O presente trabalho investiga o papel e o lugar ocupados pelo jovem artista dentro do campo da arte hoje. Demonstra que esta figura passou por um processo de dupla mitificação: a de ser jovem e a de ser artista. Revela o processo da sua construção histórica e social, mostrando como este assumiu um papel central na arte do século XXI. A pesquisa foi realizada a partir de entrevistas com seis artistas nascidos na década de 1980 e 1990 – Daniel Escobar, Marcos Fioravante, Marina Camargo, Rafael Pagatini, Raquel Magalhães e Romy Pocztaruk. O olhar dos entrevistados é representativo de uma geração e serve como fonte primária para esta análise. / This work seeks to investigate the role and place occupied by young artists in todays art field. It shows that this group has gone through two different mythification processes: being young and being an artist. Revealing the social-historical process that they went through and showing how they play this central role in the arts of XXI century. A research was made by interviewing six artists born on 1980 and 1990 decades - Daniel Escobar, Marcos Fioravante, Marina Camargo, Rafael Pagatini, Raquel Magalhães e Romy Pocztaruk. The view of the interviewees is representative of this generation and serves as a primary source for this analysis.

Esta pesquisa analisa os efeitos subjetivos resultantes das transformações sociais contemporâneas, tais como o impacto da tecnologia e o crescente poder da imagem, que resultam na problematização sobre o lugar do corpo na sociedade. Esta análise é proposta a partir da leitura de obras específicas de artistas contemporâneos identificados à arte abjeta, modalidade da arte vinculada à constituição do ser humano e à apresentação do real. / This research analyzes the subjective effects resulting from the contemporary social changes, such as the impact of technology and the increasing power of image, that lead to the problematization on the place of the body in society. This analysis is proposed anchored in the reading of specific works from contemporary artists of the abject, art style linked to the human being’s constitution and to the presentation of the real.

Made available in DSpace on 2016-03-15T19:22:24Z (GMT). No. of bitstreams: 1 Carla de Barros Caires Greve.pdf: 32606476 bytes, checksum: b9a30e4f83e992b24a50cf66d67787a5 (MD5) Previous issue date: 2014-01-31 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research is based on the study of urban intervention defined by a set of contemporary buildings of the campus of Universidad Diego Portales (UDP), built in the neighborhood Barrio Universitario de Santiago (BUS) in Santiago, Chile. The set of buildings, as well as the unique architecture of each, arouse research interest in the debate raised by the contemporary condition of architecture embedded in a consolidated site. Each of the buildings of interest was designed by teams of architects and professors of this university in Latin America. This fact still arouses the interest of understanding the characteristics of this architecture, considering the relation between universality and specificity with the Chilean current architectural production. At the same time of the conception of the campus and its buildings (2002/2003), UDP launched its Infrastructure Plan, which, along with other public initiatives, has encouraged transformations on this old urban area. In this context, there is the challenge of finding out which architectural and urban factors and processes, are responsible for the redevelopment of this area, and how the architecture appears and explains this transformations. The Chilean architecture arouses interest not only for presenting contemporary features that meets the questions that this study aims to answer, involving intervention on a consolidated site, but also to fill an existing gap in Brazil of systemic knowledge on contemporary practices, architectural and urban, significant on Latin America. The set of buildings in question will be analyzed according to various categories defining the interventions, such as those related to the neighborhood (social), urban territory (urban) and historical and new buildings inserted into this urban fabric (architectural). These aspects will be related to the process of implementation of the Infrastructure Plan of UDP, the joints of the open urban campus with the urban territory and relations of the new buildings with the existing heritage buildings by analyzing the specific characteristics of each building selected. The listed factors justify the importance of the issue and seek to expand the universe of research and studies on the subject. The aim is that this research will assist other research projects related to interventions in consolidated sites and contribute to the field of architectural and urban design by deepening the knowledge of contemporary works, the Arquitetura contemporânea e a requalificação do sítio consolidado: o conjunto edificado do Campus da UDP 15 Abstract relationship between architectural design and its surroundings, and representative architects in contemporary Latin America. / A presente pesquisa se fundamenta no estudo da intervenção urbana definida por um conjunto de edifícios contemporâneos do Campus da Universidade Diego Portales (UDP), construído no Bairro Universitário de Santiago (BUS), em Santiago do Chile. O conjunto de edifícios, bem como a arquitetura singular de cada um deles, despertam interesse de pesquisa pelo debate suscitado pela condição contemporânea da arquitetura inserida em um sítio consolidado. Cada um dos edifícios de interesse foi projetado por equipes de arquitetosprofessores desta universidade latino-americana. Este fato desperta ainda o interesse de compreender as características dessa arquitetura, considerando a relação entre universalidade e especificidade chilena com a produção arquitetônica atual. No mesmo período da concepção do Campus e seus edifícios (2002/2003) a UDP lançou seu Plano de Infraestrutura, que junto com outras iniciativas públicas tem incentivado, desde então, transformações de uma antiga área urbana. Diante desse contexto, surge o desafio de descobrirmos quais fatores e processos, arquitetônicos e urbanísticos, são responsáveis pela requalificação dessa área, e como a arquitetura comparece e explica essa transformação. A arquitetura chilena desperta interesse não só por apresentar características contemporâneas que vem ao encontro das indagações que este trabalho se propõe responder, envolvendo intervenção em sítio consolidado, mas também para suprir uma lacuna de conhecimento sistêmico no Brasil de práticas contemporâneas, arquitetônicas e urbanísticas, representativas da América Latina. O conjunto de edifícios em questão será analisado conforme várias categorias definidoras da intervenção, como as relacionadas ao bairro (social), ao território urbano (urbanística) e aos edifícios patrimoniais e novos inseridos nesse tecido urbano (arquitetônico). Estes aspectos serão relacionados ao processo de implantação do Plano de Infraestrutura da UDP, às articulações do campus urbano aberto com o território urbano e às relações dos edifícios novos com os edifícios patrimoniais existentes através da analise das características específicas de cada edificação selecionada. Os fatores elencados justificam a importância do tema e Arquitetura contemporânea e a requalificação do sítio consolidado: o conjunto edificado do Campus da UDP 13 Resumo procuram ampliar o universo de pesquisas e estudos sobre o tema. Espera-se que a pesquisa auxilie outros projetos de pesquisa referentes a intervenções em sítios consolidados e que contribua para a área de projeto arquitetônico e urbano, por meio do aprofundamento do conhecimento das obras contemporâneas, das relações entre o projeto arquitetônico e seu entorno, e de arquitetos representativos na América Latina contemporânea.

Made available in DSpace on 2016-03-15T19:23:00Z (GMT). No. of bitstreams: 1 Ulisses Alves Maciel Ribeiro.pdf: 5371981 bytes, checksum: d10caf7a73f84fb4270964aa54701e06 (MD5) Previous issue date: 2015-01-28 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Contemporary society can be characterized, among other aspects, by its transmutation, speed and excess, being deconstructed and reconstructed all the time. It is also in this scenario that many concepts or conceptual notions from several areas are challenged. In Architecture but not limited to it attempts to theorize about the attributes related to the idea of places are recurrent as well as its potential implications for human relations. According to the French anthropologist Marc Augé, places can be defined as identitarian, relational and historical: if one of these attributes is weakened, non-places are configured. In order to encompass the nature of this phenomenon and to understand how the versatility of the contemporary world collaborates to the production and reproduction of non-places, is resorted here, an inter, trans and multidisciplinary approach: Geography, Anthropology, History, Psychology, Architecture and Cinema are summed up in order to create an investigative and scientific panorama academically legitimate. For this purpose, instead of opting for a simple architectural design analysis what would be more expected is assumed, in conformity with the plurality of contemporary metropolis itself, a polyhedric focus and a more essayistic feature. / A sociedade contemporânea pode ser caracterizada, dentre outros aspectos, pela transmutação, pela velocidade e pelo excesso, descontruindo-se e reconstruindo-se a todo instante. É, também, nesse cenário que muitos conceitos ou noções conceituais, das mais diversas áreas, são postos em xeque. Na arquitetura mas não apenas nela têm sido recorrentes as tentativas de teorização a respeito dos atributos próprios dos lugares, assim como suas potenciais implicações sobre as relações humanas. Segundo o antropólogo francês Marc Augé, os lugares podem se definir como identitários, relacionais e históricos: sendo algum desses atributos enfraquecido, configuram-se os não-lugares. Buscando abarcar a natureza de tal fenômeno e compreender como a polivalência do mundo contemporâneo colabora na produção e reprodução dos não-lugares, lança-se mão, aqui, de uma abordagem inter, trans e multidisciplinar: geografia, antropologia, história, psicologia, arquitetura e cinema somam-se com o intuito de criar um panorama investigativo-científico academicamente legítimo. Para isso, ao invés de se optar por uma mera análise projetual que seria mais previsível , assume-se, em ressonância com a pluralidade da própria metrópole contemporânea, um enfoque poliédrico e de cunho mais ensaístico.

Made available in DSpace on 2016-03-15T19:23:00Z (GMT). No. of bitstreams: 1 Janaina Almeida Stedile.pdf: 4992602 bytes, checksum: d6d6ee976a97462a5782d096e5f2fbe6 (MD5) Previous issue date: 2015-01-21 / Public Interest Architecture is a counter-hegemonic stream in contemporary Architecture that identifies the discipline as a social right and an important tool to improve the living conditions of thousands of people. The study assesses the possibility of maintaining the Architecture s commitment to the development and emancipation of humanity, by applying alternative methodologies to the usual practices. The first part of the paper investigates new approaches for building and structuring cities and new technological processes that can strengthen relationships within networks. It deals with the position of the public and the relation it developed with Architecture and Urbanism in the twentieth century. Furthermore, it presents an overview of the production process and its actors, involving the theoretical universe, exhibitions and publications. The second part examines in more detail the work of the following three groups chosen as the most representative, namely: Architecture for Humanity, Rural Studio and Usina-CTAH. Overall, the paper presents the concept of coexistence, describing the relationship of collective and collaborative networks together with new understandings in the field of contemporary architecture. / Arquitetura de Interesse Público é uma corrente contra-hegemônica na Arquitetura contemporânea que entende a disciplina como um direito social e uma importante ferramenta para melhorar as condições de vida de milhares de pessoas. Assim, esta pesquisa verifica a possibilidade da manutenção do compromisso da Arquitetura com o desenvolvimento e emancipação da humanidade diante do surgimento de metodologias alternativas às práticas usuais. A primeira parte do trabalho investiga as novas relações de produção da cidade e os novos processo tecnológicos que fortalecem as relações em redes; trata da questão do Público e como este se desenvolveu no campo da Arquitetura e Urbanismo no século XX, e por fim, apresenta um panorama sintético da produção, envolvendo o universo teórico, exposições, publicações e atores. A segunda parte do trabalho examina mais detalhadamente a produção dos três grupos escolhidos como os mais representativos desta corrente, quais sejam: Architecture for Humanity, Rural Studio e Usina- CTAH. O trabalho apresenta o conceito da Coexistência para descrever as relações de ordem coletivas e colaborativas dos novos entendimentos no campo da Arquitetura.

Made available in DSpace on 2016-03-15T19:24:02Z (GMT). No. of bitstreams: 1 Flavio Marcondes.pdf: 15075866 bytes, checksum: ddab9de491748db1425752b503bfbbb4 (MD5) Previous issue date: 2012-03-15 / Fundo Mackenzie de Pesquisa / This work aims to study the relations between the architecture produced in the years 1960 to 1985, where the modern period dominated and the period of the year 1985 to today, the primacy of contemporary architecture in the city of Sao Paulo. To do so is presented an overview of modern architecture produced in Brazil in Chapter 3: The Modern Architecture in Brazil, in the periods 1930 to 1950, from 1950 to 1960 and from 1960 to 1985, and also of contemporary architecture of the years 1985 to today in Chapter 4: The Contemporary Architecture in Brazil. For reflection on modern and contemporary architecture deployed in the city of São Paulo was considered the direct experience of the author and the dialogue between shape and look. Works were chosen in the period studied and the analysis are presented in accordance with fundamentals for modern architecture in Chapter 5: Modern Architecture, and in Chapter 6: Contemporary Architecture. In the end, in Chapter 7: Concluding Remarks is presented the conclusion of this thesis. / Este trabalho procura estudar as relações entre a arquitetura produzida nos anos 1960 a 1985, período onde predominava o moderno, e o período dos anos 1985 aos dias de hoje, com a primazia da arquitetura contemporânea, na cidade de São Paulo. Para tanto é apresentado um panorama geral da arquitetura moderna produzida no Brasil no capítulo 3: A Arquitetura Moderna no Brasil, nos períodos de 1930 a 1950, 1950 a 1960 e 1960 a 1985, e também da arquitetura contemporânea dos anos 1985 aos dias de hoje no capítulo 4: A Arquitetura Contemporânea no Brasil. Para a reflexão sobre a arquitetura moderna e contemporânea paulistana implantada na cidade de São Paulo foi muito considerada a experiência direta da arquitetura deste autor quanto ao diálogo entre a forma e o olhar. Foram escolhidas obras no período estudado e apresentadas as análises segundo fundamentos relativos para a arquitetura moderna no capítulo 5: Arquitetura Moderna, e para a arquitetura contemporânea no capítulo 6: Arquitetura Contemporânea. Finalizando, no capítulo 7: Considerações Finais é apresentada a conclusão desta tese.

This thesis explores ways of adopting elements of Calabrian folk music in compositions of contemporary music beyond the mere adoption of melodies and instruments. Through this work, I aim to create a practice for contemporary improvisation and composition that is deeply imbued with elements derived from the music theory, the sonic environment and the performance practices of Calabria. The work described in this dissertation consists of two components: ethnomusicological research and a practice-based enquiry. This research focuses mainly on three aspects of Calabrian folk music: generative principles, the tuning system and processes of bagpipes, and soundscapes created by animal bells. These aspects guided both the ethnomusicological enquiry and the creative exploration. They are first described and analysed in their original context: folk music was studied in the field, amid and within the tradition bearers; research was conducted from a cultural and musicological perspective within the methodological and ethical framework of ethnomusicology. The data emerging from the ethnomusicological investigations informed the creative enquiry carried out through practice-led research. The outcomes of my investigation into Calabrian music became the core principles of my compositions of contemporary music. Generative principles were explored from the perspectives of both composition and improvisation They informed primarily a series of pieces for saxophone solo and a composition for chamber ensemble. The tuning system and processes of Calabrian bagpipes were investigated in compositions centred on pitch and extended harmonic spaces. They informed two compositions for string quartet and a piece for saxophone quartet. Soundscapes informed the composition of a piece of spatial music for goat bells that adopts indeterminacy methods for structuring the performance. The creative work, attached to this thesis as a portfolio of compositions, is analysed through self-reflective methods and in relation to the work of other contemporary music practitioners. My enquiry of the folk sources contributes to the field of ethnomusicology with new insight into Calabrian music. The creative processes and the techniques developed throughout this research also have implications for the broader field of contemporary music, as they offer a perspective on new ways of engaging creatively with folk materials.

Romancier, essayiste, ancien secrétaire général de la Asociación Colegial de Escritores de España, Andrés Sorel (Ségovie, 1937) est surtout connu pour son activité de militant antifranquiste. Il a pourtant publié à ce jour quinze romans et un nombre considérable d'essais. Depuis les années soixante, toute son œuvre est écrite sous le signe de l’engagement, ce qui peut expliquer en partie une forme de mise à l'écart du marché éditorial. Cette thèse vise à analyser comment sa dissidence intellectuelle contre l’idéologie dominante se construit dans sa production romanesque. On tentera de définir les contours de l’engagement, que ce soit à travers son rôle d’intellectuel, dans ses aspects les plus controversés, ou à travers les caractéristiques de son écriture engagée, dans sa dimension textuelle et avant-textuelle. On analysera également comment les marqueurs de l’engagement se développent dans la construction du narrateur, de ses personnages et de la temporalité. En prêtant toujours une attention égale au contenu idéologique et à sa mise en forme, Sorel conçoit l’écriture comme un exercice de réhabilitation de la mémoire des vaincus, s'inscrivant ainsi – et d'une certaine façon inaugurant – le « roman de la mémoire » qui domine le panorama littéraire de l'Espagne de ces deux dernières décennies. Il s’agit donc d'analyser la tension dialectique qui se joue entre un récit fictionnel et des modalités qui empruntent au factuel, notamment à l'essai. À travers la pluralité des témoignages littéraires, les textes de Sorel cherchent ainsi à faire émerger les vérités cachées et à redonner une voix à ceux qui en ont été privés. On étudiera par quels dispositifs formels ses récits constituent un contre-pouvoir contre le discours dominant des régimes autoritaires, totalitaires ou démocratiques. En dernier lieu, on analysera la dimension pragmatique d’une écriture qui prétend transformer la réalité, pour saisir le degré de visibilité de son discours littéraire et de sa présence médiatique, ainsi que la façon dont ses romans sont perçus par la critique littéraire. On cherchera enfin à esquisser les typologies du lecteur véhiculées par le récit, que ce soit pour les légitimer ou pour les rejeter. / As a novelist, essayist, and former general secretary of the Asociación Colegial de Escritores de España, Andrés Sorel (Segovia, 1937) is best known for his anti-Franco activism. To this day, he has published fifteen novels and a considerable number of essays. Since the nineteen sixties, all his work has been written under the sign of commitment, which may partly explain his side-lining from the editorial market. This thesis aims at analyzing how his intellectual disagreement with the dominant ideology is built up in his novelistic production. We will attempt to define the outlines of commitment, whether through his part as an intellectual, in its most controversial aspects, or through the characteristics of his committed writing, in its textual and pre-textual dimension. We will also analyze how the markers of commitment develop in the construction of the narrator, his characters and temporality. By always paying equal attention to the ideological content and its shaping, Sorel conceives writing as an exercise of rehabilitation of the memory of the vanquished, thus becoming a part of – and in a certain way launching – the "novel of the memory" which has dominated the literary panorama of Spain for the last two decades. It is therefore a matter of analyzing the dialectical tension that is played out between a fictional narrative and a method that uses factual elements, especially experimenting. Through the plurality of literary testimonies, Sorel’s texts seek to bring out the hidden truths and give a voice to those who have been deprived of it. We will study the formal devices through which his stories establish a counter power against the dominant discourse of authoritarian, totalitarian or democratic regimes. Lastly, we will analyze the pragmatic dimension of a writing style that claims to transform reality, in order to grasp the degree of visibility of its literary discourse and its media presence, as well as the way in which his novels are perceived by literary criticism. We will finally try to outline the reader types conveyed by the story, whether to legitimize or to reject them.

This diploma thesis is based on the bachelor thesis Chodské nářečí ve třech generacích. It expands on the topic of the "chod" dialect from the works of Jindřich Šimon Baar aswell as contemporary authors. The basis of this work is formed by a comparison of the current spoken form of the dialect with the dialect's version from the 1950s and comparison of the dialect stylization in Baar's books with todays stylization. The aim is to examine the evolution of the "chod" dialect's stylization and spoken form. This thesis is based on the hypothesis of a slowly disappearing dialect in all aspects and searches for evidence of this occurrence. Basis for the theoretical part are findings about Jindřich Šimon Baar, his life and his work. Furthermore the current knowledge about dialects with a focus on the southwestern dialect "chod". No less important is the part examining text stylization. The practical part is based on the language analysis of Baar's books partly written in a dialect in comparison with books of contemporary authors. And also comparison of audio recordings of the dialect with recordings from the archive of Jindřich Jindřich.

O trabalho realiza um percurso interpretativo de parte da obra do poeta Armando Freitas Filho (1940) ancorado no acompanhamento da questão apresentada como a da \"dificuldade da escrita\". Seu principal objetivo é caracterizar o modo como o autor articula discurso metapoético e discurso de abertura à experiência, por meio da análise de diferentes momentos de figuração da escrita. Para tanto, seu primeiro capítulo é dedicado à investigação da fase de formação do poeta, enquanto um segundo capítulo é consagrado à análise detida do livro que publicou em 1982, longa vida. / The study proposes an interpretative itinerary through part of the poet Armando Freitas Filho\'s work, grounded on the observation of a question presented here as: the \"difficulty of writing\". Its principal aim is to characterize the way by which the author articulates metapoetic speech and experience-oriented speech, through the analysis of different moments in which figurations of writing are carried out. Its first chapter is dedicated to the investigation of Freitas Filho\'s formative period, whilst a second chapter is consecrated to a close reading of longa vida, published by the author in 1982.