The music of He Yong and Zhang Chu, two of the Three Heroes of Magic Stone, has played an integral part in the development of Chinese rock. Often relegated to footnotes in the music’s history, this thesis aims to prove their cultural and musical significance during the late-eighties and early-nineties of China’s Reform and Opening period. The term “voices against an era” was chosen to define He Yong and Zhang Chu’s role as rock musicians with alternative voices during this historical period, with an investigation of the term’s role in creating an alternate dialogue. To do this, I first define what it means to be a “voice of a generation” and “cultural hero” and the mythicizing of these terms as a method of crafting a dominant discourse supporting the illusion of economic reform and globalization. He Yong and Zhang Chu’s implication in the myth is explored through their record company’s promotion of them as “heroes.” I follow this up by establishing the artists as alternative voices utilizing the tools of “noise” and “poetry” to present an alternative depiction of China’s Reform and Opening. Chinese societal issues such as identity loss, alienation, the negative effects of modernity, nature, freedom, and social pressure are then identified and analyzed as central themes in six of the artists’ songs. Lastly, I examine how He Yong and Zhang Chu navigated the paradox of fame to influence subsequent generations of rock musicians and fans through their musical legacy. By following a holistic approach that includes analysis of historical and cultural contexts, biographical information, artist interviews, music, lyrics, promotional material, music videos, and scholarly articles, this study proposes that the role of these two rockers was vital in shaping Chinese popular music and providing alternative interpretations of Reform and Opening.

Chinese measure words are bound morphemes that can classify nouns/verbs and form a determinative-measure-word compound with numeral, demonstrative, or specifying determinatives. Dr. Yuanren Chao distributes Chinese measure words into nine categories: individual measure words (Mc), individual measure words associated with verb-object construction (Mc’), group measure words (Mg), partitive measure words (Mp), container measure words (Mo), temporary measure words (Mt), standard measure words (Mm), quasi-measure words (Mq), and measure words of verbs of actions (Mv). The complicated measure word system is a big challenge for Chinese as a second language learners. This study investigates learners’ lexical, semantic, and syntactic characteristics of acquiring Chinese measure words. Learners’ and native speakers’ spoken and written language data are extracted from three authoritative Chinese learners corpora and three authoritative native speaker corpora. Corpus linguistic methods are used in this study. To explore the three linguistic features, this study conducts quantitative and qualitative analyses. The quantitative analysis explores learners’ lexical diversity, sophistication, and accuracy. The findings reveal that learners’ lexical diversity of using measure words is lower than native speakers and English-speaking learners’ is lower than non-English-speaking learners’. Learners’ lexical sophistication of using measure words did not grow with proficiency levels and therefore cannot predict or indicate learners’ language proficiency levels. Likewise, learners’ lexical accuracy of using measure words vary from category to category. Advanced learners have lower accuracy than beginner and intermediate learners, and English-speaking learners are lower than non-English-speaking learners. The qualitative analysis examines learners’ semantic and syntactic behaviors with two case studies. The first case study analyzes nine specific measure words that belong to multiple categories that can reflect learners’ semantic expressions of word choices. The second case study dissects the syntactic structures of ge ‘an individual,’ zhong ‘kinds, species,’ and xie ‘some’ (they are the three most frequent measure words used by learners) and explores learners’ co-selection of determinatives, measure words, and nouns. The results of the first case study show that learners’ semantic expressions are not controlled by the frequency of semantic categories but are likely affected by a topic/genre. The second case study indicates that learners tend to overuse or underuse special grammar patterns without understanding correct usage. The whole study aims to bring attention to Chinese measure words in second language teaching and corpus linguistic methods as teaching and research tools. It will help second language teachers and linguists to gain a deeper understanding of how learners would grasp a classification system and their linguistic characteristics of acquisition. Keywords: corpus linguistics, Chinese measure words, second language acquisition

This thesis studies the inter-group variation of the consonant endings among five principal subgroups of the Chaoshan dialect, a branch of the South Min dialect in Eastern Guangdong Province, from the perspective of language contact and horizontal transmission. I conduct a quantitative study to present the synchronic variance of the consonant endings among five Chaoshan subgroups and the diachronic variance from Middle Chinese to modern Chaoshan dialect on a numerical scale. The current literature tends to take the change of the consonant endings as a process of weakening governed by regular rules. My research findings challenge this conventional view. First, the change of the consonant endings from Middle Chinese to five subgroups of modern Chaoshan dialect is irregular, which is an exception to the linguistic laws proposed in the existing literature. Secondly, I find that some characters without consonant endings or with a weakened ending in Chaozhou in the 19th century reverse to have a consonant ending in modern Chaoshan dialect. This reversal contradicts to the weakening hypothesis that regards the change of the consonant endings as a process of simplifying. Finally, my quantitative research shows that Chaozhou dialect in the 19th century in much closer to modern Xiamen dialect than to five subgroups of modern Chaoshan dialect in terms of the relativeness in consonant endings, which is the opposite to the prediction that languages become more and more different and have no consequent contact with other daughter languages after separating from the proto-language. We propose that the actual situation of the consonant endings in different subgroups of the Chaoshan dialect can be better explained from the perspective of language contact and horizontal transmission. The interaction between Han Chinese and non-Han Chinese is the primary reason for the change of the consonant endings of the Chaoshan dialect. Also, the language contact between Chaoshan aborigines and migrants from the Fujian Province leads to the divergence of the consonant endings in different Chaoshan subgroups.Population structure and other social factors determine what phonetic features survive after several times of horizontal transmission.

The hP’ags-pa script was created in the late 13th century (the early Yuan dynasty) which was intended to transliterate all the languages of the Mongol empire such as Tibetan, Uyghur and Chinese into a single writing system. Among all the Chinese hP’ags-pa materials, the primer Bǎijiā xìng 百家姓 [Surnames of the Hundred Families] (BJX) offered us extensive hP’ags-pa syllables and their corresponding Chinese characters. The BJX in hP’ags-pa script has four editions that are currently known to scholars. A careful comparison and examination of the four editions of the BJX text reveals three main types of errors in hP’ags-pa syllables: (1) The misuse of similar-looking letters; (2) Pure clerical errors; and (3) Errors in the transliteration of variant pronunciations. The variant transliterations in the C edition provide some clues to sound changes, including (1) The devoicing of voiced stops and fricatives and (2) The loss of the bilabial nasal coda [m]. Aside from the variant transliterations, the majority of errors are purely graphic and reflect a lack of knowledge about the writing system. An examination of the use of the hP’ags-pa script in the BJX text suggests several potential reasons for the failure of the script to come into common use. These include: (1) A misconception of the nature of the hP’ags-pa writing system; (2) An ineffective learning approach; (3) The discrepancy of phonological categories and phonetic values; and (4) The non-adaptability to the Chinese language.

The small Chinese community in South Africa has played an important part in the economic and political life of South Africa. From 1660 to 1912, it reflected the experiences of migrant Chinese who left the mainland during and after centuries of isolation. This thesis therefore examines the Chinese in South Africa in the context of a growing historiography of the overseas Chinese, noting particularly the comparisons with other colonial societies, such as the United States of America and Australia. It is also concerned with tracing the history of the free Chinese at the Cape in the seventeenth, eighteenth and nineteenth centuries, before engaging in a more detailed discussion of the period of indentured Chinese labour on the Witwatersrand gold mines in the early twentieth century. Although the political economy of indenture has been copiously dealt with in recent historical research, the focus here is more on the social and cultural dimensions of Chinese labour, including aspects such as privacy, sexuality and living conditions in the compound system. This cultural history is interpreted against the background of political and legislative developments in South Africa leading to the formation of the Union in 1910. One of the main arguments of the thesis is that the indentured labour scheme had profound repercussions for the racial status of the free Chinese in the late colonial period. The different experiences of the Chinese in the Cape and the Transvaal are given special attention to illustrate regional patterns of social stratification, and explain the vicissitudes of race relations in South Africa up to 1912. In the Cape it led to subjection under the Chinese Exclusion Act of 1904, while in the Transvaal it resulted in political involvement in the initial phases of Mahatma Gandhi's "satyagraha". Cultural exclusivity and minority status are at the heart of this· analysis and are indices of how the Chinese were brought under the yoke of segregation, which anticipated the oppression of apartheid after 1948. / History / D. Litt. et Phil. (History)

100 years ago, there was a group of women called Zishunu who stood up against the whole society and swore off marriage for life. Zishu offered an escape for many women in the Pearl River Delta area. As forerunners in female independence and liberation, Zishunu never had the chance to be the spokesman of themselves or the recognition they deserved. Ji Sor (1997), a groundbreaking work in lesbian-themed movies, beautifully depicts this special and unparalleled historical phenomenon in detail. Released a few months after the Handover of Hong Kong in 1997, this critically acclaimed movie by Hong Kong New Wave filmmaker Jacob Cheung embodies the three biggest fears of an extremely conservative society: absence of marriage, challenges to male hegemony, and homosexuality. Although seen as representatives of strong and independent women, Zishunu had to make a lot of compromises to the patriarchal culture to be allowed not to marry. The emancipation of Zishunu, although as a huge advancement in the feminism in China, is not a complete liberation. Women emancipation cannot be achieved by women celibacy. A hundred years later, we are still asking what gender equality really means, what is women’s power, what is independence, what is feminism? Through the analyses of Zishu and Ji Sor both individually and together, this thesis explores the meanings of gender equalities and sexual identities mean in the cinematic world and in the real world. There shouldn’t be a set of standards of how women should act. The right that a woman should have, just like a real women’s movie, is the autonomy to make her own decisions.

Since the late 1970s, special education in the People’s Republic of China has experienced significant reform and fast development. However, education for children with severe developmental disabilities, especially autism spectrum disorders (ASDs), is still the greatest challenge in the field. This paper aims to give readers an overview of what is happening to children with ASDs in China. We first address the issue of prevalence of ASDs, and then offer an introduction to the diagnostic process. After that, a review of disability-related legislation is provided, followed by a description of current treatment options and available educational services. Finally we introduce all extent service providers and their roles.

In my investigation of Li-Young Lee's poetry, my concerns were two-fold: first, to find evidence of an androgynous quality or ideal; secondly, to demonstrate that ideal as authentically feminist. In the introduction, I investigate the feminist debate about the traditional definition and concept of androgyny, demonstrating the difference between the patriarchal traditional androgyny and the androgynous elements in Lee's poetry. In Chapter Two, the rose as image and as symbol in Lee's poetry is examined and found to be strikingly androgynous as a symbol. As an image, however, it is more often than not used as a vehicle to describe the destructive nature of social tyrannies such as the patriarchal symbolic order. In Chapter Three, Lee's heavy implications of an existing "other" is examined. This examination is particularly pertinent when considering the feminist debate, since one of the major problems with the idea of androgyny is that it often necessitates a binary thought system in which the male is usually the "one" and the female is usually the "other." In Lea's poetry, I found no significant evidence of that kind of phallocentricism; rather, I found substantial evidence that Lee's poetry demonstrates the destructiveness of insisting on any being's otherness. Lee's search for identity, and for the meaning of personal identity, involves the acceptance of the mutability of identity. In conclusion, although I don't find androgyny to be authentically feminist, I find Lee's poetry--and its particular use of an androgynous ideal--to be authentically feminist.

The small Chinese community in South Africa has played an important part in the economic and political life of South Africa. From 1660 to 1912, it reflected the experiences of migrant Chinese who left the mainland during and after centuries of isolation. This thesis therefore examines the Chinese in South Africa in the context of a growing historiography of the overseas Chinese, noting particularly the comparisons with other colonial societies, such as the United States of America and Australia. It is also concerned with tracing the history of the free Chinese at the Cape in the seventeenth, eighteenth and nineteenth centuries, before engaging in a more detailed discussion of the period of indentured Chinese labour on the Witwatersrand gold mines in the early twentieth century. Although the political economy of indenture has been copiously dealt with in recent historical research, the focus here is more on the social and cultural dimensions of Chinese labour, including aspects such as privacy, sexuality and living conditions in the compound system. This cultural history is interpreted against the background of political and legislative developments in South Africa leading to the formation of the Union in 1910. One of the main arguments of the thesis is that the indentured labour scheme had profound repercussions for the racial status of the free Chinese in the late colonial period. The different experiences of the Chinese in the Cape and the Transvaal are given special attention to illustrate regional patterns of social stratification, and explain the vicissitudes of race relations in South Africa up to 1912. In the Cape it led to subjection under the Chinese Exclusion Act of 1904, while in the Transvaal it resulted in political involvement in the initial phases of Mahatma Gandhi's "satyagraha". Cultural exclusivity and minority status are at the heart of this· analysis and are indices of how the Chinese were brought under the yoke of segregation, which anticipated the oppression of apartheid after 1948. / History / D. Litt. et Phil. (History)

Between 1847 and 1874 approximately 142,000 Chinese indentured laborers, commonly known as coolies, migrated to Cuba to work primarily on sugar plantations following the demise of African slavery. Comprised of 99.97% males and contracted to work for eight years or more, many of those coolies that survived the harsh conditions in Cuba formed consensual unions with freed and enslaved women of color. These intimate connections between Chinese indentures and Cubans of African descent developed not only because they shared the same living and working spaces, but also because they occupied similar sociocultural, political, and economic spheres in colonial society. This ethnography investigates the rise of a discernible Afro-Chinese religiosity that emerged from the coming together of these two diasporic groups. The Lukumi religion, often described as being a syncretism between African and European elements, contains impressive articulations of Chinese and Afro-Chinese influences, particularly in the realm of material culture. On the basis of qualitative research that I conducted among Chinese and Afro-Chinese Lukumi practitioners in Cuba, this dissertation documents the development of syncretism and discursive religious practice between African and Chinese diasporas. I conceptualize a framework of interdiasporic cross-fertilization and, in so doing, disassemble Cuba’s racial and religious categories, which support a notion of “Cubanidad” that renders Chinese subjectivity invisible. I argue that Afro-Chinese religiosity became a space for a positive association that I call “Sinalidad”. I also argue that this religiosity has been elaborated upon largely because of transformations in Cuba’s social and economic landscape that began during Cuba’s Special Period. Thus, the dissertation uses religious practice as a lens through which I shed light upon another dimension of identity making, transnationalism and the political economy of tourism on the island.