This study examines how legislated policy, the New Jersey Amistad Bill, and the subsequently created Amistad Commission, shifted the mandated educational landscape in regard to the teaching of social studies in the state of New Jersey—by legislative edict and enforcement, within every class in the state. Through a century of debates, reforms, and legislations, there has been a demand to include the contributions, achievements, and perspectives of people of the African Diaspora that deconstruct the European narrative of history. It is my belief that the formation of an educational public policy that is reflective of the Afrocentric paradigm in its interpretation and operation, such as the Amistad law, with subsequent policy manifestations that result in curriculum development and legalized institutionalization in classrooms across the country is central to creating the curriculum that will neutralize mis-education and will help American students to obtain an understanding of African American agency and the development of our collective history. The Amistad Commission, created by legal mandate in the state of New Jersey in 2002, is groundbreaking because it is a legal decree in educational policymaking that codifies the full infusion and inclusion of African American historical content into New Jersey’s K-12 Social Studies curriculum and statewide Social Studies standards. This infusion, directed by the executive leadership team, is a statewide overhaul and redirection for Social Studies and the Humanities in all grades in every district throughout the state. The Commission’s choice of the Afrocentric theoretical construct—a cultural-intellectual framework that centers the African historical, social, economic, spiritual and political experience as pertains to any intellectual experience involving Africans and people of African descent—as its organizing ethos and central ideology was central in framing the resulting curriculum products and programmatic directives. This study’s conclusive premise in utilization of the Afrocentricity construct is evidenced in the Amistad curriculum’s Afrocentric tenets: de-marginalization of African historical contribution and agency; the importance of voice and first person narrative when transcribing history, and how shifting of —as in, correcting—the entire Eurocentric structure is important. Rather than an additive prescription of historical tokenisms, or a contributive prescription that does not allow for a centralized locality from within the culture, Afrocentricity allows for a cultural ideology when applicable to the Amistad law. Thus the use of Afrocentricity in the implementation of the Amistad law transforms the entire narrative of American history in the state of New Jersey, one of the original thirteen colonies. The study seeks to remedy the void of research as to how the incorporation of the particular theoretical framework of Afrocentricity impacted the decision guiding the policy directives, programmatic and the curriculum outcomes within the implementation of the New Jersey Amistad Commission mandate. The case study asserts that the Afrocentric theory was put into praxis when operationalizing the New Jersey Amistad law and the work of the Amistad Commission. It chronicles the history of similar mandates focused on the incorporation of African American history in American classrooms that led to the Amistad law. It also enumerates the Amistad law’s subsequent operationalization and curriculum development efforts elucidating practical application of the Afrocentric theory. It has direct implications for teacher education, practicing teachers, and policymakers interested in understanding how Afrocentricity and its tenets are paramount in curriculum development efforts, especially as it pertains to New Jersey, New York, and Illinois. These three states have passed legislations that have attempted to proactively remedy their educational policies. The disparities in knowledge and education about African diaspora people in our Social Studies classrooms are targeted by these states. / African American Studies

This dissertation is a fundamental critique of the Western discourse using an Afrocentric critical reading of major Western constructions of knowledge. As such the study examines both the origins and dehumanizing consequences of the European project of Modernity. The study departs from the thesis that Afrocentricity, a philosophical paradigm conceptually rooted in African cultures and values, brings renewed ethical and social significance to a sustained project of human agency, liberation, and equality. Thus the dissertation explores how each major Western idea is understood within the context of the revolutionary philosophical paradigm and epistemological theory of social change. Concepts like individualism, domination, colonialism, race and ethnicity, universalism, progress and supremacy that Molefi Kete Asante calls the “infrastructures of dominance and privilege” are reviewed against the backdrop of agency, community, commonality, cultural centeredness, and ma’at. Indeed, employing critical ideas from the works of Afrocentrists this study highlights the inadequacy of Westernity in overcoming the various forms of oppression. Modernism, Marxism, Existentialism, Feminism, Post-modernism, and Post-colonialism, are addressed in dialogue with Afrocentricity as an exploratory part of a two-way relationship between theoretical understanding and practice which challenges established and hegemonic approaches to knowledge. In fact, the study argues for a rational approach to conceptual “rupture” that would allow the scholar to navigate the shattered ideologies of Western thought, and to contribute to the exposure of the imperialistic ambitions that worked at the backstage of the political and economic philosophies of Europe since the early fifteen century. In effect, the dissertation can be viewed as an intellectual journey moving from an epistemological location in Western epistemology towards an Afrocentric paradigm and theory of knowledge in the quest to defeat the inhuman. Ultimately, the aim is the search for a more humanistic and ideologically less polluted mind and for a more human humanity. / African American Studies

'Post-colonial Dislocation and Amnesia: A Cure from Molefi Kete Asante's An Afrocentric Manifesto' aims at investigating the epistemological problems and theoretical inconsistencies in contemporary post-colonial studies. Capitalizing Molefi Kete Asante's theorizations on agency, location, identity, and history this project applies an Afrocentric approach in its reading of the post-colonial authors and theorists. While current postcolonial theory seems to be at stake with operationalizing many of its terms and concepts, the application of Afrocentric methods can help answering severe allegations raised by a number of critics against this discourse. Issues concerning spatial and temporal location of the term post-colonial, commodity status of post-colonialism, and crises in the post-colonial pedagogy can be addressed from an Afrocentric perspective based on a new historiography. To support the proposed arguments, the paper provides an extensive reading of two post-colonial writers from the Caribbean, and shows how they manipulate their apparent power in perpetuating the misrepresentations of the colonized people initiated by the colonial discourses. With a detailed discussion of the principles of Afrocentricity based on Asante's ground-breaking book An Afrocentric Manifesto, the paper proposes possible ways in which Afrocentric theory could be applied in addressing such misrepresentations and developing a true sense of identity for the oppressed people. / African American Studies

Utilizing an Afrocentric methodological framework, this dissertation research seeks to examine the general public perceptions of African American women as reflected in rap music videos, and to determine how African American females perceive the images that are presented of them in rap music videos. This study explores Black women's representation through analyses of top ten rap music videos from January to September 2010 and conceptualizes the effects of these representations on Black female viewers. This study also explores the reception of Black women's images in rap music videos as they are potentially exported to other cultures. This project is a multi-method examination including questionnaires and focus group sessions, exploring the effect of rap music video content on the representation of African American women, society's perceptions of African American females, and how when given an opportunity to construct their own media image, how would African women be represented. / African American Studies

This research aims to reinforce the functional aspect of the Afrocentric paradigm by coupling the development of Afrocentric consciousness with a systemic race consciousness so that the intellectual production coming out of the discipline of Africology can more practically address the needs of Afrikan people under the contemporary system of white supremacy. By examining strengths and limitations of some existing theories and concepts within Black Studies, the goal of this examination becomes to more effectively address the problems of the epistemic convergence Eurocentrism structurally imposes on Afrikan people seeking liberation. Through an examination of how the cultural logic of racism/white supremacy has determined the shape and character of institutions within the United States, this work will argue that the most constructive political disposition for an Afrocentrist to take is one of separatist nationalism. The argument being made is that this ideological component is a necessary catalyst to produce Afrocentric scholarship that has optimal functional utility toward the goal of achieving sustainable liberation for Afrikan people from the Maafa. / African American Studies

Word coding can be traced to the ancient Kemetic practice of steganography (referring to hiding place or hidden message). Unless the reader is aware of the meaning, the Coded Word can often appear as just art. Afrocentric scholarship however, also incorporates the idea of functionality. Aesthetics, throughout African history, and to this day, serve a purpose. The beautiful quilts sewn by enslaved Black women served dual functions, as bed coverings and as symbols of resistance and liberation. The decorative wrought-ironwork found on gates and doors throughout the United States serves as a Sankofic reminder and protector. The highly coded language in the aesthetics of the Black Power/Black Arts Movement, shifted paradigms. Though the practice of word coding remains an active part of contemporary Black culture, there is a disconnection between the action and the aim (or function); a direct result of the destructive efforts of colonization. Today’s racially charged and oftentimes dangerous climate calls for a reexamination of word coding as a liberatory tool. I created the theory of the Coded Word to analyze three novels by Black women who are unique in their forms of word coding, just as they are characteristically distinct in their forms of expression. The findings for the three novels have resulted in the first three entries into the Glossary of the Coded Word, a resource to be used by Black people in resistance to oppression and in the struggle for liberation of all Black people. / African American Studies

“Africological Reconceptualization of the Epistemological Crises in Postcolonial Studies” aims at investigating the epistemological problems and theoretical inconsistencies in contemporary post-colonial studies. Capitalizing the Afrocentric theories of location, agency, and identity developed by Molefi Kete Asante and Ama Mazama, this research takes Afrocentricity beyond the Africological analysis of African phenomenon and demonstrates its applicability in resolving issues that concern human liberation irrespective of race, class, gender, and nationality. To do so, this project juxtaposes the theories of Edward Said, Homi Bhabha, and Gayatri Spivak with the Afrocentric theories of Molefi Asante and Ama Mazama, and demonstrates that the application of Afrocentric methods can help answering severe allegations against postcolonialism raised by a number of critics from within the school itself. Issues concerning spatial and temporal location of the term post-colonial, commodity status of post-colonialism, and crises in the post-colonial pedagogy can be addressed from an Afrocentric perspective based on a new historiography. To support the proposed arguments, the paper provides an Afrocentric analysis of some postcolonial works and shows how the very radical stance of postcoloniality has been neutralized by the Western academy. Simultaneously, the research also shows, despite being ridiculously disparaged as essentialist and racist, Afrocentricity is fundamentally radical and quintessentially emancipatory in its relentless fight against misrepresentation, pseudoscience, and injustice in the name of objective scholarship perpetrated by Eurocentric intellectuals—particularly from Asia and Africa. / African American Studies

This work addresses the following question: How has the prominent scholarly literature on the Cayman Islands promoted a discourse that serves to undermine the acknowledgment of African contributions as well as African self-identification in the country? Utilizing an Afrocentric inquiry, the method of content analysis was employed to interrogate selected texts using location theory. It was found that the majority of literature on the Cayman Islands, as well as the dominant ideology within the Caribbean has indeed undermined the acknowledgement of African contributions as well as African self-identification in the country. More scholarship is needed that examines the experiences of African descended people living in the Caribbean from their own perspective, and critically engages dislocated texts. / African American Studies

This project will expand and extend the current concept of homeplace, as offered by cultural critic and scholar bell hooks. In doing so, it will assess the various ways that home has been constructed by persons of African descent, and suggests that homeplace is a form of maroonage that is manifested both physically and psychologically. In addition to conceptually theorizing on homeplace, this project will also introduce Homeplace Theory, a theoretical prescriptive to the issue of diminished and erased cultural consciousness amongst persons of African descent. Additionally, this project will explain the historical and socio-cultural role the Africana woman plays in the creation and maintenance of homeplace. By privileging Afrocentricity as the primary theoretical thrust, Homeplace Theory finds an intellectual home within the Afrocentric Paradigm with the addition of Afrocentric principles in the creation and explanation of Homeplace Theory. Afrocentricity also validates the subjective inquiry of African derived phenomena. In this regard, this project fortifies the intellectual subjective investigation of the Afrocentric enterprise within the discipline of Africology/Africana Studies/African American Studies. / African American Studies

This study interrogates how Shona novelists conceptualise and depict the African communitarian worldview of unhu (humanity to others). The study relies on content analysis of selected Shona novels, critical reviews from various scholars, journals, newspapers and theses, augmented by interviews and questionnaires. The theoretical framework is guided by Afrocentricity and Africana Womanism which are pivotal to the explication of meaning from selected texts, with the view to examining whether or not the writers‟ portrayal and understanding of unhu helps Africa‟s socio-cultural and political liberation. Given that the African worldview of unhu celebrates virtues central to mutual social responsibility, mutual respect, trust, self-reliance, caring, among other attributes. These tenets help to revitalise and rejuvenate the decaying socio-cultural fabric of Zimbabwe. The study intimates that unhu principles could be fruitfully embraced in charting a dispensation in which all people of Zimbabwe could subordinate their personal interests to the interests, respecting one another, thus forging enduring peace and development while, at the same time, the leadership would be governed by democratic tenets espoused through unhu. / African Languages / D. Litt. et Phil. (African Languages)