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Skildringen av samtida asatro i svensk media : En innehållsanalys av hur samtida asatro representeras i digital nyhetsmedia / The Depiction of Modern Asatrú in Media : A content analysis of how modern Asatrú is represented in digital news mediaAndersson, Rasmus January 2022 (has links)
This study focuses on how Asatrú movements in Sweden are depicted and discussed in digital news articles through two different lenses: How are these movements depicted and which aspects of these movements and their faith are brought up most frequently? The theoretical framework for the study consists of Stuart Hall’s Reception Theory, positive and negative Essentialism as well as Erving Goffman’s theory of Stigma. The method consists of a qualitative content analysis focusing on analyzing the ideas, ideologies and narratives presented in the studied articles, and the material consists of digital articles picked from various Swedish news publications such as Aftonbladet, Dagens Nyheter and Expressen, published between 2015 - 2021. The study shows that the discussion of these Asatrú movements is dominated by their perceived connections to racism and right wing extremist groups. On the other hand, the articles and their authors also make attempts to counterbalance this depiction by discussing aspects of the religion such as Blót, ritual sacrifices, as well as by interviewing members of these movements to show their thoughts and feelings about their religion.
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I det glimrande mörkrets djup : om religiöst gränsöverskridande, identitetssökande och meningsskapande i svensk extrem metal-lyrikAndersson, Robert January 2010 (has links)
This study is an attempt to investigate religious perceptions and its development, function and connection to religious practise within the Swedish extreme metal scene. This is performed mainly by a qualitative method of investigation, studying lyrical content published on a number of extreme metal albums, thereafter relating the lyrical progression to the progession of the scene as a whole and also to the development of individual religious belief and practise. The lyrically expressed manifestations of religiosity within the extreme metal scene prove to be related to religious practise in some cases, most visibly in the Christian parts of the scene.The study also indicates that development of religious expression often is evident regardless of religious preference. This development also regularly relates to an increase in musical evolution and prowess often achieved with increased age and maturity. Musically and lyrically, the extreme metal scene displays transgressive attributes which assist both individual and group in the process of creating identity, meaning and individuality.Experiencing extreme metal, in concert or in the privacy of one´s own home, can be one way of perceiving spirituality in this modern age.
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