Towards the end of the Middle Ages, Sir Thomas Malory synthesized the diverse elements of British chronicle history, Celtic myth, French courtoisie, and Catholic theology which over a period of six hundred years or more had gathered about the legendary figure of King Arthur. Furthermore, Malory presented in definitive form the kind of idealized milieu that later writers in English came to regard as romantic. Malory's Morte Darthur presents dramatically the activities of a mythic aristocratic society living in a golden age. It preserves the "history" of a British king who defeats the Emperor of Rome and establishes an empire stretching from Ireland and Scandinavia to the Eastern Mediterranean. It portrays the adventures of heroic knights whose prowess is inspired by idealized ladies and whose achievements are helped or hindered by such supernatural agents as fays, magicians, giants, dwarfs, angels and devils. The actions of the knights conform to a ritualistic pattern of quest and combat determined by stereotyped chivalric conventions and performed in a symbol-studded environment. Colours, numbers, costumes, metals, arms, armour, and horses have symbolic significances which may be hierarchic, emotive or moral. Castles and perilous forests represent the antithetical values of security and danger, peace and combat, civilization and primitivism, love and hate. In this antipodal environment occur encounters which often adumbrate a struggle between forces of good and forces of evil. In the religious milieu of the Grail quest, elements of the secular milieu are adopted for the purpose of expressing truths of Catholic faith and morality. The Grail Knight's search for Corbenic is an allegory of the soul's search for God. Arms and armour, dress and colours, animals and plants have symbolic significances drawn from Biblical exegesis and Christian art. The unifying element in the historical, romantic and religious milieux is the quest motif; it is the means by which the ideals of the Malorian world are revealed. The historical quest for the crown of Rome shows Malory's view of sovereignty and the ideal of the good king. The romantic quest for fame and fair ladies shows his view of chivalry and the ideal of the good knight. The spiritual quest for the Holy Grail shows his view of religion and the ideal of the good Christian. It is a measure of Malory's art that the wishfulfilling dream world of romance projects an illusion of reality. / Arts, Faculty of / English, Department of / Graduate

The work deals with ethic porblems of audit profession and their violations. It focus on the definition of the ethical rules in the normative sources. It analyzes accounting scandals in the U.S. at the turn of the 20th and 21 century and their impact. Finally, it discusses the Sarbanes-Oxley Act of 2002, as an main effect of these scandals.

Arthur Bliss’s Sonata for Viola and Piano stands as a significant achievement in early twentieth-century chamber music for viola and is the result of a fruitful collaboration between composer and virtuoso performer. Multiple scholars recognize the sonata as one of Bliss’s finest works. Despite these accolades, the work has failed to attract sustained scholarly investigation. This document provides performers with the necessary tools for a thorough and contextualized presentation of the work. The main body of this study details the technical aspects of performing the sonata: viola technique, expressive challenges, and ensemble concerns. Preceding this, I cover the relevant biographical details from Bliss’s life, examine the roots of his chamber music writing for viola by analyzing two early works, and investigate the collaboration between Lionel Tertis and Bliss in creating this work.

Tesis para optar al grado de Magíster en Filosofía / La presente investigación se fundamenta en el pensamiento del filósofo Arthur Schopenhauer. Existe una variedad de aspectos que de este se podrían destacar, sin embargo, ha parecido pertinente enfocarse en sus trabajos relacionados con la religión y sus implicancias éticas. Al respecto, como señala él mismo en el libro cuarto de su obra principal “El mundo como Voluntad y Representación”, se ha tratado de buscar lo más serio, pues cuando se trata del valor o la futilidad de una existencia, ya sea que se refiera a su salvación o a su condenación, no bastan sólo los conceptos filosóficos, sino una filosofía práctica sin prescribir nada en la reflexión. Schopenhauer recurrió en diversas ocasiones a conceptos de la teología cristiana y del Budismo, específicamente los que se refieren a la salvación, ya que esta era una de sus principales preocupaciones. La tarea de esta investigación, por lo tanto, será confrontar los paralelos existentes entre el pensamiento de Schopenhauer y las principales religiones del mundo, destacando sus tres elementos comunes; mística, ascetismo y compasión. El último tópico es posible observarlo, en las concepciones ateas y agnósticas, así como en las religiosas. A su vez, se considerará la conducta ética del individuo, intentando demostrar que existe una ética común para todos ellos.

The thesis is devoted to the following two representatives of literal decadence, Oscar Wilde, British dramatist, prose writer, poet and essayist, and Arthur Breisky, Czech prose writer, literary critic and translator. The thesis opens with providing a basic insight into the life and work of both authors. They were both influenced by decadence, which was not only an artistic trend, but also a specific spirit of the time that was reflected in the psychological and social roots and opinions of both authors. The thesis works with the basic assumption that the Czech decadent Breisky was significantly influenced by Wilde in his opinions and activities. The thesis sets up three areas to explore that mingle and influence each other: criticism, masque and mystification. The main similarities between Wilde and Breisky are analyzed in the thesis. Based on the comparison of individual motives, it is possible to trace how Breisky builds on Wilde's ideas and what, on the other hand, he invents newly or differently. Apart from the comparison of both authors, the thesis also provides a comprehensive overview of Breisky's opinions on literature and art at the theoretical level. Key words: Arthur Breisky, Oscar Wilde, decadence, critique, art, masque, mystification, dandysm

This thesis is an examination of the material covered by a sixth - grade health education course and indicates areas requiring improvement. Data for the thesis came from DeQueen Elementary School in Port Arthur, Texas.

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This thesis focuses on the various adaptations of Arthur Conan Doyles novel The Hound of the Baskerville and accentuate the episode The Hounds of Baskervilles from the BBC TV series Sherlock. Thus, this thesis is decribing the theme, which was not fully covered in Czech literature. The author used different sources, books, internet pages and cinematographic pieces. The thesis consists of two parts. In the first part the author is focusing on the theory of adaptation, Doyle's life and art, The Hound of the Baskervilles book and the TV series Sherlock. In the practical part the author narrates about the episode The Hounds of the Baskervilles and searching for definition of the adaptation process, which the makers of this episode used. This part also answers the question, why is this episode so popular and key for the whole series. The crucial final part of the thesis summarizes the main principles, which authors and film makers can use during the process of the adaptation. Keywords Adaptation, television series, Arthur Conan Doyle, BBC, Sherlock, The Hound of the Baskervilles Title/název práce Adaptations of the novel The Hound of the Baskervilles: The triumph of the television series's sociopath

The purpose of this study is to address a period in Swedish political history when the politicization of the Church of Sweden was formed, a politicization that still exist. How this period came about is viewed through the writings and speeches of an important member of the Social democratic party, Arthur Engberg, who became Minister of Education and Religion in the first Swedish social democratic government in 1932. Prior to being a minister, Engberg first argued to immediately separate the church from the state. Later, he argued that the church first must be reformed by the state before the separation can take place. The question addressed in the study is, if Engberg continued his efforts as a minister, 1932­–1939, or if he instead, as some implies, aligned with the church? The most authoritative literature when studying Engberg is Beltzén Arthur Engberg – publicist och politiker (Arthur Engberg – publicist and politician) from 1973 which suggest that he did follow his early intensions. This is however contradicted by a contemporary prominent party member, Rickard Lindström in an article in Tiden 1946. The method applied to study this question was to research Engberg’s writings and speeches in a chronological order and to put them into context with the parallel processes of the formation of the Christian Socialist Group and with the internal reformation of the church.  The conclusions drawn by the study is that Engberg became a defender of the church as the cultural institution he wanted it to be. He had come to realize that the church could be accepted and even useful for managing the religious matter of the state. As such it must be controlled by the state and a separation between state and church is not necessary in the foreseeable future.

Epic, among the earliest and most universal of genres, is found in a developed form among the most ancient written records of cultures from China to Greece, and has been recorded as oral narrative on every inhabited continent. From these roots in Western culture a varied yet unbroken tradition of heroic narrative has grown. Epic’s form has changed with human society, reflecting our literary, social and psychological development. This study aims to explore the effects in epic literature in English of one such development, namely the internalisation of writing, at two stages of this process as they are manifest in Beowulf and Malory’s Morte Darthur. Every culture has particular noetic processes, that is, methods of structuring and storing knowledge. Writing has profoundly influenced noetic development, so that primary oral cultures (without writing), chirographic culture (with writing) and typographic cultures (with printing) are profoundly different. Parry and Lord’s oral formulaic theory, and Havelock and Ong’s noetic theory describe the characteristics of primary oral thought and poetic discourse. Beowulf’s noetic paradigm is vocality; it is written, yet still largely rooted in the oral tradition and meant to be heard. The Morte shows loosening ties between poetic creation and extra-linguistic tradition in a mix of oral and literate traits. This study traces in Beowulf and the Morte seven characteristics of orality, namely stereotypical/formulaic expression, ceremonial appropriation of history, standardisation of themes, epithetic identification, heavy/ceremonial characters, agonistic style and copiousness. In all seven characteristics, the early signs of literate noetics just discernable in Beowulf are more developed in the Morte, as would be expected. Between Beowulf and the Morte, the form and the function of poetic discourse change. In primary oral epic, words make things real and function as communal memory. Epic discourse forms individuals as communal, ethical, technological beings, and enables human society to give expression to things unknown. Primary epic is in some ways one of the fullest expressions of language’s nature and possibilities. Writing, which relieves the burden of memorisation, frees energy for the development of certain of these functions. The development, made possible by writing, of abstract conceptualisation and then analytical logic is seen in Beowulf’s deathbed musings on heroic worth, which broaden into Malory’s extended critique of chivalry. The opposition of concepts becomes more important than the opposition of persons, and so from agonistic rhetoric grows scientific logic. This development spelled the end of primary epic, and other genres based on logic and analytical syntax developed to fulfil its didactic and prescriptive roles, from charters to essays. The evolutionary role of oral epic, which enabled communal desires to be expressed, passed to romance, but this genre too died with the advent of Enlightenment rationality and modern depth psychology. Fantasy, perhaps, succeeds romance in this function. The study ends with concluding remarks about the future of epic; with the shift from typographic literacy to secondary orality, epic is showing a rebirth in film and literature, notably in J.R.R. Tolkien’s The Lord of the Rings. / Dissertation (Magister Artium (English))--University of Pretoria, 2007. / English / unrestricted