Understanding Gilgamesh – brokenly – is to understand life brokenly. The Epic of Gilgamesh is the narrative of life. It records the full cycle of the nerve and aplomb of youth, of the doubt and crisis of midlife, of the acceptance and quiescience of maturity. Moreover, this understanding is a broken understanding. It starts with the clay tablets that are broken in a literal sense of the word. Further, the narrative is a narrative of broken-ness – the story ends in tears. A man has lost his last chance of obtaining life everlasting. Yet he manages to recuperate despite his failure. The first part of this thesis examined the world of Gilgamesh. Initially he was known as the Sumerian king Bilgames. He makes his appearance in the form of oral compositions that are recited or sung in the royal courts of kings during the Sumerian period: sheer entertainment, nothing really serious. At his side is his loyal servant Enkidu who supports his master in everything he does. Akkadian gradually ousts Sumerian as vernacular, yet the latter continues to dominate as the language of culture and court. Bilgames survives the reign of the Sargonic dynasty, and even revives during the glorious Ur III period of Shulgi and of Ur-Nammu. Sumerian Bilgames-poems are recorded in writing. However, by the time that Hammurapi draws up his legal codex, the Sumerian Bilgames is known as the vibrant Akkadian king Gilgamesh. His servant Enkidu is elevated to the status of friend. Together they defy men, gods, monsters. When Enkidu dies, Gilgamesh goes even further in search of life everlasting. He reaches Uta-napishtim the Distant in order to learn the secret of eternal life. The optimism of the Old Babylonian Kingdom is replaced by the reflection and introspection of the Middle period. Life is difficult. Life is complex. The Gilgamesh Epic is once again re-interpreted and supplemented by a prologue and an epilogue: both begin and end at the same place, at the walls of Uruk. Here Gilgamesh looks back and forward to his life and contemplates about the meaning of life in general. The second part of this thesis dealt more specifically with the story – the literary aspects of the Epic. Genette’s theory illuminated several interesting literary devices with regards to the rhythm and pace of the narrative. However, much of the reflective nature of the Epic was also revealed. There were moments of looking forward, and looking backward: after Gilgamesh broke down in tears at the end of the Epic, he suddely gained perspective on life. Somehow a broken narrative focused into a meaningful whole that may just make future sense. Jauss’s theory illuminated why Gilgamesh refuses to be forgotten, why he is once again alive and well in the twenty first century. Although he was buried in the ruins of Nineveh for a thousand plus years, he is suddenly back on the scene – and not for academic reasons only. Not only scholars of the Ancient Near East take an interest in the old Epic, but also people from all sectors of life. Somehow Gilgamesh seems to respond to questions that are asked even by those who understand nuclear physics – but who grapple with the paradox of living meaningfully. Understanding Gilgamesh – brokenly – understands life. / Thesis (DLitt)--University of Pretoria, 2006. / Ancient Languages / unrestricted

Assyriology as a field of study has long been dominated by the ideas and values of the white, Western men who, during the 19th century, were responsible for the development and growth of all scientific research. This has resulted in a resilient androcentric bias in the discipline, which to this day continues to influence scholarly perceptions of Ancient Mesopotamian society - and particularly of Mesopotamian women. Amongst many other things this includes the application of modern, misogynistic prejudice regarding the female body onto Akkadian women; one such modern concept which, despite recent criticism, is still widely accepted as true, is the notion of ‘menstrual impurity’. By the implementation of standpoint theory - an epistemology which emphasises the influence of a scholar’s own experiences on their perception and interpretation of their field of study - this paper examines the translations of three Akkadian terms which have been used to support the alleged existence of the concept of menstrual impurity in Mesopotamia. The terms are reexamined through an analysis of their etymological and contextual semantics, the results of which are then used comparatively in order to determine the validity of their current translations. The results of this analysis reveal a thoroughly biassed and unscientific interpretation process, which perpetuates the androcentric perspective within the discipline and contributes to the spread of a false image of Ancient Mesopotamian women and their lives. Not only is it highly unlikely that any of the analysed terms actually signify menstruation, but the very notion of ‘impurity’, which is indeed a significant part of the words’ meaning, is interpreted in a modern, stereotypically negative sense that most certainly is not reflective of the Mesopotamian perception of the concept.

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Les deux codes de lois de l'époque babylonienne ancienne consacrent plusieurs rubriques à la nipûtum, elles ont été transcrites, traduites et commentées à de multiples reprises. D’autre part, des dizaines de textes éparpillés, auxquels il n'est fait que de vagues allusions dans les commentaires, abordent le même sujet; chaque fois qu'ils sont cités, ils ne le sont que parce qu'ils peuvent éclairer un peu le sens des codes .<p>Nous avons décidé d'agir en sens contraire de la recherche traditionnelle et de proposer une définition de la nipûtum grâce aux textes de la pratique .Les codes semblent en effet traiter de l'anormal plutôt que du normal .La nipûtum n'y est définie qu'en termes d'abus :saisie non justifiée ou mauvais traitements pouvant entraîner la mort de la personne saisie .De plus, ils ne parlent de la nipûtum qu'en cas de dettes et seulement pour des opérations entre particuliers, mettant face à face un banquier tout puissant et un citoyen pauvre en difficulté .<p>L'institution des nipûtum se met tout d'abord en valeur par sa grande extension chronologique, elle est présente dès le début des dynasties amorrites jusqu’au dernier roi de Babylone, soit pendant trois siècles .En ce qui concerne la répartition géographique, elle est en usage dans l'ensemble de la Mésopotamie, du nord au sud, de Sippar à Ur, et d'est en ouest, même dans des zones tout à fait éloignées, comme Mari .<p>\ / Doctorat en Langues et lettres / info:eu-repo/semantics/nonPublished

The presented master's thesis deals with the Epic of Zimrī-Lîm, a text from the ancient city of Mari from the beginning of the 18th century BC. The text of the epic is included in transliteration (based on the edition by Michaël Guichard from 2014) and in English translation. The epic has also been published online as the first entry of NERE (Near Eastern Royal Epics) project on ORACC (Open Richly Annotated Cuneiform Corpus). In addition to the text itself, the thesis includes a broader historical-cultural commentary. There, selected elements of the ancient text are portraited as well-set within the lived cultural-political environment of the ancient Near East, with particular attention to the time of Zimrī-Lîm. Most of the space is devoted to the religious aspect of the work, especially the role of the deities. Last but not least, the composition is discussed within the context of other royal epics of the ancient Near East. Key Words Zimrī-Lîm, Mari, TellHariri, epic, royal epics, Akkadian literature, narrative, royal ideology, religion, ancient Syria, ancient Mesopotamia, ancient Near East, Middle Bronze Age