Abstract The area, for the socio-cultural center with townhall, is located in the Brno-Kohoutovice district next to the Libušína třida bus stop. It is surrounded by apartment blocks, shops and services. Libušína třida provides easy access to the transport systém. The piece of land is located to the forest. The building comprises three main spaces ( the townhall, a multi-purpose hall, socio-cultural center), which are all interconnected and are directly and easily accessible to a car park. There is a public space in a form of an open square, which generates a pleasant atmosphere for leisure breaks and social activities. The aim is to protect a green image of a district and create an environmentally friendly building.

Las bibliotecas en la actualidad han perdido importancia en la sociedad donde se demuestra que, de acuerdo a la UNESCO, la deficiencia en su rol puede afectar directamente al desarrollo intelectual de las comunidades. Por tal motivo, es necesario que sean revitalizadas como el edificio público más importante de la ciudad que alberga aprendizaje, información y cultura, uniendo a personas de todas las edades y contextos. La propuesta integral que se presenta es la creación de la nueva Biblioteca Municipal en Villa María del Triunfo, uno de los distritos más poblados y con mayor población escolar y universitaria de Lima Metropolitana. El proyecto busca la creación de espacios y paisajes de aprendizaje para lograr que la Biblioteca cumpla un rol activo en el desarrollo educativo del distrito y la ciudad. La investigación ha sido dividida en el marco conceptual, normativo, e histórico, estudio de usuario, de programa, de lugar, expediente urbano y criterios de diseño. Estos capítulos han sido desarrollados con el fin de alcanzar una propuesta que satisfaga el objetivo principal de promover la interacción de usuarios en las distintas fases de aprendizaje dentro de la Biblioteca, a través del impacto arquitectónico y urbano del proyecto, contribuyendo al desarrollo educativo de pobladores en cualquier etapa de su vida. Se concluye así que, al brindar una oportunidad de desarrollo a personas a través del acceso a espacios de aprendizaje y a información, con un equipamiento diseñado para este objetivo, se puede lograr un cambio significativo en una ciudad. / Libraries today have lost importance in the society where, according to UNESCO, the deficiency in their role can directly affect communities' intellectual development. For this reason, they must be revitalized as the most important public building in the city that houses learning, information, and culture in one place, uniting people of all ages and from all backgrounds. The integral proposal presented is creating the new Municipal Library in Villa María del Triunfo, one of the most populated districts in Metropolitan Lima with the largest young population. The project seeks to create learning landscapes and spaces to ensure that the Library plays an active role in the district's educational development. The research is divided into the conceptual, normative, and historical framework, as well as user study, program, location, urban file, and design criteria. These chapters were developed to reach a proposal that satisfies the main objective of promoting user interaction in the different learning phases within the Library through the architectural and urban impact of the project, contributing to residents' educational development at any stage of their life. Thus, it is concluded that a significant change in a city can be achieved by providing an opportunity to people for growth through the access to information and learning spaces. / Tesis

The Monaco shore extention project consists of few housing resorts, floating breakwater, commertial zones and a harbour. The largest and most complex is the Skyscraper resort on an artificial semifloating island in the middle of a lagoon between the shore and the floating breakwater. Its main purpose is housing which is situated to several floors of the base ring, to the white wings protruding from the skyscraper and to the skyscraper itself. There is also a hotel for 500 visitors in this structure as well as the visitors center, observation platform, technical support, wellness and fit centrum. The resort is accesible via two main connecting streets – one going from the Hercule harbour, second comming to the resort from the main Monaco roundabout next to the Fairmont hotel. Traffic is than in front of the skyscraper redirected either to the hotel frontyard or to the underground parking wings for visitors, or to the parking zones for residents or to the supply zones. Other functions the resort offers are 2 commertial promenades on the gound and 2np floors accesible from the perimetr of the island’s harbour, other commertial zone is more to the the middle of the island, where the visitor, cultural, wellness and restaurant centers are also situated. The cultural multipurpose center accompanies cinema, theater and exhibition features as well as the School of fine arts. For the residents themselves the resort features several facilities – endless swimming pool, the chapel, relaxation pools, 2 parks and all the facilities accessible also for visitors. The island is constructed as semifloating – partly supperted by large piles and coissons, partly floating. Energetic selfsufficience is provided by desaltation plant, solar fotovoltaic plant, energetic piles and gray water treatment plant.

Main goal of this work is architectural and urban solution of cultural center at Kopřivnice. Design is working with partial demolition of original structure, which brings four separated buildings and creates new public space in the city center.

El distrito de Rímac es considerado por la UNESCO como Patrimonio Cultural de la Humanidad desde 1991, debido a su alta contribución con la identidad peruana y la tradición que se mantiene por sus calles en cuanto a su arquitectura. A pesar de esto, no se le da la importancia debida ya que las calles se encuentran en abandono. Ante esta problemática, este estudio contribuirá a darle una solución mediante actividades culturales y sociales, que integren la zona que actualmente no cuenta con espacios públicos. El diseño arquitectónico peruano de centros culturales no ha evolucionado acorde a las tendencias globales, es por eso que se analizarán la evolución tipológica y de énfasis proyectos, con lo cual se logrará obtener un listado de ambientes preliminar. Se considerará el énfasis en el reciclaje industrial, lo cual se viene haciendo desde siglo XIX, por ejemplo, en Europa. Se analizarán el público objetivo, así como las características de cada uno de los usuarios, lo cual permitirá conocer al mismo cuantitativa y cualitativamente. Luego, se harán esquemas donde se muestre la correlación entre los usuarios y los ambientes del centro; así como la elección del terreno, donde se detallarán los criterios de selección y se elegirá al mejor. Finalmente, se analizará el terreno elegido a detalle y se procederá a crear criterios de diseño que serán los principios básicos en cuanto a énfasis y tipología para diseñar el Centro Cultural de Rímac con énfasis en reciclaje industrial. Se espera que este proyecto ayude de herramienta a que los diseñadores y todos los involucrados a la identidad peruana. / The district of Rimac is considered by UNESCO as Cultural Heritage of Humanity since 1991, due to its high contribution to Peruvian identity and the tradition that is maintained by its streets in terms of its architecture. Despite this, it is not given due importance since the streets are abandoned. Given this problem, this study will help to provide a solution through cultural and social activities that integrate the area that currently does not have public spaces. The Peruvian architectural design of cultural centers has not evolved according to global trends, which is why the typological evolution and emphasis projects will be analyzed, with which a preliminary list of environments will be obtained. The emphasis on industrial recycling will be considered, which has been going on since the 19th century, for example, in Europe. The target audience will be analyzed, as well as the characteristics of each of the users, which will allow them to know the same quantitatively and qualitatively. Then, schemes will be made showing the correlation between users and the center's environments; as well as the choice of the land, where the selection criteria will be detailed and the best one will be chosen. Finally, the terrain chosen in detail will be analyzed and design criteria will be created that will be the basic principles in terms of emphasis and typology to design the Rimac Cultural Center with an emphasis on industrial recycling. This project is expected to help the designers and everyone involved in the Peruvian identity as a tool. / Tesis

Made available in DSpace on 2016-04-27T19:31:57Z (GMT). No. of bitstreams: 1 Tese Mirna Busse Pereira.pdf: 1362238 bytes, checksum: f1e7b493d0c7dd3cfd270cf5b1325e40 (MD5) Previous issue date: 2005-05-25 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / For the purposes of this study, which is to examine how culture was thought and treated in several moments of the city's life, within the XX century, I decided to investigate how the municipal government of São Paulo treated its actions and cultural projects. All this was done keeping in mind the significance of each one of them. The first moment deals with the process of planning and building the Municipal Theatre of São Paulo, that was done in the beginnings of the XX century and its solemn opening in 1911. Another one of the moments was the proposal and implantation of the Cultural Departament, in the second half of the 1930's. In the last one it was my purpose to examine the process of establishing the Municipal Cultural Secretary and the Cultural Center of São Paulo in the years of 1975 to 1982. In each one of these moments I tried to present my reflections about the way how culture was thought and the projects were presented to the city as well as the actions of municipal government marked all the cultural activities for the city of São Paulo. In each one of these moments I tried to follow different dimensions presented as cultural and also the mode how they were treated in everyday life of the municipal government in order to understand its significance, the changes and permanencies in the cultural life of the city. / Para a realização deste estudo, visando examinar o que se entendeu por cultura e como ela foi tratada em momentos diversos, investiguei as ações e projetos culturais realizados pelo governo municipal de São Paulo, em três momentos distintos e dotados de características próprias da vida da cidade, dentro do século XX. O primeiro momento estudado refere-se ao processo de criação do Teatro Municipal de São Paulo, que se deu no início do século XX, culminando com sua inauguração em 1911. O outro momento foi o da criação e implantação do Departamento de Cultura, na segunda metade dos anos de 1930; e, por último, acompanhei o processo de criação da Secretaria Municipal de Cultura e do Centro Cultural São Paulo, que se deu entre os anos de 1975 a 1982. Em cada um desses momentos busco refletir sobre o modo como a cultura foi entendida, os projetos que foram propostos para a cidade; bem como, reflito acerca das práticas através das quais os responsáveis pelo governo municipal concretizaram diferentes projetos e atividades culturais na cidade paulistana. Busco acompanhar, em cada um dos momentos, as diversas dimensões que foram entendidas como culturais, a maneira como elas foram tratadas no cotidiano administrativo municipal; assim como, as atividades culturais que foram realizadas, a fim de refletir sobre seus possíveis significados e as mudanças e permanências ocorridas na vida cultural da cidade paulistana.

Avec d’une part les bouleversements de l’ordre mondial après la chute du système bipolaire, avec d’autre part et de manière corrélative l’extension considérable des échanges internationaux, le développement sans précédent des moyens de communications et la mondialisation économique (touchant évidemment aussi le domaine culturel), la fin du XXe siècle a inauguré une nouvelle donne dans les relations culturelles internationales qui revêtent désormais une signification capitale et, jusque-là, inédite. Dans le nouveau contexte mondial les relations culturelles internationales se sont attribué de nouveaux enjeux : elles ont pour objet non seulement la diffusion de la culture nationale en direction de la communauté internationale, mais aussi une impérative, voire vitale résistance aux dangereuses conséquences de la mondialisation, grâce au développement du dialogue interculturel et à l'affirmation des différentes cultures. Sous l'influence de ces nouveaux enjeux, les États du monde ont été obligés de réviser leur conception de la politique culturelle internationale et de perfectionner leur diplomatie culturelle nationale.Cette thèse de doctorat a pour objet la politique culturelle internationale de la France et de la Russie, que l’auteur étudie à travers le prisme des relations culturelles intergouvernementales franco-russes de 1991 à 2004. L’étude du renouveau du système des relations culturelles bilatérales après l’effondrement de l’Union soviétique tend à répondre à trois séries de questions, sur le plan national, mais aussi sur le plan des relations bilatérales et multilatérales (russo-européennes) :• quelle place la politique culturelle internationale a-t-elle prise dans la nouvelle conception nationale de la politique étrangère en France et en Russie ? quels sont les objectifs et les priorités de la France et la Russie concernant les relations culturelles internationales ? et quels sont les instruments dont la France et la Russie se sont dotées pour leur réalisation dans le contexte actuel de la mondialisation ?• quelle place les relations culturelles bilatérales ont-t-elles prise respectivement dans la conception de la politique culturelle internationale des deux pays ? quels sont les objectifs et les moyens de coopération culturelle bilatérale ? quels sont les résultats du renouveau des relations culturelles bilatérales ? et, finalement, comment peut-on caractériser les relations culturelles contemporaines franco-russes ?• quels sont les enjeux des relations culturelles franco-russes en vue de l’évolution de la relation Russie/Union européenne élargie ? et quelles sont les éventuelles perspectives de leur développement ? / On the one hand, together with the global disruptions following the end of the bi-polar political system and on the other hand and in close correlation with the considerable extension of the international exchanges, the unprecedented development of the means of communication and the economic globalization (obviously with regard to the cultural field), the end of the 20th century has launched a new deal in international cultural relations which now take on a major meaning which has remained unprecedented. In this new global context, the international cultural relations have set themselves new goals: they now not only aim at the circulation of the national culture towards the international community but also appear as an urgent even vital resistance to the dangerous impact of globalization, thanks to the development of intercultural dialogue and the affirmation of the different cultures.Under the influence of these new objectives, the world states have been forced to review their conception of international cultural policies and improve their national cultural diplomacy.This thesis mainly deals with the international cultural policies of France and Russia and its author focuses on Franco-Russian intergovernmental cultural relations from 1991 until 2004. The study of the renewal of the bilateral cultural relations after the collapse of the Soviet Union aims at answering three sets of questions, from a national perspective but also on bilateral and multilateral relations (Russo-European that is)• What place have the international cultural policies of France and Russia held in the new national conception of foreign affairs in France and Russia? What are the objectives and priorities of France and Russia as regards to international cultural relations? And what are the instruments used by France and Russia for their achievement in the current global context?• What place have cultural bilateral relations taken respectively in the conception of the international cultural policies of both countries? What are the goals and means used in the cultural bilateral cooperation? What are the results of the renewal of bilateral cultural relations? And finally, how can we characterize the contemporary Franco-Russian cultural relations?• What is at stake in the Franco-Russian cultural relations with a view to the evolution of the relation between Russia and the extended European Union? And what are the potential perspectives in their development?

This diploma thesis presents a project documentation for construction of a community centre with a restaurant. Its construction site is located on the outskirts of town Jaroměřice nad Rokytnou, Poděbradova street. The building is composed from three parts, which are connected to each other. The first part houses the restaurant with its facilities. This part is a single floor structure covered by a flat green roof. Its façade is formed by white boards composed into an asymmetrical pattern. The second part serves as a backstage area where all the necessary facilities are located. This second part of the building is as the first part a single floor structure covered by a flat green roof. Its façade is formed by façade timber boards. The main entrance is located in the middle part, which is the third part the building. It has two floors and it houses an auditorium, a bar and amenities. Its façade is formed by trapezial boards. The construction system is formed by load bearing walls and by prestressed concreted floor panels or in some parts by cast-in-place reinforced concrete slabs. The building has strip foundations. Its interior walls are built from sand-limestone bricks with acoustic properties. The perimeter walls are covered with ventilated façade with mineral wool thermal insulation. The heating of the community centre is powered by gas boiler connected to single-vent chimney with ventilation shaft.

The main task of the diploma thesis is to use the open areas between the streets Stefanikova, Reissigova, Sportovni and Pionyrská in Brno for creating a multifunctional urban structure with the appropriate functions. Diploma thesis is based on the urban-architectural design created in the previous semester project. Thesis closely addresses the proposed multipurpose building between the streets Stredni a Stankova. In the object is located school of arts, cultural and leisure center, restaurant, café, music club and rentable units. Under the building are designed collective garages.

The main objective of this thesis is the description and complex evaluation of the functioning of the Cultural House Rubin in Brno Žabovřesky in the context of the neighborhood and the city, and create a strategy for its further development. Thesis deals with marketing of culture and describes the functioning of the House of Culture, its program and service offerings, visitors and defines its position within the city. It also contains characteristics of major competitors in the cultural context and sets hypotheses for the practical examination.Research part consists of quantitative research - in the form of a survey among the target audience. The conclusion contains a summary of findings from the theoretical part and practical research and their incorporation into the overall marketing strategy of Community Centre Rubín in Brno.