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No description available.

<p>Abstract to be made available soon.</p>

Recent development of implicit measures has enabled researchers to investigate the relation between implicit attitudes and automatic behaviours. Among these measures, the implicit association test (IAT: Greenwald, McGhee Schwartz, 1998) is one of the most widely used measures of implicit attitudes. However, recently, Olson and Fazio (2004) demonstrated that the IAT is contaminated by ???extrapersonal associations??? and suggested that the personalized version of the IAT is less influenced by these associations. In this paper, we demonstrated that the extrapersonal associations reflect cultural norms and predict meaningful behaviour. In Study 1, we found that the traditional IAT is predicted by both the personalized IAT and our cultural norm IAT. In Study 2, we found the cross-cultural differences in the implicit cultural norms. Finally, in Study 3, we demonstrated that the personalized IAT and normative IAT both predict behaviours among European-Canadians and Asian-Canadians. Thus, our studies provide evidence of predictive validity for the cultural norm IAT.

The Adventures ofMetaMan: The Superhero as a Representation ofModem Western Masculinity (1940-2010) is a practice-based research project. The aim of this research project is to develop interactive works of art that interrogate superhero narratives and representations of male identity, with the potential to relate to the experiences of relevant users in educational environments. At the current stage of the project, young men aged 11-14 in the English school system are a possible target audience. The work of art takes the form of interactive software written in Adobe Flash, with additional visuals created by myself in Adobe Photoshop, Adobe lllustrator and through traditional pen-and-ink drawings. The conceptualisation, development and execution of both software and content took place over a three-year period. While numerous literary and artistic references were employed in order to actualise this work, the software's visuals and words were entirely self-created. The work's original contribution to knowledge is found in the project's form. In combining the platform of digital media with the artistic styles and narrative themes of the superhero genre of comic books, the project explores the subjects of heroes and masculinity and has the potential to help its target audience to understand that the definition of masculinity is always in a state of flux. As evidenced by the historical texts, studies of visual culture, gender, and media representations of heroes and men that were referenced to develop the software, different types of men, ranging from the civil rights activist of the 1960s to the macho action movie star of the 1990s and significant representations of masculinity between these decades have been regarded as hero figures at different points in time. The conc~pt of masculinity is fluid and reliant upon a variety of factors such as current events, cultural trends, politics, economics and popular culture and this is reflected in the evolution of the superhero in Western mass media. The MetaMan project showcases the impact that heroes and role models have and the way that art can echo culture and society. It can provide a fully interactive experience that places modern masculinity into the context of the user's life and circumstances, adapting to each user. The software is accompanied by a written component detailing the reasons for its form and potential audience, the artistic process necessary to create it, an account of a pilot scheme conducted with 120 male students aged 11-14 in the English school system and the further applications and plans for the future stages of the MetaMan project.

This research is a biography. It follows the creative and working life of Peter Lanyon, an artist born in 1918 in St Ives, as he painted landscapes of his home county, Cornwall, and his travels abroad. Here I open up a dialogue between the biographical and geographical, exploring a path between past and present, using material objects alongside memories and narratives affected by those objects. I explore material, embodied and sensuous relationships between landscape, history and biography and look towards how land, sea and air are animated and animating, forging other forms of geographical knowledge. Lanyon’s work is conceived as ‘creative practice as research’. I work through the connective spaces between land, air and sea as Lanyon describes them in terms of his own movements, as politically expedient in thinking through spaces and times, bodies and places in terms of feminist ideas of sexual difference and elemental philosophies. As such I contribute to the debate on emotional and affectual geographies and explore the relationships between life and earth in a historically and temporally specific way. What is practiced, where it is practiced, can not be separated from how it is shaped, communicated and received. Breaking down notions of solid and fluid, mind and body, implicated in hierarchies of knowledge and practice, masculine and feminine is the over arching theme arising from Lanyon’s work as it is practiced and, taking impetus from Lanyon, within this project too.

No description available.