Este trabalho tem como foco a análise da função da oralidade e do registro coloquial em treze contos do ciclo El Laberinto mágico, do escritor espanhol Max Aub, que se ocupam da vida nos campos de concentração franceses criados ao final da Guerra Civil Espanhola para internar a massa de vencidos que então cruzou os Pirineus. O corpus é composto pelos seguintes textos: Vernet, 1940, Una historia cualquiera, Historia de Vidal, Los creyentes, Un traidor, Manuel el de la Font, El limpiabotas del Padre Eterno, Yo no invento nada, Ruptura, El cementerio de Djelfa, Manuscrito cuervo: historia de Jacobo, Playa en invierno e Ese olor. A análise pauta-se no exame dos seguintes elementos: léxico, sintaxe, formas de tratamento, registros de fala, presença de frases feitas, uso de provérbios e nível sociocultural e lingüístico do narrador e dos personagens. / This paper focuses on the analysis of the function of orality and the colloquial register observed in thirteen short stories written by the Spanish writer Max Aub, in the cycle El Laberinto mágico. These short stories are about life in the concentration camps the French created in France at the end of the Spanish Civil War in order to hold the defeated and broken men and women that crossed the Pyrenees and then became inmates of such camps. The corpus encompasses the following stories: Vernet, 1940, Una historia cualquiera, Historia de Vidal, Los creyentes, Un traidor, Manuel el de la Font, El limpiabotas del Padre Eterno, Yo no invento nada, Ruptura, El cementerio de Djelfa, Manuscrito cuervo: historia de Jacobo, Playa en invierno and Ese olor. The analysis is based on the study of the following elements: lexicon, syntax, forms of address, records of spoken language, occurrence of idioms, use of proverbs, as well as the socio-cultural and linguistic level of the narrator and the characters.

Cette thèse examine le phénomène des camps de concentration ouverts après l’ordonnance n. 5 du Ministre de l’Intérieur de la Repubblica Sociale Italiana (RSI), le 30 novembre 1943, afin de regrouper et interner tous les juifs d’Italie. La recherche vise à analyser la mise en place de ce système concentrationnaire, pour s’interroger sur le rôle joué par ces structures à l’intérieur de la politique antijuive de la Repubblica di Salò et de la déportation des juifs de l’Italie. A partir de la fin du mois de novembre 1943, le nouveau gouvernement républicain fasciste chargea son ministère de l’Intérieur et ses administrations locales d’arrêter et interner les juifs: il décida donc de placer la «question juive» sur un plan administratif, là où il n'avait pas cependant sa pleine souveraineté à cause de l’occupation allemande de l’Italie après l’armistice du 8 septembre 1943. Malgré l’ingérence allemande dans la politique italienne de l’époque, les autorités de Salò eurent une marge d’autonomie et d’initiative en ce qui concerne l’application des dispositions d’internement des juifs. Dans ce contexte, les camps de concentration jouèrent un rôle central: à travers l’analyse de ces structures on peut distinguer les caractéristiques de l'antisémitisme d'État de la RSI et les éléments qui sont en continuité avec la politique antijuive du passé régime fasciste, ainsi que les dynamiques politiques qui déterminèrent la «collaboration» entre les autorités italiennes et les autorités d’occupation allemandes. / The doctoral thesis analyzes the affair of the concentration camps for Jews opened up by the decree n. 5 of 30 November 1943 from the minister of the Interior of the Italian Social Republic, Guido Buffarini Guidi. By this measure the republican government entrusted the peripheral authorities of the ministry of the Interior, prefectures and police headquarters, the task of arresting and interning all the Jews present in Italy. The carrying out of the orders was influenced by the war background of two-year-period 1943-1945: by the German occupation of Italy, which followed the armistice of 8 September, the German authorities kept the RSI under a tight control. Notwithstanding the German interference into the Italian political affairs, the local authorities of Salò seemed to hold on a degree of autonomy and initiative to enforce the anti-Jewish measures decided by the government. In this situation, the concentration camps played a key role and act here below as a magnifier for the study of the “Jewish-question” in the RSI. Through the analysis of these camps the features of the state anti-Semitism of Salò can be recognized, as an extension of that one of the previous fascist regime, as well as the political dynamics that were at the bottom of the “collaboration” between Italian and German authorities can be deepened. As Denis Pechanski notices about the French case, the concentration camps are in this way “the cornerstone of the mechanism of deportation of the Jews”.

Concentration camp scholarship has been impacted by an ‘island syndrome’: most research limits itself to one site, focuses either on its life or afterlife, and overlooks interactions among functionaries, inmates, and local people. Central themes connected to the camps thus remain shrouded in popular misconceptions. This study breaks with historiographical orthodoxies and addresses common confusions through a new framework. Drawing on Ebensee and the Loiblpass, two forced labour outposts of the Mauthausen complex, it presents the first integrated account of the divergent factors that shaped the legacies of these sites and the fates of their subjects. A focus on Ebensee shows how gravely the local bureaucracy, relief workers, and US Army impacted on the early postwar lives of former camp inmates. Victim groups were marginalised by local and Allied actors precisely because of a broad awareness and continued survivor presence. The Loiblpass figured less prominently in the postwar lives of its surrounding communities. At the core of postwar views lay pre-1945 experiences. Living in an epicentre of territorial struggles, Loibl Valley inhabitants did not externalise a strong political agenda and instead communicated a binary ‘selective association process’. The memory of the camp prompted a positive association in socioeconomic terms; political allusions provoked a relativizing of brutality and a claim to personal victimhood. The local context and postwar dimension constitute a missing link in our understanding of these sites, their neighbouring communities, and the early postwar period more broadly. While the causal relationship between a social reintegration of Nazis and a re-marginalisation of genuine victims has thus far been viewed chiefly through the lens of federal politics, this development was already long under way—aided by all local actors—when amnesty laws encouraging the rehabilitation of former National Socialists came into effect; national and Allied policy decisions in the wake of the burgeoning Cold War only further catalysed this development from 1947 onwards.

Bibliography: leaves 336-351 / viii, 352, [25] leaves : ill., maps ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of History, 1994

Zugl.: Regensburg, Univ., Diss. / Includes bibliographical references (p. 158-164).

published_or_final_version / Social Work / Master / Master of Social Sciences

Este trabalho tem como foco a análise da função da oralidade e do registro coloquial em treze contos do ciclo El Laberinto mágico, do escritor espanhol Max Aub, que se ocupam da vida nos campos de concentração franceses criados ao final da Guerra Civil Espanhola para internar a massa de vencidos que então cruzou os Pirineus. O corpus é composto pelos seguintes textos: Vernet, 1940, Una historia cualquiera, Historia de Vidal, Los creyentes, Un traidor, Manuel el de la Font, El limpiabotas del Padre Eterno, Yo no invento nada, Ruptura, El cementerio de Djelfa, Manuscrito cuervo: historia de Jacobo, Playa en invierno e Ese olor. A análise pauta-se no exame dos seguintes elementos: léxico, sintaxe, formas de tratamento, registros de fala, presença de frases feitas, uso de provérbios e nível sociocultural e lingüístico do narrador e dos personagens. / This paper focuses on the analysis of the function of orality and the colloquial register observed in thirteen short stories written by the Spanish writer Max Aub, in the cycle El Laberinto mágico. These short stories are about life in the concentration camps the French created in France at the end of the Spanish Civil War in order to hold the defeated and broken men and women that crossed the Pyrenees and then became inmates of such camps. The corpus encompasses the following stories: Vernet, 1940, Una historia cualquiera, Historia de Vidal, Los creyentes, Un traidor, Manuel el de la Font, El limpiabotas del Padre Eterno, Yo no invento nada, Ruptura, El cementerio de Djelfa, Manuscrito cuervo: historia de Jacobo, Playa en invierno and Ese olor. The analysis is based on the study of the following elements: lexicon, syntax, forms of address, records of spoken language, occurrence of idioms, use of proverbs, as well as the socio-cultural and linguistic level of the narrator and the characters.

Philosophiae Doctor - PhD / During the South African War of 1899-1902 captured civilians were directed by the British army into military controlled zones and into refugee camps which became known as concentration camps. Established near towns, mines and railway sidings these camps were separated along racial lines. The British forced black men, women and children through the violence of war into agricultural and military labour as a war resource, interning over 110,000 black civilians in concentration camps. Unlike Boer civilians who were not compelled to labour, the British forced black civilians into military labour through a policy of no work no food. According to recent scholarly work based only on the written archive, at least 20,000 black civilians died in these camps. This project uses these written archives together with archaeological surveys, excavations, and oral histories to uncover a history of seven such forced labour camps. This approach demonstrates that in constructing an understanding and a history of what happened in the forced labour camps, the written archive alone is limited. Through the work of archaeology which uncovers material evidence on the terrain and the remains of graves one can begin to envisage the scale an extent of the violence that characterized the experience of forced laborers in the 'black concentration camps' in the South African War.

Qu’a de particulier le théâtre-témoignage de Charlotte Delbo ? L’objet de cette étude est de mettre en lumière une « écriture de la spectralité », renvoyant à l’évocation des spectres de sa mémoire que Delbo convoque sur une scène de théâtre. Les titres de deux de ses pièces, Qui rapportera ces paroles ? et Une scène jouée dans la mémoire, sont révélateurs d’un exercice d’anamnèse jamais fini, car il n’a pas de fin possible. Il se traduit par la réélaboration, la transposition théâtrale des fragments poétiques et narratifs déjà rédigés par l’auteure après son retour d’Auschwitz, – et nous avons dû parcourir ses archives pour repérer les traces de cette réécriture. Mais, et c’est un fait singulier, le caractère spectral du théâtre de Delbo provient également de la fréquentation des personnages-fantômes de sa bibliothèque théâtrale venus la visiter dans les marais d’Auschwitz, messagers d’une humanité dont l’existence même du théâtre est le garant. Secrétaire de Louis Jouvet avant et – pour quelque temps – après sa captivité, Charlotte Delbo semble ainsi converser avec le « patron » à travers les intertextes de son œuvre théâtrale et testimoniale. La dramaturgie du témoignage qui découle d’une telle écriture, par laquelle le passé ne cesse de revisiter le présent et réciproquement, pourrait se résumer ainsi : l’auteure se souvient, grâce à sa mémoire profonde, elle écrit en mémoire de ses camarades pour que nous, lecteurs et spectateurs, les gardions en mémoire ; et les spectres appellent les vivants à garder leur conscience en éveil.L’absence effective d’une étude sur le langage dramatique de Charlotte Delbo nous a convaincue de mener la présente recherche, qui traite résolument du travail dramaturgique de l’écrivaine et de son rapport, d’une extrême richesse, au théâtre. / What is so particular about Charlotte Delbo’s theatre testimony ? Goal of this study is to shed light on a « writing of spectrality », sending us back to the evocation of the spectres of her memory which Delbo summons upon stage. The titles of two of her plays, Who will carry the word ? and A Scene played in the memory are revealing of an incomplete anamnesis for which no ending is possible. It translates through reelaboration, theatrical transposition and poetical and narrative fragments already written by the author following her return from Auschwitz– and we had to explore her archives in order to trace these re-writes. Nevertheless, and it is a strange fact, the spectral nature of Delbo’s theatre also comes from the visitations of ghost-like characters from her theatrical library which come to haunt her in the swamps of Auschwitz, messengers of a humanity to whom the very existence of theatre turns out to be a guarantee. Once Louis Jouvet’s secretary prior and – for a while – after her captivity, Charlotte Delbo therefore seems to talk with the « patron » within the inner lines of her theatrical and testimonial work. The dramaturgy of the testimony which arise from such a writing, through which the past never ceases to revisit the present, could be summed up as follows : the author remembers, thanks to her deep memory; she writes in memory of her friends so that we, readers and spectators, remember them ; and the spectres call to the living to keep their consciences awake. The effective absence of Charlotte Delbo’s use of dramatic language has convinced us to lead the present research which deals fundamentally with the dramatic work of the writer and her extremely rich relationship to theatre.

The theme and primary purpose of this thesis is illustration everyday life in the concentration camp Buchenwald. Buchenwald was a concentration camp where the Nazis imprisoned a lagre number of citizens of the Protectorate of Bohemia and Moravia. The thesis will primary consist of three categories. First of all it is the issue of "the space", in which will be incorporated a brief outline of the development of concentration camps in Germany before the war, the function of administrative, technical and military buildings of SS units. Another theme of the thesis points to the physical labor of prisoners, which was daily content during their stay in a concentration camp. The purpose of their work should lead to rapid death with the lowest cost of their meals. In favor of or against the prisoners decided ideological-political, and economic aspects of the later mode. The concept of work in the Nazi concentration camps in successive years significantly changed, which were causing the preparations for war and the later development of the war conflict itself. The third theme contents the social relations and cultural life of the prisoners, which refer to the human adaptability in these inhuman conditions. In an effort to describe social days coexistence in this concentration camp is put emphasis on the...