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201	Danmei Literature as Indicator of Social Change: A Sociocultural Analysis of Xiao Chun’s Collide Hamilton, Patrick l 01 January 2012 (has links) (PDF) During the last two decades, Mainland China has seen a rise in the emergence of homosexually charged themes in popular underground literature via the spread of the “Danmei” novel. Mandarin for “indulge in beauty,” the term refers to works of fiction centering on graphic depictions of same-sex love between two central male characters. By the late nineties, an explosion of online Danmei forums proved to be a powerful tool in circumventing government censors, and authorship (mainly by young heterosexual women) skyrocketed. Xiao Chun’s Collide, first uploaded to the internet in 2006, swept through online message boards and reading forums to become one of the cornerstone pieces of the Danmei genre. Banned for its lascivious homosexual content, its rabid Internet consumption throughout China and Taiwan has contributed to (and, indeed, sheds light on) a wide array of observable changes occurring in the modern Chinese social landscape. This paper begins with a brief explanation of what little is known about the author of Collide, as well as an introduction to the background of the Danmei movement. Following these sections, a discussion of the sociocultural relevance of the Danmei movement will be presented with special attention paid to the significance of female-dominated authorship and readership, to the voyeurism associated with the genre, and to the relationship between Danmei literature and changing attitudes toward homosexuality. The remaining sections will provide notes from the translator and further remarks on Collide. The analysis will conclude with a full translation of the novel. Chinese homosexuality danmei literature online gay fiction 冲撞 national identity Chinese Studies East Asian Languages and Societies Gender and Sexuality Modern Literature Other Arts and Humanities Reading and Language Regional Sociology Social and Behavioral Sciences
202	The Buddhist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies Pacheco, Katie 27 June 2013 (has links) The popularization of academic spaces that combine Buddhist philosophy with the literature of the Romantic period – a discipline I refer to as Buddhist Romantic Studies – have exposed the lack of scholarly attention Samuel Taylor Coleridge and The Rime of the Ancient Mariner have received within such studies. Validating Coleridge’s right to exist within Buddhist Romantic spheres, my thesis argues that Coleridge was cognizant of Buddhism through historical and textual encounters. To create a space for The Rime within Buddhist Romantic Studies, my thesis provides an interpretation of the poem that centers on the concept of prajna, or wisdom, as a vital tool for cultivating the mind. Focusing on prajna, I argue that the Mariner’s didactic story traces his cognitive voyage from ignorance to enlightenment. By examining The Rime within the framework of Buddhism, readers will also be able to grasp the importance of cultivating the mind and transcending ignorance. Romanticism Romantic poets Buddhism Samuel Taylor Coleridge The Rime of the Ancient Mariner dualism Ecocriticism Zen meditation transcendence albatross animal rights environmental rights green anthropocentrism prajna wisdom enlightenment ignorance ethics ahimsa Buddha Buddhist Arts and Humanities Chinese Studies Christianity Comparative Methodologies and Theories English Language and Literature Ethics and Political Philosophy Ethics in Religion Literature in English, British Isles Other Arts and Humanities Other English Language and Literature Other Languages, Societies, and Cultures Other Religion Philosophy Philosophy of Mind Practical Theology Religion
203	La Cina da impero a Stato nazionale: la definizione di uno spazio politico negli anni Venti. / LA CINA DA IMPERO A STATO NAZIONALE: LA DEFINIZIONE DI UNO SPAZIO POLITICO NEGLI ANNI VENTI / China from Empire to Nation-State: Defining a Political Space in the 1920s. CAPISANI, LORENZO MARCO 13 July 2017 (has links) La tesi si concentra sul Partito Nazionalista Cinese negli anni Venti come punto privilegiato di osservazione del cambiamento politico della Cina dopo la Prima guerra mondiale. Questo decennio rappresentò un momento di definizione identitaria sia per i comunisti sia per i nazionalisti. La storiografia ne ha sottolineato numerosi aspetti, ma si è finora occupata del periodo 1919-1928 come una preistoria degli anni Trenta piuttosto che come un autonomo segmento di storia cinese. Studi recenti hanno superato implicitamente questo approccio criticando due date periodizzanti fondamentali per il Novecento cinese: la nascita della Repubblica nazionalista (1911) e la nascita della Repubblica Popolare (1949). A metà tra queste due date, gli anni Venti sono emersi come snodo decisivo nel passaggio da impero a Stato nazionale, durante cui si definì un nuovo spazio di discussione politica. Questo processo, pur interno, subì l’influsso delle strategie internazionali di sovietici e statunitensi dando vita a una nuova visione non soltanto della rivoluzione ma anche dello Stato post-rivoluzionario. Le classi dirigenti nazionalista e comunista, durante la collaborazione, si rivelarono dinamiche e tale “competizione” si trasferì anche all’interno di ciascun movimento diventando un fattore determinante per il successo o il fallimento del partito inteso come moderna formazione politica. / The thesis focuses on the Chinese Nationalist Party in the 1920s as a special standpoint to analyze the political changes in China after the World War I. That decade was crucial for shaping the identity of nationalists and communists. Many works have already examined some aspects, but they mostly considered the years 1919-1928 as a pre-history of the Thirties rather than an autonomous part of Chinese history. Recent studies have overcome this approach by criticizing two of the main periodization in the Chinese twentieth century: the birth of the nationalist Republic (1911) and the birth of the People’s Republic (1949). Halfway, the 1920s stood out as a critical juncture in the transition from empire to nation-state. A new space of political discussion was defined. The process, albeit internal, was under the influence of the USSR and US international strategies and gave birth not only to a new vision of the revolution, but also to a vision of the post-revolutionary state. Also, the nationalist and communist leaderships turned out to be dynamic. That "competition" may be seen also within the two political movements and became a shaping factor for the success or failure of the party as a modern political formation. M-STO/04: STORIA CONTEMPORANEA

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