Den här studien har studerat hur kändisar använder native advertising i podcast. Det gjordes genom att studera hur podcastprofilerna Alex Schulman och Sigge Eklund i sin podcast “Alex och Sigges podcast” framför sin reklam för nätkasinoföretaget Maria Casino. Vi ville skapa ny teoretisk kunskap kring området då native advertising är ett nytt fenomen, framför allt i podcast. På det teoretiska planet har vi använt oss av de teoretiska begreppen legitimering, kongruens och autenticitet. Som metod användes kvalitativ innehållsanalys. Vi såg att Schulman och Eklund legitimerar spel om pengar för sina lyssnare. Dessutom skapar de kongruens till Maria Casino och försöker verka autentiska kring spel om pengar. Vi diskuterar i slutet av uppsatsen vad för konsekvenser deras marknadsföring, i slutändan, kan få för lyssnarna. / This research has studied how celebrities use native advertising in podcasts. This was achieved by studying how the podcasters Alex Schulman and Sigge Eklund in there podcast “Alex och Sigges podcast” construct their advertisement for the online casino company Maria Casino. We wanted to create new theoretical knowledge about native advertising as it is a new phenomenon, specially in podcasts. In the theoretical field we use the theoretical terms legitimation, congruence and authenticity. As method qualitative content analysis, was used. We saw that Schulman and Eklund legitimize gambling to their listeners. In addition they create congruence to Maria Casino and try to act authentic about gambling. In the end of the paper, we discuss what consequences their advertising can get for the listeners.

University of Macau / Faculty of Social Sciences. / Department of Communication

Submitted by Odilio Hilario Moreira Júnior (odilio@espm.br) on 2016-11-28T12:39:34Z No. of bitstreams: 1 João O S Matta.pdf: 6179212 bytes, checksum: 75abecc882c4266cce3b2d55ebf4ceed (MD5) / Approved for entry into archive by Odilio Hilario Moreira Júnior (odilio@espm.br) on 2016-11-28T12:41:34Z (GMT) No. of bitstreams: 1 João O S Matta.pdf: 6179212 bytes, checksum: 75abecc882c4266cce3b2d55ebf4ceed (MD5) / Approved for entry into archive by Debora Cristina Bonfim Aquarone (deborabonfim@espm.br) on 2016-11-28T12:43:04Z (GMT) No. of bitstreams: 1 João O S Matta.pdf: 6179212 bytes, checksum: 75abecc882c4266cce3b2d55ebf4ceed (MD5) / Made available in DSpace on 2016-11-28T12:43:30Z (GMT). No. of bitstreams: 1 João O S Matta.pdf: 6179212 bytes, checksum: 75abecc882c4266cce3b2d55ebf4ceed (MD5) Previous issue date: 2008-03-26 / Media culture has been dominant in the daily life of various types of public, including young people. The cult of celebrities is a social practice that is present in the internet and it is interwoven in a media system that is occupied by different types of logic, including that of the cultural industry. Nowadays, an industrial culture of entertainment uses media as an ally in order to achieve its business targets. At the same time, young people appropriate spaces of this same media culture in order to establish group cults to superstars. As part of the media system, the internet has been a privileged locus to focus on symbolic constructions and social appropriations by young audiences. In this area, it is possible to make up different types of identities. There are several ways to build the self within cyberspace. Among the identity constructions which are made possible by the content produced in the internet, we can emphasize the veneration and rejection of ephemeral musical idols. Taken as media products, these idols can function as identity matrixes for young people who take part in communities in cyberspace. In view of all this, the present dissertation studies the media strategies that produce celebrities in the internet. We intend to study the admiration processes of pop singer Avril Lavigne´s fans and antifans. She is a star from the musical universe that intensily affects young people around the world, including Brazillian youths. Our objectives are to study the media production concerning Avril Lavigne in the internet as well as the several types of mediation present in this territory. / A cultura da mídia tem se apresentado de forma dominante no cotidiano de diversos públicos, entre eles os jovens. O culto a celebridades é uma prática social que está presente nas teias da internet e se entrelaça com um sistema midiático que é ocupado por diferentes lógicas, entre elas a da indústria cultural. No contemporâneo, uma cultura industrial do entretenimento utiliza a mídia como aliada para atingir seus objetivos comerciais. Ao mesmo tempo, jovens se apropriam de espaços da mesma cultura midiática para estabelecer um culto grupal a astros e estrelas. Parte deste sistema da mídia, a internet tem sido um locus privilegiado para se constatar construções simbólicas e apropriações sociais realizadas pelo público jovem. Neste espaço, é possível se construir diferentes tipos de identidades, formas diversas de se constituir o eu neste ciberespaço. Entre as possíveis construções identitárias a partir do que é veiculado pela internet, está a adoração e a rejeição de ídolos efêmeros da música. Como produtos midiáticos, estes podem servir de matriz identitária para jovens que se estabeleceram comunitariamente no ciberespaço da internet. Diante disto, esta dissertação estuda as estratégias midiáticas que constroem celebridades na internet. Pretende-se, para isto, debruçar-se sobre a admiração de fãs e antifãs da cantora Avril Lavigne. Trata-se de uma estrela do universo musical que afeta de forma intensa o público jovem em todo o mundo, inclusive no Brasil. Os objetivos deste trabalho são estudar a produção midiática na internet da popstar Avril Lavigne, assim como as diferentes mediações que estão presentes neste território.

O presente estudo buscou entender a influência da utilização da celebridade Gisele Bundchen em anúncios de propaganda no comportamento do consumidor por meio de uma das técnicas de Neuromarketing: o eye tracking. Sendo assim, esta pesquisa objetivou analisar se é realmente importante a presença da celebridade em propagandas de anúncio impresso analisada sob o ponto de vista do Neuromarketing por meio da análise da atenção visual ao estímulo \'celebridade\'. Para a verificação dos objetivos, das hipóteses e da proposição advindas destes objetivos, foi empregada uma metodologia em que se buscou avaliar a atenção visual dos consumidores acerca do estímulo \'celebridade\' em relação aos demais estímulos presentes nos anúncios impressos como a logomarca, nome ou símbolo que representa a marca; o produto; e outras pessoas não famosas. Essa avaliação foi realizada por meio da técnica de Neuromarketing que utiliza o equipamento de eye tracking. Assim, os participantes foram divididos em três grupos (um que avaliou os anúncios das seis marcas com a celebridade; o outro que avaliou os anúncios destas mesmas marcas com a presença de pessoas não famosas e um último grupo que avaliou os anúncios das marcas sem a presença de pessoas). No final do foi aplicado um questionário para confirmação de alguns dados e para análise em relação à lembrança da marca. Os resultados, no geral, demonstraram que, de alguma forma, os participantes prestaram atenção na celebridade considerada na pesquisa (o que foi evidenciado, principalmente, pelos mapas de calor apresentados). Quando as celebridades foram comparadas às pessoas não famosas, em alguns casos (com a confirmação de algumas hipóteses), foi evidenciada a importância da presença da celebridade; porém, em outros casos, houve mais destaque para a presença da pessoa não famosa. Na pesquisa ficou evidente, também, que a presença de pessoas (sendo elas celebridade ou não) pode atrapalhar no processo de atenção para a marca e o produto e que, quando não se utilizou pessoas, houve mais atenção dos participantes para estes outros estímulos. / This study intend to understand the influence of the use of celebrity Gisele Bundchen in advertising announcements on consumer behavior through one of Neuromarketing techniques: the eye tracking. Thus, this study aimed to analyze whether it is really important the presence of the celebrity in print ad advertisements analyzed from the point of view of Neuromarketing through analysis of visual attention to the stimulus \'celebrity\'. For the verification of goals, hypotheses and proposal arising from these, we used a methodology in which it sought to evaluate the visual attention of consumers about the stimulus \'celebrity\' in relation to other stimulis presents in print ads as the logo, name or symbol is the mark; the product; and non-famous people. This was accomplished by Neuromarketing technique which uses eye tracking device. The participants were divided into three groups (who evaluated the ads of six brands with celebrity, the other evaluating the ads these same brands with the presence of non-famous people and a last group that evaluated the announcements of the marks without the presence of people). At the end was applied a questionnaire to confirm some data and analysis regarding the brand recall. The results in general show, somehow, that the participants paid attencion to celebrity considered in the survey (which was evidenced mainly by heatmaps shown). When celebrities were compared to non-famous people, in some cases (with the confirmation of some hypotheses), the importance of the presence of celebrity was evident, however, in other cases, there was more emphasis on the presence of non-famous person. It was evident, too, that in the search, somehow, the presence of people (celebrity or not) can disrupt the process of attention to the brand and the product and that when not used people, there was more attention from participants to these stimuli.

No description available.

Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2016-03-03T11:54:12Z No. of bitstreams: 2 Dissertação - Rhayssa Fernandes Mendonça - 2015.pdf: 1565155 bytes, checksum: 47dcc9c1dd3512c77806644e1df22c6d (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-03-03T11:56:53Z (GMT) No. of bitstreams: 2 Dissertação - Rhayssa Fernandes Mendonça - 2015.pdf: 1565155 bytes, checksum: 47dcc9c1dd3512c77806644e1df22c6d (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2016-03-03T11:56:53Z (GMT). No. of bitstreams: 2 Dissertação - Rhayssa Fernandes Mendonça - 2015.pdf: 1565155 bytes, checksum: 47dcc9c1dd3512c77806644e1df22c6d (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2015-12-14 / The research talks about the correlation between celebrities and citizenship. Although they seem distant areas, the study try to understand the social representation of social assistance actions, taken by these celebrities. For this, the paper permeates an interdisciplinary construction that uses the studies of Social Psychology and Social Communication. The assumption was located on the perception that the relation between celebrities, media and welfare for the effervescence of important factors that indicate how is the construction of citizenship in Brazil. Thus, the study tried to think about the representations of these celebrities, understanding that they have a social role that permeates the spell and awakens feelings. The objective of the research was to identify and analyze the social representations of the media welfare actions promoted by celebrities. Specifically aimed to find out whether celebrities build a social process hope to identify the representation of people about citizenship, welfare and assistance and assess if there is an occupation of the state's role, by the media. Methodologically there were two researches a Evocations research and research with Likert Scale. The application was carried out in Goiânia, with 96 participants. The results show that people have a critical view of these celebrities, the media, but don’t know the meaning of the concepts of citizenship, assistance and welfare. / A dissertação aborda a correlação entre celebridades e cidadania. Embora pareçam campos distantes, o trabalho procurou compreender a representação das ações de assistencialismo praticadas por celebridades na mídia. Para isso, perpassou por uma construção interdisciplinar que recorreu aos estudos da Comunicação Social e da Psicologia Social. O pressuposto era situado na percepção de que na relação entre celebridades, mídia e assistencialismo há a efervescência de fatores importantes que apontam como se dá a construção da cidadania no Brasil. Logo, o trabalho buscou pensar sobre as representações destas celebridades, por entender que estas possuem um papel social que permeia o encantamento e desperta sentimentos. O objetivo geral da foi identificar e analisar as representações sociais das ações de assistencialismo midiático promovidas por celebridades. Especificamente, objetivou-se descobrir se as celebridades constroem um processo de esperança social, identificar a representação das pessoas sobre a cidadania, o assistencialismo e a assistência e aferir se há uma ocupação do papel do Estado, por parte da mídia. Metodologicamente foram realizadas duas pesquisa, uma Pesquisa de Evocações e uma Pesquisa com Escala de Likert. A aplicação foi realizada na cidade de Goiânia, com amostra de 96 participantes. Os resultados apontam que as pessoas tem uma visão crítica sobre estas celebridades, a mídia, mas desconhecem o significado dos conceitos de cidadania, assistência e assistencialismo.

<p>The intention of this study is to find out how the female celebrity is portrayed in women’s magazines directed at women of different age groups. The magazines that I have chosen to analyse are Frida, Veckorevyn and Damernas Värld. My aim is to find out what kind of celebrity appears in the magazines in terms of occupation and topics in the articles. Furthermore, the aim is also to determine whether the celebrity is portrayed in a different or similar way depending on the target group. This thesis is done from a gender perspective in order to elucidate what distinguishes the celebrity in the context of the celebrity being female. The frameworks of theories are the following: culture theory, ideology, stereotypes, homo-sociality and connotation and denotation. The methods used to analyse the texts were content analysis and qualitative discourse analysis. Since images of the female celebrities have also been of importance, I have used the method of semiotics for picture analysis. I discovered that there are both differences and similarities in how the female celebrity is portrayed, in relation to different age categories. It appears there are more types of women celebrities in Damernas Värld in-comparison to Frida and Veckorevyn, as not only do the celebrities in Damernas Värld have more varied occupations, they also engage in more topics in their interviews. I found that the celebrity woman is not always portrayed in exactly the same light. However, I could identify the average woman which appears most frequently in all the magazines. The portrayal of the celebrity woman is usually built on contrasts and stereotypes. The occupation is typically an actress or a singer; she is usually white, heterosexual and rich. Her traits are typically being tough and independent, yet in conjunction considerate and friendly. She is also glamorous but ordinary, sexy but sweet. The underlying preconceptions of femininity are never challenged by the journalist’s way of portraying the celebrities.</p>

<p>The market of today consist of products/services who resemble each other, the differences are small. Their for it’s necessary for the companies to provide added values to the product so it will stand out from the rest of the products and lead to purchase. A well used strategy in the fashion industry is marketing with celebrities, this is considered successful because it brings attention and strengthening to the brand. Because of this, the strategy also branch out to other industries, but the question is if it’s as successful there? There’s also a serious down-side with the strategy and that is that there’s a great risk with using celebrities. These could, of different reasons, be dangerous for the companies and cause large amount of costs. This is something that the companies must respect.</p><p>This thesis aims to describe and compare why companies use celebrities in their commercials to strengthening their brand. It will also examine the procedure of the companies choice of celebrity and contingent risks that may emerge of the strategy. The writers have chosen a corporate management perspective and their for the customer perspective will not be brought up.</p><p>The study has been realized with a qualitative study, totaly eight marketing managers at different companies, within different industries where interviewed. With a helping hand from the theories, the authors have succeeded to answer the study’s question. The main theory were brand identity.</p><p>After that the empirical data has been analyzed with help from the theories, the authors have reached following conclusions. The ultimate reason why companies co-operate with celebrities are to create attention and to increase the knowledge of the brand. The celebrity can be useful by many different reasons, no matter what goals or effects the companies want to achieve, the strategy is considered successful. Companies first choice of celebrity is someone who can represent the identity that the company wants to be associated with, for example different values. In general, companies don’t reflect much about the risks that may appear.</p> / <p>Dagens marknad består till stor del av produkter/tjänster som liknar varandra, skillnaderna är ofta små. Därför krävs det att företagen tillför ett mervärde till produkten som gör att den sticker ut från mängden, vilket i sin tur ska leda till köp. En välanvänd strategi inom klädbranschen är marknadsföring med kändisar, denna anses vara framgångsrik eftersom den ger stor uppmärksamhet och stärker varumärket. Av denna anledning har även strategin spritt sig till andra branscher, men frågan är om den är lika lyckosam även där? Det finns dock en allvarlig baksida med strategin och det är att det finns stora risker med att använda sig av kändisar. Dessa kan av olika anledningar vara till skada för företaget och orsaka stora kostnader. Detta är något företagen måste ha i beaktning.</p><p>Syftet är att beskriva och jämföra varför företag använder sig av kända personer för att stärka sitt varumärke. Dessutom kommer det att undersökas hur företag går tillväga i sitt val av kändis samt vilka eventuella risker som kan uppstå med denna marknadsföringsstrategi. Författarna har valt att utgå från ett ledningsperspektiv och därför kommer inte kundperspektivet att belysas.</p><p>Studien har genomförts med en kvalitativ ansats, totalt intervjuades åtta stycken marknadschefer på olika företag inom olika branscher. Med hjälp av teorier inom området så har författarna lyckats besvara forskningsfrågan. Huvudteorin var brand identity.</p><p>Efter att den empiriska data analyserats med hjälp av teorierna så har författarna kommit fram till följande slutsatser. Den främsta anledningen till att företag använder sig av kändisar är för att skapa uppmärksamhet och öka kännedomen om varumärket. Kändisen kan användas i marknadsföring av många olika anledningar, oavsett vilka mål företaget har och vilka effekter man vill uppnå, strategin anses vara lyckosam oavsett mål. Företag väljer i första hand en kändis som kan representera det som företaget vill förknippas med, till exempel olika värden eller ledord. Generellt sett så tar företag lätt på de risker som kan uppstå när de använder sig av en kändis i sin reklam.</p>

<p>Purpose/ Aim: The purpose is to study how receivers create meaning from celebrities in commercials. The purpose is also to find out if individuals identify with celebrities and if this is depending on a person’s age.</p><p>Material/ Method: Qualitative research method based upon focus group interviews with three different age groups and on litterature.</p><p>Main results: The study shows that recievers create meaning from and identify themselves with celebrities in different ways depending upon wich age group they are a part of. Individuals who are between the ages of 15 to 18 are inclined to be inspired in clothing and food choices. 25 to 30-yearolds are sometimes inspired by celebrities’ clothes but when it comes to the forming of their identity they look to their peers. Individuals who are 35 to 45 are generally not inspired nor do they identify themselves with celebrities. This does not however make them unaffected by commercials with celebrities. Celebrities draw attention to themselves and by appearing in an advertisement they fulfill it’s objective wich is to make people watch and be, directly or indirectly, affected by it.</p>

Purpose/ Aim: The purpose is to study how receivers create meaning from celebrities in commercials. The purpose is also to find out if individuals identify with celebrities and if this is depending on a person’s age. Material/ Method: Qualitative research method based upon focus group interviews with three different age groups and on litterature. Main results: The study shows that recievers create meaning from and identify themselves with celebrities in different ways depending upon wich age group they are a part of. Individuals who are between the ages of 15 to 18 are inclined to be inspired in clothing and food choices. 25 to 30-yearolds are sometimes inspired by celebrities’ clothes but when it comes to the forming of their identity they look to their peers. Individuals who are 35 to 45 are generally not inspired nor do they identify themselves with celebrities. This does not however make them unaffected by commercials with celebrities. Celebrities draw attention to themselves and by appearing in an advertisement they fulfill it’s objective wich is to make people watch and be, directly or indirectly, affected by it.