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This project seeks to propose an ideal model for housing in a future where it is no longer feasible at a lower density. It identifies several characteristics of good housing, primarily: individual response to site, desirability, and sustainability, then applies them in the design of an apartment building on a specific site. The project also touches on questions of what makes a living space desirable, namely the preservation of the tenant's individuality and the fostering of community, each of which is examined and applied through the architecture. The project stresses that individuality is supported through a tenant's choice of living space and, therefore, that buildings following this model should not be identical copies, but rather unique responses to their own sites following the guiding principles of this project. It addition, as a secondary objective, the project explores the intricacies of mass timber construction and building code. / Master of Architecture / As the population rises and it becomes clearer that we can no longer afford to gobble up land for low density housing, our idea of what housing should be must also grow. It's inescapable that the future of housing involves refocusing on medium density apartments so that we can house more people on less land, but making that happen would involve a paradigm shift in what we consider the ideal housing condition. Convincing people to stay in apartment buildings instead of moving into a single-family house requires buildings that respond to their individual site, provide desirable apartments, respect the environment, and preserve the sense of community that is often found in low density developments. This project seeks to propose a model for the future of housing.

In my diploma thesis I analyze the key issues connected with the difficulties of communication between Spaniards and native inhabitants after the arrival to the American continent in 1492. Concretely, I focus on the first period of contact with the indigenous population. In the first part of the thesis I describe the historical and political situation in the area. Then I characterize the language policy of the Spanish court and also the linguistic situation in Latin America after the arrival of Spaniards. Next part of the thesis is dedicated to dominant Indian languages, which were used for the communication of colonizers and indigenous people and had the most significant influence on the Spanish language. There is also characteristic of the role of interpreters and importance of signs for communication during the conquest of America. The third chapter is dedicated firstly to the theoretical definition of the basic terms relevant for the topic. I describe the ways of enriching the vocabulary of languages and I explain the way how the new vocabulary was transmitted during communication between the Spaniards and the Indians. I also mention the categories of vocabulary which were most influenced by the indigenous languages with examples of loanwords from native languages in Spanish. In final part I...

Les nouvelles méthodes de navigation durant le Moyen Age. Le navire de commerce à voile est propulsé par le vent et doit donc suivre cette direction générale. La navigation peut se définir selon un aspect d’abord stratégique comme le choix d’une route en tenant compte des contraintes imposées par le vent et un aspect tactique concernant le tracé et le contrôle, en cours d’exécution de cette route. 1-Dans un premier temps, la navigation antique ne se réfère qu’au seul vent qui est le moteur mais aussi le guide du navigateur pour suivre la route fixée par l’observation des traces qu’il imprime sur la mer. C’est la navigation à vue. La limite de la méthode est atteinte quand le vent devient changeant au large, ce qui oblige alors une vérification de la direction par l’observation des astres. 2- L’apparition de l’aiguille aimantée résout en partie ce problème. L’orientation géographique entraine la mise au point, à la fin du XIIIe siècle, d’une nouvelle méthode : l’estime. L’estime est la résolution graphique des problèmes que pose le contrôle de la route choisie. Cette résolution suppose, d’une part, l’usage de la boussole et d’une orientation géographique et, d’autre part, une analyse vectorielle sur un support la carte marine qui est donc indissociable de la méthode. Le plus gros défaut de l’estime est que les positions sont définies par projection dans le futur de paramètres, cap et distances parcourues actuels. Des différences sont donc à prévoir qui entrainent une zone d’incertitude sur le point estimé. 3- Lorsqu’au début du XVe siècle les navigateurs se lancent dans l’inconnu, obligés de suivre le vent qui décrit des boucles, les voyages s’allongent sans voir la terre pour une confrontation avec des positions avérées. La taille des zones d’incertitude obligent le navigateur a préciser sa position finale par d’autres méthodes basées sur des observations astronomiques. On peut distinguer deux méthodes : Tout d’abord, la méthode des hauteurs de polaire, de 1433 à 1480 environ, qui permet de finaliser la volta et d’effectuer un atterrissage selon une route Est-Ouest. L’analyse de la technique nautique de Colomb, qui utilise cette méthode, est très semblable à celle décrite par Ibn Majid dans son traité de navigation. Il est probable qu’il y a eu transmission sans pouvoir préciser les circonstances exactes.Mais dès que les navigateurs franchissent l’équateur la polaire devient indisponible, les navigateurs doivent observer le soleil. Cette deuxième méthode est plus délicate car les paramètres du soleil changent chaque jour. Ils obligent donc le navigateur à calculer la latitude, à partir de l’observation de la méridienne de soleil et par l’usage de tables des données solaire : os regimentos do sol. C’est cette méthode qui permet à Vasco da Gama de doubler le cap de Bonne Esperance, en 1498, ce qui marque la fin de la période étudiée. Pour conclure il faut remarquer que ces deux derniers méthodes sont le fruit d’une coopération entre les usagers et les scientifiques sous l’égide du pouvoir, décidé à atteindre le but fixé. C’est donc le fruit d’une véritable recherche scientifique. En second lieu, il faut également noter que les progrès de la navigation accompagnent des progrès parallèles en architecture navale, le gouvernail d’étambot, ainsi que de nouvelles procédures dans le commerce maritime. L’étude des interactions entre ces divers domaines reste à faire. / New navigational methods during the Middle Ages.A sailing vessel is pushed forwards by the wind in the general direction towards it is blowing. Navigation should comply with strategic goals: i.e. the choice of a route to a port of destination, taking into account this wind constraint. A tactical aspect is involved when following this route and checking, the entire voyage long, the good guidance of the ship. 1-In the first ages of navigation, the mariner is referring to the sole element at his disposal: the wind. It gives him elements for the direction to choose, if it is a convenient time for sailing and also it supplies the means of checking and controlling the course of the ship, by observation of the marks it is printing on the surface of the sea. Variable wind is the limit of this method. In this case, only sky observation can give an indication of the direction to follow.2- The finding of the magnetic needle solves this problem and from this new tool, a new navigation method is implemented, around the end of the XIII.th century. Dead reckoning is a way to determinate ship’s position at any moment, using a vector analysis for solving graphically the problems that checking the chosen course can induce. This graphical method is using the compass indications and needs necessarily using a marine chart. The main problem of dead reckoning is that, using present data to reckon future positions , any error in assessing these data supposes an uncertainty in this position. Correction of the route is necessary by verifying with actual land falls. Longer the voyage without such confrontation and bigger the uncertainty zone to be faced.3-In the beginning of the XV.th century, Portuguese mariners started to run the open ocean. They had to follow the wind which runs along a long loop across the ocean, la volta. Therefore running in the open seas, without any land to be seen, in order to check the actual position, obliged mariners to elaborate new methods based on astronomical observations in order to reduce the size of this uncertainty zone, when arriving to the landing point. A first method is based on the observation of the pole star depth; between the years 1433 to 1480. It is based on observation of the pole star depth. Analysis of C. Columbus nautical art shows similarities with the written work of Ibn Majid, his contemporaneous Arab nautical expert. Crossing the equator line made the polar star not available any more. Therefore, the method had to be changed and the second method involved sun observations. This is more complex as the sun data are changing every day. Therefore mariners had to reckon the latitude, using the observations of the meridian line and using of sun data tables: the so called regimentos do sol. Through this method Vasco da Gama was able to reach the Indian Ocean after passing the Cape of Good Hope. This closes the period of this study.The conclusion should take into account the fact that these astronomical methods were not entirely empiric but the result of a joint research of users, mariners and scientists. This endeavor was made possible because a central power, the Infant first , then King Joao II, were willing to proceed more south and gave their mariners the technical means to do so.A second conclusion observes that progress of navigation were accompanied by parallels progresses in naval construction and maritime new contracts and ways of handling commercial matters. There are surely interactions between these three domains, but we have still to put them into evidence.

This work is focused on the role of translators and interpreters in the first contact of the Spanish conquerors and the indigenous people of Latin America, and their influence in the conquest. Although they are often unheeded, translators and interpreters played a fundamental role while conquering the newly discovered continent. Meeting new cultures with completely different languages and ways of thinking was a great challenge for the conquerors, that's why we cannot forget about the translators' role during this era. This work is focused on the Inca culture in Peru and their first contact with the Spanish conquerors lead by Francisco Pizarro. Apart from that, other parts of the conquest are discussed, such as Columbus' very first contact with the indigenous peoples or Hernan Cortes' conquest of Mexico.

Philip Glass's minimalist opera The Voyage commemorates the 500th Anniversary of Christopher Columbus's discovery of America. In the opera, Philip Glass, like other composers, expresses singers' and non-singers' words and activities by means of melodies, rhythms, chords, textures, timbres, and dynamics. In addition to these traditional musical expressions, successions of reiterating materials (RMs, two or more iterations of materials) and non reiterating materials (NRMs) become new musical expressions. However, dividing materials into theses two categories only distinguishes NRMs from RMs without exploring relations among them in successions. For instance, a listener cannot perceive the functional relations between a partial iteration of the RM and the NRM following the partial RM because both the partial RM and the NRM are NRMs. As a result, a listener hears a succession of NRM followed by another NRM. When an analyst relabels the partial RM as partial loop, and the NRM following the partial RM as loop breaker, a listener hears the NRM as a loop breaker causing a partial loop. The musical functions of loops and loop breakers concern a listener's expectations of the creation, sustaining, departure, and return to the norm in successions of loops and loop breakers. When a listener associates the satisfaction and dissatisfaction of these expectations with dramatic devices such as incidents, words in dialogues and soliloquies, and activities by singers and non-singers, loops and loop breakers in successions become dramatically functional. This dissertation explores the relations among musical and dramatic functions of loops and loop breakers in Glass's musical commemoration of Columbus.