Made available in DSpace on 2014-06-11T19:27:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-06-26Bitstream added on 2014-06-13T20:56:34Z : No. of bitstreams: 1 mantovani_m_me_ia.pdf: 476556 bytes, checksum: 31267a224fb93254db00ec68bd0f1404 (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / A presente pesquisa pretendeu analisar a importância do movimento corporal na educação musical, partindo da teoria elaborada pelo educador musical suíço Émile Jaques- Dalcroze. O objetivo principal foi detectar como os conhecimentos desenvolvidos pelo educador suíço foram ou ainda são difundidos entre educadores musicais na atualidade, com a intenção de observar qual a importância dada por eles ao movimento corporal na educação musical. Este trabalho justifica-se pela importância de se refletir a respeito da educação musical na atualidade, levando em consideração quais as influências a que são submetidos os educadores musicais. Pesquisas a respeito da especificidade da educação musical são bastante recentes e ainda há necessidade de se mapear como são os trabalhos de formação de educadores musicais e o que pensam a respeito de metodologias adotadas. Para analisar de que modo o trabalho de Dalcroze faz-se presente na educação musical atual, observou-se o trabalho de seis educadoras musicais na cidade de São Paulo. Como metodologia, a pesquisa teve aproximação à observação não-participante, tendo-se escolhido representantes de cada um dos seguintes segmentos: ensino de música em conservatório, em escola regular (infantil e fundamental), cursos livres, cursos de formação de professores e universidade. A pesquisa indica que, dentre as educadoras pesquisadas, algumas reconhecem a influência de Dalcroze em seu trabalho, enquanto outras, não. A partir dos resultados encontrados, discute-se o problema da formação do educador musical e suas condições de trabalho como fatores relevantes para o uso do movimento corporal na educação musical. / The present work aimed at analyzing the importance of body movement based on the theory developed by the music educator Émile Jaques-Dalcroze – Eurhythmics. Having the analysis of how the principles developed by the Swiss educator were or still are spread among contemporary music educators as its main goal, this work focused on the investigation of the importance they grant to body movement in music education. The significance of this work relies on the importance of reflecting upon current music education and the influences imposed on music educators. Research about musical education specificity is still very recent and, therefore, a mapping of how music educators are formed as well as how they position themselves in relation to the adopted methodology is necessary. Thus in order to analyze how Dalcroze’s work is present in contemporary music education, the practice of six musical educators in the city of São Paulo was observed. The methodological procedures adopted included non-participative observation of representatives each one of the following segments of music education: conservatory, regular school (pre-school and primary school), open courses, teacher education courses and University. The results indicate that, among the researched educators, some recognized Dalcroze’s influence on their work, while others did not. Considering the results obtained, we discuss the musical educator formation and work conditions as relevant aspects for the use of body movement in music education.

Orientador: Marisa Trench de Oliveira Fonterrada / Banca: Sonia Regina Albano de Lima / Banca: Ilza Zenker Leme Joly / Resumo: A presente pesquisa pretendeu analisar a importância do movimento corporal na educação musical, partindo da teoria elaborada pelo educador musical suíço Émile Jaques- Dalcroze. O objetivo principal foi detectar como os conhecimentos desenvolvidos pelo educador suíço foram ou ainda são difundidos entre educadores musicais na atualidade, com a intenção de observar qual a importância dada por eles ao movimento corporal na educação musical. Este trabalho justifica-se pela importância de se refletir a respeito da educação musical na atualidade, levando em consideração quais as influências a que são submetidos os educadores musicais. Pesquisas a respeito da especificidade da educação musical são bastante recentes e ainda há necessidade de se mapear como são os trabalhos de formação de educadores musicais e o que pensam a respeito de metodologias adotadas. Para analisar de que modo o trabalho de Dalcroze faz-se presente na educação musical atual, observou-se o trabalho de seis educadoras musicais na cidade de São Paulo. Como metodologia, a pesquisa teve aproximação à observação não-participante, tendo-se escolhido representantes de cada um dos seguintes segmentos: ensino de música em conservatório, em escola regular (infantil e fundamental), cursos livres, cursos de formação de professores e universidade. A pesquisa indica que, dentre as educadoras pesquisadas, algumas reconhecem a influência de Dalcroze em seu trabalho, enquanto outras, não. A partir dos resultados encontrados, discute-se o problema da formação do educador musical e suas condições de trabalho como fatores relevantes para o uso do movimento corporal na educação musical. / Abstract: The present work aimed at analyzing the importance of body movement based on the theory developed by the music educator Émile Jaques-Dalcroze - Eurhythmics. Having the analysis of how the principles developed by the Swiss educator were or still are spread among contemporary music educators as its main goal, this work focused on the investigation of the importance they grant to body movement in music education. The significance of this work relies on the importance of reflecting upon current music education and the influences imposed on music educators. Research about musical education specificity is still very recent and, therefore, a mapping of how music educators are formed as well as how they position themselves in relation to the adopted methodology is necessary. Thus in order to analyze how Dalcroze's work is present in contemporary music education, the practice of six musical educators in the city of São Paulo was observed. The methodological procedures adopted included non-participative observation of representatives each one of the following segments of music education: conservatory, regular school (pre-school and primary school), open courses, teacher education courses and University. The results indicate that, among the researched educators, some recognized Dalcroze's influence on their work, while others did not. Considering the results obtained, we discuss the musical educator formation and work conditions as relevant aspects for the use of body movement in music education. / Mestre

Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-02-02T16:49:33Z No. of bitstreams: 1 anachristinabrandaocosta.pdf: 484503 bytes, checksum: 8143106400833e59e3ef425e5cac4392 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-02-03T11:36:49Z (GMT) No. of bitstreams: 1 anachristinabrandaocosta.pdf: 484503 bytes, checksum: 8143106400833e59e3ef425e5cac4392 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-02-03T11:37:13Z (GMT) No. of bitstreams: 1 anachristinabrandaocosta.pdf: 484503 bytes, checksum: 8143106400833e59e3ef425e5cac4392 (MD5) / Made available in DSpace on 2017-02-03T11:37:13Z (GMT). No. of bitstreams: 1 anachristinabrandaocosta.pdf: 484503 bytes, checksum: 8143106400833e59e3ef425e5cac4392 (MD5) Previous issue date: 2007-08-31 / Este trabalho teve como objetivo investigar a compreensão de educadoras de creche acerca do movimento corporal no desenvolvimento infantil. Para tal, fez-se uma pesquisa qualitativa cujo referencial teórico-metodológico balizou-se nos estudos de Henry Wallon que se reporta às questões do desenvolvimento humano numa visão da pessoa integral compreendendo as dimensões motora-afetiva-cognitiva e a pessoa como resultado dessa integração. Sob a égide de uma perspectiva da psicologia genética, tal autor dedica-se à observação e ao estudo da criança pequena, buscando o sentido dos fenômenos em sua origem. Esta investigação teve como locus uma creche municipal da cidade de Juiz de Fora. Cinco educadoras de crianças de 2 e 3 anos constituíram-se como sujeitos de pesquisa, cujo instrumento metodológico foi a observação de cinco atividades desenvolvidas com as crianças pelas educadoras. Tais atividades, anteriormente videogravadas, foram discutidas em sessões reflexivas semanais. Procedendo-se à análise dessas sessões como principais achados verificou-se que a importância do movimento corporal para o desenvolvimento infantil foi ressaltada por apenas uma das educadoras; a questão da dicotomia corpo/mente e da contenção motora estão ligadas às concepções de infância e criança presentes na sociedade; a formação do educador está calcada no modelo do ensino fundamental, não atendendo às especificidades da criança pequena. / The purpose of this study is to investigate the understanding of preschool educators about the movement of the child’s body. To this end we did a qualitative research which the theorical and methodological were through the studies of Henry Wallon. He relates the human development in a general vision including the motor-affective-cognitive dimension and their results in a psychological perspective. This author concentrates on studying small children in a genetic psychology. He looks for the meanings of these phenomena in their origins. This research was made in a municipal preschool in the city of Juiz de Fora. Five children educators of children, between the ages of 2 and 3 years old, were the subject of this research. The methodological tool was the observation of five activities with children cared out by the educators. These activities were previously recorded in videos and discussed in weekly sessions. We could analyze these videos and sessions finding out how important the body movement for children is. Only one educator gave us an account of the body/mind dichotomy and the motor containment connecting to the conceptions of the infancy and the child present in the society. The training of our educators is for the elementary school and not concerning to the specificities of small children.

Maximum voluntary contraction force (MVC) is an important predictor of athletic performance as well as physical fitness throughout life. Many everyday life activities involve multi-joint or whole-body movements that are determined in part through optimized muscle strength. Transcranial direct current stimulation (tDCS) has been reported to enhance muscle strength parameters in single-joint movements after its application to motor cortical areas, although tDCS effects on maximum isometric voluntary contraction force (MIVC) in compound movements remain to be investigated. Here, we tested whether anodal tDCS and/or sham stimulation over primary motor cortex (M1) and cerebellum (CB) improves MIVC during isometric barbell squats (iBS). Our results provide novel evidence that CB stimulation enhances MIVC during iBS. Although this indicates that parameters relating to muscle strength can be modulated through anodal tDCS of the cerebellum, our results serve as an initial reference point and need to be extended. Therefore, further studies are necessary to expand knowledge in this area of research through the inclusion of different tDCS paradigms, for example investigating dynamic barbell squats, as well as testing other whole-body movements.

Objectifs : Le bruxisme survenant au cours du sommeil est un trouble du mouvement caractérisé par du grincement de dents et l’activité rythmique des muscles masticateurs (ARMM). Le bruxisme/ARMM est souvent associé à des mouvements du corps et des à éveils corticaux. Une séquence d’activation précède le ARMM/bruxisme. Ces événements incluent une augmentation des variables suivants : l’activité sympathique (-4 minutes), les activités encéphalographique (-4 second), le fréquence cardiaque, l’amplitude de la respiration (-1 second) et l’activité des muscle suprahyoïdiens (-0.8 second). La présente étude a examiné l’association entre le bruxisme et les changements de la pression artérielle. Méthodes: Dix sujets avec le bruxisme (5 hommes, 5 femmes, âge moyen = 26 ± 1,8) ont complétés 3 nuits de polysomnographie qui comprenait l'enregistrement non invasive de la pression artérielle. La première nuit a servi de dépistage et d’habituation au laboratoire. L'analyse a été réalisée sur les deuxièmes et troisièmes nuits enregistrements. Seuls les épisodes de bruxisme isolés survenant au cours du stade 2 du sommeil ont été utilisés pour l’analyse, pour un total de 65 épisodes. Les mesures des pressions systolique et diastolique ont été prises 20 battements avant et 23 battements après l'apparition de chaque épisode bruxisme lors du sommeil. Les épisodes de bruxisme ont été classés comme suit: 1) bruxisme avec éveil cortical; 2) bruxisme avec mouvement du corps (MC), 3) bruxisme avec éveil cortical et MC. Une quatrième catégorie, bruxisme seul, a également été analysée, mais utilisée comme donnée préliminaire puisque la catégorie se composait de seulement 4 épisodes de bruxisme. Résultats: Les deux pressions systolique et diastolique ont augmenté avec les épisodes de bruxisme. Cette augmentation a été statistiquement significative pour la pression systolique et diastolique pour les épisodes de bruxisme avec éveil cortical et/ou MC (p ≤ 0,05). L’augmentation moyenne de la pression (systolique / diastolique ± SE) a été : 28,4 ± 2,4/13,2 ± 1,5 mm Hg pour le bruxisme avec éveil cortical; 30,7 ± 1,6/19.4 ± 2.3 mm Hg pour bruxisme avec MC; 26.4 ± 2,8 / 14,6 ± 2.0mm Hg pour bruxisme avec éveil cortical et MC; 22,9 ± 5,2/12,4 ± 3,3mm Hg pour les épisodes de bruxisme seuls. Conclusion: Le bruxisme du sommeil est associé à des hausses de la pression artérielle pendant le sommeil. Cette hausse est supérieure dans les épisodes de bruxisme associés à un éveil cortical et / ou MC, qui sont souvent associés avec les événements bruxisme. Ces résultats sont en accord avec nos observations antérieures, où le bruxisme est précédé par une augmentation de l'activité sympathique et de la tachycardie sinusale. / Objectives: Sleep Bruxism (SB) is a movement disorder identified by tooth grinding and rhythmic masticatory muscle activity (RMMA). It is often associated with body movements and sleep arousals. Increases in autonomic sympathetic activities that characterize sleep arousal precede SB. These events include an augmentation of the following variables: sympathetic cardiac activity (-4 minutes), electroencephalography frequencies (-4 seconds), heart rate and respiratory amplitude (-1 seconds), and suprahyoid muscle activity (-0.8 seconds). This study examined whether these sympathetic activities are associated with significant changes in arterial blood pressure (BP). Methods: Ten subjects with SB (5 male; 5 female; mean age ± standard error = 26 ± 1.8) underwent 3 nights of full polysomnography that included non-invasive beat to beat BP recording. The first night served as a screening and habituation night. Analysis was performed on second and third night recordings. Overall analysis was based on single SB episodes occurring in stage 2 sleep only, for a total of 65 episodes. Systolic and diastolic BP measurements were taken from a window of 20 beats before and 23 beats after onset of each SB episode. SB episodes were categorized as: 1) SB + cortical arousal; 2) SB + body movement (BM); 3) SB + cortical arousal + BM. A fourth category, SB alone, was also analysed but used as preliminary data since the category consisted of only 4 episodes. Results: Both systolic and diastolic BP increased with SB episodes. This increase was significant for both systolic and diastolic BP for SB events with cortical arousal and/or BM (p≤0.05). The average BP surges (systolic/diastolic ± SE) were: 28.4 ± 2.4/13.2 ± 1.5mm Hg for SB + cortical arousal; 30.7 ± 1.6/19.4 ± 2.3mm Hg for SB + BM; 26.5 ± 2.8/14.6 ± 2.0mm Hg for SB + cortical arousal + BM; 22.9 ± 5.2/12.4 ± 3.3mm Hg for SB episodes occurring alone. Conclusion: Sleep bruxism is associated with blood pressure fluctuations during sleep. This BP surge is greater in SB episodes associated with cortical arousal and/or BM, which often co-occur with SB events. These results are congruent with our previous observations, where SB is preceded by a rise in sympathetic activity and sinus tachycardia.

The goal of this project was to make a shirt with three embedded IMU sensors (Inertial Measurement Unit) that can measure a person’s movements throughout an entire workday. This can provide information about a person’s daily routine movements and aid in finding activities which can lead to work-related injuries in order to prevent them. The objective was hence to construct a sensor fusion framework that could retrieve the measurements from these three sensors and to create an estimate of the human body orientation and to estimate the angular movements of the arms. This was done using an extended Kalman filter which uses the accelerometer and magnetometer values to retrieve the direction of gravity and north respectively, thus providing a coordinate system that can be trusted in the long term. Since this method is sensitive to quick movements and magnetic disturbance, gyroscope measurements were used to help pick up quick movements. The gyroscope measurements need to be integrated in order to get the angle, which means that we get accumulated errors. This problem is reduced by the fact that we retrieve a correct long-term reference without accumulated errors from the accelerometer and magnetometer measurements. The Kalman filter estimates three quaternions describing the orientation of the upper body and the two arms. These quaternions were then translated into Euler angles in order to get a meaningful description of the orientations. The measurements were stored on a memory card or broadcast on both the local net and the Internet. These data were either used offline in Matlab or shown in real-time in the program Unity 3D. In the latter case the user could see that a movement gives rise to a corresponding movement on a skeleton model on the screen.

Objectifs : Le bruxisme survenant au cours du sommeil est un trouble du mouvement caractérisé par du grincement de dents et l’activité rythmique des muscles masticateurs (ARMM). Le bruxisme/ARMM est souvent associé à des mouvements du corps et des à éveils corticaux. Une séquence d’activation précède le ARMM/bruxisme. Ces événements incluent une augmentation des variables suivants : l’activité sympathique (-4 minutes), les activités encéphalographique (-4 second), le fréquence cardiaque, l’amplitude de la respiration (-1 second) et l’activité des muscle suprahyoïdiens (-0.8 second). La présente étude a examiné l’association entre le bruxisme et les changements de la pression artérielle. Méthodes: Dix sujets avec le bruxisme (5 hommes, 5 femmes, âge moyen = 26 ± 1,8) ont complétés 3 nuits de polysomnographie qui comprenait l'enregistrement non invasive de la pression artérielle. La première nuit a servi de dépistage et d’habituation au laboratoire. L'analyse a été réalisée sur les deuxièmes et troisièmes nuits enregistrements. Seuls les épisodes de bruxisme isolés survenant au cours du stade 2 du sommeil ont été utilisés pour l’analyse, pour un total de 65 épisodes. Les mesures des pressions systolique et diastolique ont été prises 20 battements avant et 23 battements après l'apparition de chaque épisode bruxisme lors du sommeil. Les épisodes de bruxisme ont été classés comme suit: 1) bruxisme avec éveil cortical; 2) bruxisme avec mouvement du corps (MC), 3) bruxisme avec éveil cortical et MC. Une quatrième catégorie, bruxisme seul, a également été analysée, mais utilisée comme donnée préliminaire puisque la catégorie se composait de seulement 4 épisodes de bruxisme. Résultats: Les deux pressions systolique et diastolique ont augmenté avec les épisodes de bruxisme. Cette augmentation a été statistiquement significative pour la pression systolique et diastolique pour les épisodes de bruxisme avec éveil cortical et/ou MC (p ≤ 0,05). L’augmentation moyenne de la pression (systolique / diastolique ± SE) a été : 28,4 ± 2,4/13,2 ± 1,5 mm Hg pour le bruxisme avec éveil cortical; 30,7 ± 1,6/19.4 ± 2.3 mm Hg pour bruxisme avec MC; 26.4 ± 2,8 / 14,6 ± 2.0mm Hg pour bruxisme avec éveil cortical et MC; 22,9 ± 5,2/12,4 ± 3,3mm Hg pour les épisodes de bruxisme seuls. Conclusion: Le bruxisme du sommeil est associé à des hausses de la pression artérielle pendant le sommeil. Cette hausse est supérieure dans les épisodes de bruxisme associés à un éveil cortical et / ou MC, qui sont souvent associés avec les événements bruxisme. Ces résultats sont en accord avec nos observations antérieures, où le bruxisme est précédé par une augmentation de l'activité sympathique et de la tachycardie sinusale. / Objectives: Sleep Bruxism (SB) is a movement disorder identified by tooth grinding and rhythmic masticatory muscle activity (RMMA). It is often associated with body movements and sleep arousals. Increases in autonomic sympathetic activities that characterize sleep arousal precede SB. These events include an augmentation of the following variables: sympathetic cardiac activity (-4 minutes), electroencephalography frequencies (-4 seconds), heart rate and respiratory amplitude (-1 seconds), and suprahyoid muscle activity (-0.8 seconds). This study examined whether these sympathetic activities are associated with significant changes in arterial blood pressure (BP). Methods: Ten subjects with SB (5 male; 5 female; mean age ± standard error = 26 ± 1.8) underwent 3 nights of full polysomnography that included non-invasive beat to beat BP recording. The first night served as a screening and habituation night. Analysis was performed on second and third night recordings. Overall analysis was based on single SB episodes occurring in stage 2 sleep only, for a total of 65 episodes. Systolic and diastolic BP measurements were taken from a window of 20 beats before and 23 beats after onset of each SB episode. SB episodes were categorized as: 1) SB + cortical arousal; 2) SB + body movement (BM); 3) SB + cortical arousal + BM. A fourth category, SB alone, was also analysed but used as preliminary data since the category consisted of only 4 episodes. Results: Both systolic and diastolic BP increased with SB episodes. This increase was significant for both systolic and diastolic BP for SB events with cortical arousal and/or BM (p≤0.05). The average BP surges (systolic/diastolic ± SE) were: 28.4 ± 2.4/13.2 ± 1.5mm Hg for SB + cortical arousal; 30.7 ± 1.6/19.4 ± 2.3mm Hg for SB + BM; 26.5 ± 2.8/14.6 ± 2.0mm Hg for SB + cortical arousal + BM; 22.9 ± 5.2/12.4 ± 3.3mm Hg for SB episodes occurring alone. Conclusion: Sleep bruxism is associated with blood pressure fluctuations during sleep. This BP surge is greater in SB episodes associated with cortical arousal and/or BM, which often co-occur with SB events. These results are congruent with our previous observations, where SB is preceded by a rise in sympathetic activity and sinus tachycardia.

Submitted by CLARA OLIVEIRA (coliveira.ef@gmail.com) on 2017-04-19T21:09:35Z No. of bitstreams: 1 Dissertação_CLARA LIMA DE OLIVEIRA.pdf: 528628 bytes, checksum: aa7d1df23b32034f1ce9f82190a5c2a7 (MD5) / Approved for entry into archive by Maria Auxiliadora da Silva Lopes (silopes@ufba.br) on 2017-04-20T19:47:00Z (GMT) No. of bitstreams: 1 Dissertação_CLARA LIMA DE OLIVEIRA.pdf: 528628 bytes, checksum: aa7d1df23b32034f1ce9f82190a5c2a7 (MD5) / Made available in DSpace on 2017-04-20T19:47:00Z (GMT). No. of bitstreams: 1 Dissertação_CLARA LIMA DE OLIVEIRA.pdf: 528628 bytes, checksum: aa7d1df23b32034f1ce9f82190a5c2a7 (MD5) / CNPq / A educação física, como área do conhecimento que trata da cultura corporal, tem papel importante no desenvolvimento do pensamento teórico dos indivíduos. Nos anos finais da educação básica (1º ao 3º anos do ensino médio) vemos a retirada progressiva desta enquanto componente curricular obrigatório. Com a contrarreforma do ensino médio, este processo se acelerou, condenando a juventude ao esvaziamento e rebaixamento da sua formação. Diante desta problemática, este estudo tem por objetivo responder à seguinte questão: quais são as contribuições da Pedagogia histórico-crítica e da Psicologia histórico-cultural para o trato com o conhecimento da cultura corporal no quarto ciclo de escolarização da abordagem crítico-superadora? Para responder a esta questão, traçamos os seguintes objetivos: Geral - compreender quais são os fundamentos pedagógicos e psicológicos necessários para o trato com o conhecimento da cultura corporal no quarto ciclo de escolarização (1º ao 3º anos do ensino médio) rumo à superação dos pseudoconceitos, tal como formulado pela abordagem crítico-superadora; Específicos: 1) explicar o lugar da educação física no ensino médio frente a disputa de projetos antagônicos de educação; 2) explicar o lugar da cultura corporal no desenvolvimento do pensamento teórico, a partir da Pedagogia histórico-crítica enquanto fundamento para a Psicologia histórico-cultural e a Psicologia histórico-cultural enquanto fundamento para a Pedagogia histórico-crítica; e 3) apontar e explicar quais são os fundamentos pedagógicos e psicológicos necessários no trato com o conhecimento no quarto ciclo de escolarização. Este estudo foi desenvolvido a partir de uma pesquisa bibliográfica e sob os pilares do materialismo histórico dialético e do método de exposição construído por Enguita (1993). Deste percurso concluímos que é necessário tratar o conhecimento da cultura corporal a partir de fundamentos pedagógicos e psicológicos sustentados nas concepções histórico-cultural de desenvolvimento, de adolescência, referenciados no projeto histórico comunista que permitam ao professor, através do trabalho educativo, estabelecer relações singulares, particulares e universal da cultura corporal enquanto produção humana com os seus conteúdos de ensino, permitindo aos adolescentes superar a contradição entre homem e trabalho rumo ao desenvolvimento do pensamento teórico. / ABSTRACT The physical education, as an area of knowledge dealing with body culture, plays an important role in the development of individuals' theoretical thinking. In the final years of basic education (1st to 3rd year of high school) we see the progressive withdrawal of this as a compulsory curricular component. With the counterreformation of high school, this process accelerated, condemning the youth to the emptying and relegation of their formation. Faced with this problem, this study aims to answer the following question: What are the contributions of historical-critical Pedagogy and historical-cultural Psychology for dealing with the knowledge of body culture in the fourth cycle of schooling of the critical-overcoming approach? To answer this question, we outline the following objectives: General - to understand the pedagogical and psychological fundamentals necessary to deal with the knowledge of body culture in the fourth cycle of schooling (1st to 3rd year of high school) towards overcoming pseudo-concepts, as formulated by the critical-overcoming approach; Specific: 1) explain the place of physical education in high school facing the dispute of opposing education projects; 2) to explain the place of body culture in the development of theoretical thinking, starting from historical-critical pedagogy as a foundation for historical-cultural psychology and historical-cultural psychology as a foundation for historical-critical pedagogy, and 3) to point out and explain the pedagogical and psychological foundations needed to deal with knowledge in the fourth cycle of schooling. This study was developed from a bibliographical research and under the pillars of dialectical historical materialism and the exposure method constructed by Enguita (1993). From this trajectory we conclude that it is necessary to treat the knowledge of the body culture from pedagogical and psychological foundations sustained in the historical-cultural conceptions of development, of adolescence, referenced in the communist historical project that allow the teacher through the educational work to establish singular, Individual and universal body culture as human production with its teaching content, allowing adolescents to overcome the contradiction between man and work towards the development of theoretical thinking.

Cette thèse se donne pour tâche d’expliciter et de déployer, à partir de l’œuvre de Husserl, les diverses conceptions phénoménologiques directrices du mouvement de la chair. En un premier temps, nous cherchons à préciser le contexte d’origine du concept de « kinesthèse », élaboré une première fois à l’été 1907 dans le cadre des leçons de Husserl sur la chose et l’espace. En un deuxième temps, il nous apparaîtra nécessaire d’élargir la signification technique et restreinte que possède le se-mouvoir dans la phénoménologie statique de la perception, afin de prendre en compte le mouvement en tant qu’action pratique du sujet dans divers horizons du monde. L’étude de certains textes qui relèvent de la phénoménologie génétique semble alors permettre de parler d’une co-constitution pratique entre la mobilité de la chair et la choséité, et ainsi de considérer à neuf l’hypothèse d’une historicité de la chair. Dans un troisième et dernier temps, il s’agira d’opérer une radicalisation de la compréhension du mouvement de la chair, afin de la ressaisir comme « geste », c’est-à-dire non plus simplement comme officiant des projets intentionnels de l’ego, mais bien comme origine et support des structures cardinales du monde. La lecture croisée de divers textes tardifs de Husserl et de Heidegger nous permettra de dégager une compréhension ontologique, et non plus strictement sensualiste ou pratique, de la mobilité charnelle. Au travers de ces études, le mouvement se révèle originairement impliqué dans les divers niveaux de la constitution de la mondanéité, mais aussi constitué en retour. / This thesis sets itself the task of clarifying and deploying the various phenomenological conceptions of bodily movement within Husserl’s work. As a first step, we seek to shed light on the context which guided the formation of the concept of “kinesthesis” in the 1907 summer lectures on thing and space. As a second step, it will appear necessary to expand the narrow and technical meaning that this “moving-oneself” has in the static phenomenology of perception, in order to take into account the movement thought as a practical action throughout various horizons of the lifeworld. Some texts pertaining to Husserl’s genetic phenomenology seem to allow us to speak of a practical “co-constitution” between the mobility of the flesh and the handiness of the thing and, in doing so, to consider anew the hypothesis of a historicity of the flesh. As a third and final step, we will operate a radicalization of the understanding of bodily movement, in order to grasp it as a “gesture”, that is to say, not only as a mere implement of the intentional projects of the ego, but as the very origin and support of the cardinal structures of the world. The cross-reading of different later texts by Husserl and Heidegger seems to support the project of setting forth an ontological understanding of mobility that is no longer in any way sensualistic or pragmatic. Through these meanings, bodily movement reveals itself as being originally involved in the various constitutive levels of worldliness.

This thesis engages with complex issues of musical expression and movement, and their relation, on the one hand, to musical structure and, on the other hand, to embodied musical experience. It aims to fill a gap in music theory and analysis: most methods overemphasise abstract conceptualisation of structural relations at the expense of the more dynamic, intuitive aspect of musical experience. As a solution, it offers a specific analytical method that can be used to explore dynamic aspects of music as experienced through the whole body. Drawing mainly on nineteenth-century piano music, I analyse aspects of structure in both composition and performance in terms of expressive and motional qualities, revealing the relationship between musical and physical movement. Expressivity in music derives its meaning, at least partly, from the embodied experience of music: performers shape expression through their whole body while listeners react to it in a comparable way, albeit less overtly. Two related systems of graphic notation are introduced, which provide a non-verbal means of representing expressive movement and at the same time encourage an immediate, visceral relationship to the music. The first notation captures the animated quality of expressive movement by analogy with the motion of a bouncing ball, while the second breaks down the expressive musical flow into discrete gestural patterns of specific motional character. While the ultimate value of this method lies in the analytical process it instigates, it also provides a novel theoretical framework that sheds light on the interaction, as well as integration, between structures such as metre, rhythm, harmony and voice-leading, which are traditionally studied mostly independently. In addition, it provides a useful tool for the study and communication of performance interpretation, based on data extracted from recordings in the form of tempo and dynamic fluctuation graphs.