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51	Att rädda världens djur : en retorisk analys av Parken Zoo:s kriskommunikation Målbäck, Lisa January 2013 (has links) Crisis communication can make a crisis turn into a double crisis. The purpose of the thesis is to analyze by which rhetorical means a double crisis can occur. With the Swedish zoo Parken Zoo as a specific example, this essay examines the crisis communication during the crises that started with the tv-show Kalla fakta. The tv-show revealed that Parken Zoo killed and slaughtered endangered and sacred animals. When asked about the specific animals, the head of the zoo gave different answers – which contrasted with former employees testimony. The essay aim to find how the chosed strategies could affect the company’s ethos. The episode of Kalla fakta is studied. Also a press release from Parken Zoo and a letter posted on Facebook from the head of the Zoo is examined. To find which rhetorical strategies that are communicated the paper uses the theory of status, Benoits apologia theory and Bitzers theory about the rhetorical situation. The method used is rhetorical criticism. The results include the crisis communications accusations and answers. The conclusions of the thesis is that the contrast between evidence and Parken Zoo:s statements results in a loss of trust for the company. Parken Zoo also, in some cases, fortify the accusations with their answers. The local authorities owns the zoo, but they are absent in the crisis communication. This leads to a confusion regarding who is responsible. Kriskommunikation Kris av andra graden Statusläran Apologia Image Repair Theory Ethos Den retoriska situationen Retorisk kritik Parken Zoo Kalla fakta Argumentation Pressmeddelande Facebookinlägg Specific Languages Studier av enskilda språk
52	Blogging in Defense of Themselves: Social Media Implications for Rhetorical Criticism and the Genre of Apologia Wheeler, Ramona Dee 19 March 2013 (has links) (PDF) The advent of social media has provided an arena where barriers to entry are low. Individuals may persuade, question others and defend both their philosophies and their actions. This study examines the classic role of rhetorical criticism as it may apply in new media venues. A blog written by a public figure was examined through a synthesis of rhetorical criticism analyses derived from Ware and Linkugel, Vartabedian, and Downey. Four strategies and associated positioning in the practice of apologia were identified in selected blog posts, indicating the genre of apologia applies to social media apologies and extends the genre of apologia. Rhetorical criticism was found to be an effective tool in identifying rhetorical postures and strategies used in social media. social media internet blog interaction discourse apologetic apologia rhetorical criticism generic genre denial bolstering differentiation transcendence reformative transformative strategy strategies justification vindication explanation absolution defense posture self-exoneration self-absolution self-sacrifice self-service self-deception Communication
53	Outo-etnografie, apologie en belydenis in outobiografieë van Elsa Joubert, André P. Brink en Koos Kombuis Rothmann, Jan-Ben 02 1900 (has links) Text in Afrikaans / ’n Merkbare opbloei in die publikasie van literêre niefiksietekste wêreldwyd het gelei tot die klassifikasie van sodanige tekste as ’n vierde genre. Die politieke oorgang in Suid-Afrika in 1994 het gelei tot ’n soortgelyke toename in outobiografiese tekste waarin kommentaar gelewer word op die Suid-Afrikaanse politieke werklikheid deur die vertel van sowel persoonlike as kollektiewe geskiedenisse. Daymond en Visagie (2012) identifiseer outo-etnografie, apologie en belydenis as kenmerke van die Suid-Afrikaanse outobiografie ná 1994. In hierdie navorsingsverslag word enkele resente skrywersoutobiografieë van onderskeidelik Elsa Joubert (’n Wonderlike geweld: jeugherinneringe (2005); Reisiger (2009)), André P. Brink (’n Vurk in die pad (2009)) en Koos Kombuis (Seks & drugs & boeremusiek: die memoirs van ‘n volksverraaier (2000); Die tyd van die Kombi’s: ‘n persoonlike blik op die Afrikaanse rock-rebellie (2009)) gemeet aan die kriteria wat deur Daymond en Visagie voorgestel word. Die beskrywing en interpretasie van verskeie outo-etnografiese merkers lei daartoe dat hierdie outobiografieë as ’n vorm van kulturele introspeksie beskou kan word. / A marked proliferation in the publication of literary nonfiction globally led to the classification of such texts as a fourth genre. The political transition in South Africa in 1994 caused a similar increase in autobiographical texts in which commentary is offered on the South African political reality through the telling of both personal and collective histories. Daymond and Visagie (2012) identify autoethnography, apologia and confession as characteristics of post-1994 South African autobiographies. In this research report some contemporary writers’ autobiographies, respectively those of Elsa Joubert (’n Wonderlike geweld: jeugherinneringe (2005); Reisiger (2009)), André P. Brink (’n Vurkin die pad (2009)) and Koos Kombuis (Seks & drugs & boeremusiek: die memoirs van ‘n volksverraaier (2000); Die tyd van die Kombi’s: ‘n persoonlike blik op die Afrikaanse rock-rebellie (2009)) are evaluated using the criteria proposed by Daymond and Visagie. The description and interpretation of various autoethnographical markers confirm that these autobiographies can be considered a form of cultural introspection. / Afrikaans and Theory of Literature / M.A. (Afrikaans) South African autobiography post-1994 Autoethnography Confession and apologia Literary nonfiction Life writing Autobiography Reisiger (Elsa Joubert, 2009) Vurk in die pad (André P. Brink, 2009) 839.368609

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