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<p>The main theoretical issue dealt with in this study is the reproduction of capitalism through romantic fiction for women. The analytical framework is built upon the concept of hegemony, the material and ideological reproduction of society through a combination of consent and coercion. This study examines this process as it applies to a specific phenomena: Harlequin Enterprises, Romances, and readers. </p> <p>The analysis is based on archival research on Harlequin Enterprises and interviews with company officials. The Harlequin Romances component of the study is based on the content analysis of a random sample of fifty Harlequins. Data on readers are based on company information, readers' letters to Harlequin Enterprises, and interviews with twenty-four readers.</p> <p>The study concludes that Harlequin Enterprises and Harlequin Romances are part of the hegemonic reproduction of capitalism. They maintain and legitimate sex role structure, corporate.structure, and class structure, crucial aspects of our society. The study also concludes that women's consumption of Harlequins is best understood as being a part of this same process of hegemony. Their reading is shaped by the structure of their lives, by Harlequin Enterprises, and by Harlequin Romances. The study suggests that further theoretical refinement and empirical research is necessary to explore the possibility that there are various types of readers who interpret and respond to romantic fiction in different ways.</p> / Thesis / Doctor of Philosophy (PhD)

This dissertation is a cultural biography of merchant banker Stephen Girard that explores the origins of the mythology as well as the mechanics of capitalism as it functioned on the streets and in the homes of early national Philadelphia. By tracing changes in Stephen Girard's family, both traditional and improvisational, from the 1770s to his death in 1831 and beyond, this project examines how Girard repeatedly capitalized on his family to take commercial risks, reinventing what family meant in a transforming economy. Telling overlapping stories of Girard's family and businesses, including trade networks reaching from Europe, the Caribbean, and China to the United States, I argue that an Atlantic-American culture of capitalism developed at the intersection of the family and the market. Episodes that show the salience and limits of familial bonds in a turbulent economy include Girard's risky commercial strategies during the American Revolution that relied on his brother in Saint-Domingue, and tenuous rationalities of the market and marriage that collided when his wife supposedly went insane. After his public involvement in Philadelphia's yellow fever epidemics of the 1790s, Girard learned that institutions could do the work of families. Applying this lesson to the national political economy, Girard refashioned the Bank of the United States into the Bank of Stephen Girard and lent the U.S. Treasury over one million dollars to help fund the War of 1812. Well before his death in 1831, Girard was one of the wealthiest men in the nation. His will altered the shape and flow of Philadelphia, with repercussions for inheritance and corporate law through the twentieth century. By juxtaposing Girard's personal and public lives, this dissertation integrates scholarship on the market economy with that on gender and the family to better understand the expansion of a culture of capitalism in the early American Republic. Under capitalism, people and relationships were fungible in new and important ways. In telling the story of Stephen Girard, this dissertation follows a central, but overlooked, player in the early American and Atlantic economy in order to explain the paradoxical relationship between capitalism and liberty. / History

yes / This themed section takes as its starting point the premise that the body matters in International Political Economy (IPE) and presents four original articles which support and illustrate this ontologically critical and, perhaps, provocative position. Although feminist scholarship has undoubtedly gained a place at the table in IPE, it is curious that one of the most important concerns, and contributions, of feminist IPE – that global capitalism is marked upon, and forged through, bodies – has not emerged as a major preoccupation for the discipline more broadly. In what follows we present what we believe is a strong corrective to that inattention and, in so doing we hope to begin to set out an exploratory agenda for the body to be both foundational and fundamental to contemporary IPE.

This thesis examines William Dean Howells' two most notable novels of business, The Rise of Silas Lapham (1885) and A Hazard of New Fortunes (1890), suggesting that the business of literature, in its dissemination of success myths and its ultimate internalization of these myths, was complicit in America's industrial strife during the 1880s. Both novels operate meta-critically. In Silas Lapham, for instance, Howells dramatizes several unhealthy business behaviors that derive from prosperity tropes found in newspapers and other popular writings. In this novel, the focus is on the ways these tropes affect the individual - both the reader who consumes them and the writer who must produce them. Meanwhile, Hazard explores the effects of these myths within the industry of literary production, showing how the publishers themselves are susceptible to the same romanticized economic ideals they disseminate. These novels do not correct the problematic behaviors that popular writing likely had a role in inspiring. They certainly do not resolve the seemingly contradictory values within the publishing industry. But Silas Lapham and Hazard generate a clearer picture of the complex relationship between literature and business, in a time punctuated by literary disputes between realists and romantics, and violent strikes between the labor class and the capital class. / Master of Arts

The purpose of this thesis is to explore the experiences of Black women regarding air pollution in Toronto. Specifically, it explores the experiences of Black women in Toronto in regard to air pollution and the connections to air pollution and other barriers that Black women may face in Toronto. The thesis used qualitative research alongside air pollution literature in Canada to explain these experiences. The thesis will use the definition of environmental racism and the main theoretical framework of racial capitalism. In Chapter 1, there is a general discussion on the impacts of air pollution, with mention of a ruling of the first death caused by air pollution in the world, in order to showcase the growing concern associated with exposure to air pollution. Furthermore, this chapter explains how air pollution affects population health and focuses on the impact of specific chemicals and compounds associated with air pollution. In Chapter 2, discusses why Black women and their experiences with air pollution are unique compared to the general population in Canada. Furthermore, this chapter explains air pollution and its effects in Toronto, Ontario, including the sources of traffic and industrial air pollution levels, while emphasising the unequal burden of air pollution affecting lower-income groups in Toronto. Chapter 4 explains the theoretical approaches. Chapter 5 will discuss the interview analysis, verbatim quotes from participants and connecting the theories mentioned in the literature review portion to what the participants have mentioned. Chapter 6 will conclude the thesis. / Thesis / Master of Science (MSc)

Thesis (B.A.)--Boston University. University Professors Program Senior theses. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2999-01-01

No / This paper explores the character, density and likely importance of connections between directors of a sample of 12 early-twentieth century British multinational companies. Drawing on the notion of `gentlemanly capitalism¿, a reconstruction of multiple and interlocking directorships for 1899¿1900 and 1929¿1930 indicates that a complex network existed that comprised links, respectively, to 255 and 497 companies. We explore the social, cultural and political characteristics of the directors of our sample and argue that the ways in which members of this group interacted with each other would have influenced business attitudes, facilitated transfers of knowledge and promoted interdependencies, thereby shaping commercial behaviour. We argue that the directors of early multinationals formed the kind of definable `power geometries¿ within the wider corporate elite that have been identified amongst today's business elites. Our results indicate that a distinct and increasingly dynamic multinational corporate community existed in the early 1900s, which was in many respects like its modern counterparts. A key finding is that the complexity of dyadic connections between directors and their personal networks of contacts increased markedly between 1899¿1900 and 1929¿1930.

Thesis advisor: Kristin Peterson / This thesis examines the behavioral evolution within the reality TV competition Survivor, which, in its forty-seventh season, has been on air since 2000. Focusing on the general attitudes and strategies of players, this research uses surveillance theory and the concept of learned behaviors as a framework for analysis. A Critical Content Analysis of three key seasons—the first, thirty-third, and forty-sixth—highlights shifts in dialogue, camaraderie, individuality, generational work ethic expectations, and the criteria for victory. The findings reveal that while the show has become outwardly emotional and vulnerable compared to its aggressive origins, player strategies have grown increasingly complex and covert. Under the guise of kindness and influenced by heightened surveillance, subliminal betrayals now outmaneuver overt confrontation. These dynamics manipulate audiences to perceive the gameplay as less competitive, when in reality, modern Survivor demands a more critical understanding of layered social strategies and the show's evolving competitive landscape. / Thesis (BA) — Boston College, 2024. / Submitted to: Boston College. Morrissey School of Arts and Sciences. / Discipline: Communication. / Discipline: Departmental Honors.

Thesis (MCom)--University of Stellenbosch, 1966. / 242 leaves typed on single pages, preliminary pages i-v and numbered pages 1-230. Includes bibliography. / Digitized at 330 dpi black and white PDF format (OCR),using KODAK i 1220 PLUS scanner.