaarheid van kamermusiekinstrumente, musiekonderrigfasiliteite, asook die blootstelling aan plaaslike en internasionale instrumentale kamermusiekuitvoerings tydens konserte, huiskonserte of soirees in die voorbereidende fase (1652-1910), het 'n bevorderlike milieu vir die ontwikkeling van Suid-Afrikaanse instrumentale kamermusiek geskep. Eksteme beinvloeding deur ekonomiese, sosiologiese, militere, godsdienstige en politieke aktiwiteite het 'n beslissende rol in die ontwikkelingstempo van die SUid-Afrikaanse instrumentale kamermusiek gespeel. Evaluering van geselekteerde instrumentale kamermusiekkomposisies van 1890 tot 1990, word in 'n historiese konteks bespreek. Die ontplooiing van 'n egte Suid-Afrikaanse instrumentale kamermusiekidioom is op enkele parameters gabaseer: (a) Tematiese metamorfose (b) Tematiese frasestruktuur (c) Enkele kompositoriese tegnieke, exerpli gratia imitasie of direkte herhaling. Die bevordering van die Suid-Afrikaanse instrumentale kamennusiek word tot die bydrae van belangrike instansies en enkele musiekverenigings beperk. In Volume 2 word die verblyftydperk van besoekende komponiste asook die immigrasie- of emigrasiedatums van komponiste aangerlui. Met die insluiting van 512 instrumentale kamermusiekkomposisies deur 139 amateur en professionele Suid-Afrikaanse of besoekende komponiste, is daar gepoog om belangrike biografiese besonderhede asook enkele bydrae deur die betrokke komponis tot die uitbreiding van Suid-Afrikaanse instrumentale kamermusiek, in te sluit. Die chronologiese ordening van komposisies reflekteer die intense uitbreiding gedurende 1988 van die Suid-Afrikaanse instrumentale kamemusiekrepertorium. Addisionele inligting word in die bylae verstrek / An indigenous South African instrumental chamber music idiom development through assimilation of indigenous musical elements in the original Eurocentric orientated chamber nusic genre, by the cosmopolitan structure of South African composers led to research of historical development of South African instrumental chamber music. A synoptic evaluation of selected chamber music conpositions is included. Contributions from visiting, immigrating or South African composers had to comply with certain referential criteria: (a) Compositions must be composed mainly on South African soil. (b)Instrumental chamber music compositions must be complete and finished (c)Compositions must be composed for three to nine instrumentalists Changing or alternating of instruments by perfonning artists considered. Instrumental chamber music compositions created abroad by composers on Sabbatical are included due to the self-effacement afforded and advantages gained through mutual cultural interchange. The elaborate South African instrumental chamber music repertoire of 512 compositions from 1890 to 1990, includes 365 dated works. The availability of instruments, tuition facilities and exposure to national and inteniational perfornances through public concerts, private concerts or soirees, during the preparatory phase (1652-1910) created a favourable milieu for the developnent of chamber music. External influences such as economical, sociological, military, religious and political activities, played a determining role in the developmental tempo of South African instrumental chamber music. :Evaluation of selected instrumental chamber music compositions from 1890 to 1990 are discussed in an historical cont.ext. The evolution of an authentic South African instrumental chamber music idiom is based ona few parameters: (a)Thematic metamorphosis (b) Thematic phrase structure. (c) Certain composition techniques exempli gratia imitation or direct repetition. The promotion of South African instrumental chamber music is limited to the contributions of important organizations and music societies. In Volume 2 the period of sojourn of visiting composers as well as the inmigration and emigation dates of composers are indicated. With the enclosure of 512 compositions by 139 amateur or professional South African or visiting composers, it has been endeavoured to incorporate impotrant biographical details as well as some contributions of relevant composers. 'A chronological list of compositions reflects the extensive expansion of t.he South African instrumental chamber music repertoire during 1988. Additional information is supplied in the appendix / Art History, Visual Arts & Musicology / D.Mus. (Musiekwetenskap)

Research has been conducted in the genesis and development of formal education in the Eastern Moutse area within the context of formal education in South African schools. Various methods such as historical method, phenomenological method, metabletic method, comparative method, exemplaristic method, descriptive method and evaluation method have been followed whereby the development, over the years, of education in the area under review, was revealed. The authenticity of formal education as it evolved was evaluated by the use of Essence Structure Model (ESM). An attempt has been made to describe the education-essence-structure in its multifaceted complexity. These education-aim-essences have been used since time immemorial. It appeared that of all the essences, religiousness has the highest value. Other essences which are of equal status are: the ethical, the aesthetic, the economic, language and other essences of the ESM. In order for authentic education to take place, all the education aim structure essences must be accorded a rightful place in the education of a child towards adulthood. Throughout history, cultural groups have over and under-emphasised different essences in their efforts to educate the child towards adulthood. This effort was informed by a particular life-view or a philosophy oflife which was upheld by people of different cultural backgrounds. The need to restructure the curriculum in the Eastern Moutse area in such a way that it caters for a balanced recognition of all essences of the ESM has been discussed. Overemphasis of some essences at the expense of the others leads to an inauthentic way of existence. The aim of this research has been to conduct a historical survey and evaluation of formal education in the Eastern Moutse area as it evolved over the years from the missionary era until in the 1990s. / Educational Studies / M. Ed. (History of Education)

Thesis (D. Th.)--University of South Africa, 2002.

This dissertation is a study of academic freedom, an issue which is regarded as a precondition for the university's successful execution of its task, namely the advancement and dissemination of knowledge. To understand what academic freedom really implies and entails, a historical review was undertaken of the various interpretations of academic freedom in the Medieval Italy and France, Imperial Germany, the late 19th century and the 20th century American and South African universities. As an ideal, academic freedom implies the free but responsible search for knowledge and truth. The historical review revealed, however, that academic freedom has at times been misunderstood and abused. The realisation of true academic freedom in South African universities was the motivating force behind this study. Therefore, this study is concluded with guidelines and recommendations grounded in the historical review that will hopefully promote academic freedom in South African universities. / Educational Studies / D. Ed. (History of Education)

This dissertation focuses on the animated, charcoal, hand-drawn films of William Kentridge‟s Drawings for Projection series (1989—2003). At the beginning of this study, Kentridge‟s films are positioned as a dialectic of self and memory as embodied in a post-colonial South African setting. The series itself was selected as being representative of his artistic oeuvre. They are a closed-ended narrative, using a ground-breaking animation technique, created by the artist himself (Christov-Bakargiev 1998; Godby 1982). They were made by Kentridge during a specific South African cultural and historical period: beginning with Johannesburg, 2nd Greatest City after Paris, made in 1989 at the height of apartheid; through to Tide Table, made in 2003 at the beginning of post post-apartheid South Africa. The hypothesis presented is that Kentridge‟s films have memory as their main theme. Memory itself takes different forms, and the discourse of memory deals with, for instance: memorialisation; repressed memories; traumatic memories; the unconscious and memories; and “postmemory”. How he depicts memories of his own and those of others is at the centre of this research. Using qualitative research methodology, with contextualisation (socio-historical and cultural) and comparative studies (apartheid and the Holocaust; different artistic representations of memory, for example Pascal Croci and William Kentridge; and Anselm Kiefer and William Kentridge) being part of the research design, this thesis has sought to substantiate this hypothesis. Further substantiation and clarification has been expounded by referencing seminal works in the field, such as those of Sigmund Freud (1899: “screen memories”; 1917: trauerarbeit); Roland Barthes (1981: the punctum / spacio-temporal continuum); Pierre Nora (1989: “lieux de mémoiré” / “sites of memory”); Henri Raczymow (1994: “memoire trouée” / “memory shot through with holes”); Richard Terdiman (1993: poesis); Marianne Hirsch (1997: “postmemory”); and Hayden White (1996: historical metafiction); among others. There have already been numerous references to how William Kentridge has depicted the ephemeral nature of memory / memories (Boris 2001; Cameron, Christov-Bakargiev and Coetzee, 1999; Christov-Bakargiev 1998; Sitas 2001). However an in-depth, hermeneutic, comparative analysis has not yet been undertaken. This study is therefore significant in that it explicates William Kentridge‟s works, making the following contributions: to the scholarship on Kentridge‟s work; to a South African perspective to the growing field of trauma studies; and to the apartheid and post-apartheid reflections on re-remembering and forgetting, memorialisation, forgiveness and guilt. Through socio-cultural and historical comparisons as well as artistic contrasts, the films themselves are acknowledged as an important source of reference of South African society. They are a documentation of life lived during apartheid and post-apartheid South Africa. / Department of Communication Science / D.Litt. et Phil.

No description available.

Thesis (PhD)-- Stellenbosch University, 2011. / ENGLISH ABSTRACT: Soil infertility and concomitant low levels of food security under conditions of population pressure and land scarcity have been, and still remain, one of society’s most daunting challenges. Over time, societies have tried to maximize the yield from the available land through the use of various fertilisers. In the 19th century in the midst of an environment infertility crisis, guano (bird dung) from the Peruvian coastal islands became, through a combination of factors, the international fertilizer of choice for most commercial farmers. As a result, a combination of natural factors, monopoly control and price manipulation contributed to the relative scarcity of the product. Nevertheless, strategic manoeuvring between the major players prevented any significant change in the supply regime. News of discoveries along the African coasts in the 1840s, some inside the territorial waters of the Cape Colony, introduced a new dimension to the trade. Both established merchant houses and new contenders strategised in an attempt to gain monopoly control. These events created new policy crises for the Cape Colony, the closest legal authority, and led to new policy and other initiatives in the absence of imperial precedents. The trade in guano also impacted on constitutional, political and scientific developments in the colony. Key amongst these was the struggle for monopoly control over both the Cape- and Ichaboe-based supply, which pitted individuals, family members and businesses against each other. The process became intertwined with political developments such as the transfer of political control from the Imperial authorities to the colonies. In addition, a coercive labour system developed under the colonial administration and colonial farmers struggled for fair access to the fertiliser, which added another dimension to the trade. / AFRIKAANSE OPSOMMING: Daar is ‘n noue verband tussen bevolkingsgetalle, oesopbrengs, voedselsekuriteiten die beskikbaarheid van voldoende bewerkbare landbougrond. Waar samelewings probleme ervaar met die gehalte van hul landbougrond, is daar heel dikwels ook lae vlakke van voedselsekuriteit en word daar gewoonlik ook ‘n onsekere van-die-hand-tot–die-mond bestaan gevoer. As ‘n teenvoeter vir hongersnood as gevolg van lae oesopbrengs, het uiteenlopende samelewings met verloop van tyd en na gelang van hulle natuurlike omstandighede, bepaalde bemestingstradisies ontwikkel in ‘n poging om ‘n volhoubare opbrengs te verseker. Gedurende die 19de eeu, het ghwanobemesting te midde van ‘n wêreldwye grondgehalte krisis, ongekende gewildheid onder winsgedrewe landbouers bereik en voorts ook daarin geslaag om ander vorme van bemesting soos beenmeel en kraalmis as voorkeur produkte te vervang. As gevolg van ‘n kombinasie van natuurlike faktore, monopoliebeheer oor die eiland-gebaseerde ghwanobron en prysmanipulasie, was die produk wataanvanklik net vanaf Peru in Suid Amerika ingevoer is, dus nie vrylik beskikbaar nie en moes belangstellende boere hoë pryse daarvoor betaal. Vanselfsprekend het dit tot groot frustrasie en ontsteltenis in die geledere van diegene wat ‘n belegging in kommersiële landbou wou maak, gelei. Die onderlinge politieke intriges, knoeiery en pogings van plaaslike en oorsese sakemanne om mekaar te uitoorlê in die soeke na alleenbeheer oor die beskikbare ghwanobronne, het sake nie juis verbeter nie. Inteendeel, die situasie het net vererger toe alternatiewe ghwano bronne langs die wes- en ooskus van Afrika sowel as op ‘n reeks ander eilande in die Atlantiese Oseaan ontdek is. Die ontdekking van ghwano binne die Kaapse gebeidswaters in die 19de eeu, het die owerhede met ’n beleidsdilemma waarvoor daar nie enige presedente in die Britse Ryk bestaan het nie gelaat. Daarbenewens was die kolonie te midde van heelparty konstitusionele en ander kwessies en het die toevoeging van die ghwanohandel die maatskaplike en politieke lewe van die kolonie wesenlik beïnvloed.

Thesis (DPhil (History))--University of Stellenbosch, 1946. / 409 leaves printed on single pages, preliminary pages i- ix and numbered pages 1-445. Includes bibliography. / Digitized at 330 dpi black and white PDF format (OCR), using KODAK i 1220 PLUS scanner. / No abstract available