The works of Philip K. Dick act as an ideal template for readers to explore what it means to be human in a technologically dominated world. Dick’s emphasis on the usage of androids and artificial intelligence as literary monsters allows for a posthuman reading of the traditional literary monster, notably in how their uncanny nature and behavior helps reveal the synthetic tendencies of humanity. In Do Androids Dream of Electric Sheep?, “Imposter,” and “I Hope I Shall Arrive Soon,” each narrative incorporates artificial intelligence and androids acting as others to reveal the machine-like qualities of Dick’s human characters. This approach ultimately reveals Dick’s greater commentary on the nature of humanity’s tendencies to fall into machine-like patterns and expectations within the historical world. By asking questions of what it means to be human through posthuman monsters, Dick challenges the traditional definition of what it means to be both human and alive.

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Moby Dick! The Musical is a comedic parody based on Herman Melville's 1955 classic novel Moby Dick about a madman who seeks revenge on the great white whale that crippled his body and consumed his spirit. The thesis role I have chosen is "Starbuck", the ship's first mate. If this were a dramatic telling of the classic tale, my role would be considered an absurdity for the sure-known fact that Starbuck is a male character. However, since Moby Dick! The Musical is a spoof that features a play within a play, many, if not most, of the roles are being played by women (teenage school-girls to be exact). These roles are known as "trouser roles," and this tradition stems back to the 17th Century. The term refers to a male character sung by a woman (mezzo). It is also referred to as a "breeches part" or in Italian, "travesti". This will be my first trouser role experience. Before today, I hadn't given the concept much thought in relation to musical theatre. These roles generally live in works ranging from Shakespeare to early operetta, and most important, Opera. This thesis role will allow me to log a personal experience in journal form and experience those challenges and rewards that transpire from a live performance. My research will include the history of the "trouser role," including famous performers, specific roles in shows, and the effect it has had on audiences over the years. My main concern, however, is when, where, why, and how the concept made its transition to musicals. It will also be interesting to see what genres these roles are generally written for. Are they all parodies like Moby Dick! The Musical or are there a few dramas thrown into the mix? There will surely be a long list of shows that include the "lady in drag". When all is said and done, I will have a wealth of information in an educational thesis that will prove the significance of an ever-transforming concept.

My study utilizes ecocriticism, eco-Marxism, and posthumanism to discover how the sympathetic practices of both reading and ecology provide us with what I call an oiko-logic. Specifically, I read Jonathan Swift’s Gulliver’s Travels, Laurence Sterne’s Tristram Shandy, Herman Melville’s Moby-Dick, and John Williams’ Butcher’s Crossing. In Gulliver’s Travels we see Gulliver as an ecological threat in every journey, and Swift says that this is because we forget ourselves and deliberately choose to not attune—sometimes even choosing destruction. For Swift, we bungle things no matter which system we try, and we create degenerative devolution despite the fact that we can help. Sterne’s fundamental ecological question is how people and the entities they dwell with (living and non-living) have real interactions—which means considering domestication’s bilateralism. Humans and animals can interact beneficently in Sterne’s work, and individualism becomes oiko-logically untenable since calculations of value and affordability must include others. In Moby-Dick the whale’s values are more moral than Ahab’s, and through comparisons available in the text of Moby-Dick we begin to see inside Melville’s eco-values to the impact of a heroic animal agency as Moby-Dick follows his values—while our conscience hangs in crooked corridors. In Butcher’s Crossing and representations of buffalo slaughter, correlative human-animal experiences of thirst, ferality, and slaughter are contrasted with western bison hunters on the plains and aliens in such a way that the alien is between humanity and itself. In oiko-logic, literature and ecology share a sympathetic practice similar to the Native American sensibility of Mitakuye Oyasin: “all my relations.”

The hospitality industry has focused on increasing customer satisfaction by offering services that are generally described as flawless, courteous, and friendly. Dick's Last Resort restaurants, however, are distinguished by intentionally staged erroneous, obnoxious, and rude services that nevertheless provide a unique experience for customers. This unconventional service theme might work for some customers but not for others. This study focuses on exploring the factors that lead to customer satisfaction and dissatisfaction at Dick's Last Resort restaurants. In addition, customer satisfaction levels are examined according to gender and location. Using the modified critical incident technique, 518 online reviews were analyzed through a categorization process. The results of this study suggested that "overall theme experience" and "employee performance" are the most important factors in determining customer satisfaction and dissatisfaction. However, the findings suggest that there is no satisfaction rate difference by customers' gender and restaurant's location. The study's limitations and managerial implications for future research are discussed.

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Ce travail porte sur l'utilisation d'un système d'enseignement dans le domaine de l'éducation physique. Le modèle utilisé a été développé par Robert N. Singer et Walter Dick. Le système est à la fois théorique et pratique en ce sens qu'il est fondé sur des théories, quant à la formulation de ses éléments, et est également applicable à des situations d'enseignement concrètes. Le premier chapitre décrit le système de Singer et Dick. Il s'articule ainsi: identifier les objectifs généraux; construire la hiérarchie d'apprentissage; identifier les pré-requis; définir les objectifs spécifiques; construire les tests, définir les stratégies d'enseignement; choisir les média; choisir ou développer les matériaux pédagogiques; conduire l'évaluation formative. Le deuxième chapitre est une application pratique du système à l'enseignement de certaines habiletés en badminton. Ces habiletés sont d'abord d'être capable d'exécuter le service au cours d'une partie, et ensuite d'être capable d'appliquer les règles du badminton en situation de jeu. Tous les éléments théoriques présentés au premier chapitre sont appliqués à chacune des deux habiletés. Ce travail conclut avec des suggestions pour une étude expérimentale plus approfondie. L'auteur suggère l’utilisation du processus d’évaluation formative pour déterminer l’efficacité du matériel d’apprentissage Développé. / Québec Université Laval, Bibliothèque 2015

This paper analyzes the blurred boundaries between human and artificial intelligence in Philip K. Dick’s novel Do Androids Dream of Electric Sheep. A postmodern theoretical and critical approach that employs Jean Baudrillard’s concepts of simulacra and hyperreality and Jaques Derrida’s deconstructive theory provides the conceptual framework for the analysis. The primary focus is on the main character, Rick Deckard, as he grapples with identity, ethics, and the very nature of humanity in a world where androids are indistinguishable from humans. The essay identifies two focus points in the novel. The first analyzes and deconstructs the real versus artificial (human/android) dichotomy in the book and shows how isreconstructs the essence of identity and reality. The second focus point is the novel’s portrayal of empathy, supposedly a defining human trait and yet one mimicked by androids so well that it is practically useless as a criterion for distinguishing androids from humans. The conclusion drawn by this analysis is that Rick Deckard and the characters he meets may indeed illustrate Baudrillard’s hyperreality, depicting a world where humans are willfully stunting their own emotions and autonomy, lost in the false reality that society has constructed. Furthermore, the ethical dilemmas raised by playing God with life, even if it is artificial, align with Derrida’s deconstructive views of how non-binary all life is. This is especially seen in the contrasting depictions of Rachael (android) and Resch (human). Derrida’s views on humanity’s dissimulation of the cruelty of its exploitations, justified by humanity’s own parameters for what is deemed right and wrong, is also seen in Deckard’s moral struggles and the cruelty androids must endure as described by Rachael. This is lastly compared and contrasted with the contemporary development of AI and its potential dangers, shedding light on ethical considerations. While the AI available to us today is far from the kind of artificial intelligence Dick presents in the form of androids, it is, perhaps, not too soon for us to begin considering the moral and ethical implications now so that should the day come, we will be ready and avoid the crisis humanity has fallen into in Do Androids Dream of Electric Sheep.

Ce mémoire étudie la façon dont Herman Melville élève la baleine blanche au rang d'une Idée platonicienne, faisant d'elle la métaphore de la mort. Sous le prisme du Phédon de Platon et de La mort de Jankélévitch, nous analysons le roman comme une allégorie, longue réflexion sur le rôle de la littérature et de la mémoire pour parvenir à transcender la mort. Si Achab est condamné dès le début à errer sur l'océan dans une quête métaphysique à la recherche de la Vérité, c'est finalement Ishmael qui, en devenant narrateur, parvient à survire au désastre. Unique rescapé, c'est parce qu'il a côtoyé la mort de près qu'il peut la faire entrer dans le récit et ainsi raconter l'inénarrable.

This Master’s thesis deals with optimization of loading patterns of nuclear reactors VVER. In the thesis is described the process of both types of fuel cycle – the closed and the open one. The middle part of fuel cycle containing the optimization process represents the crucial part of the thesis. The thesis is focused on the fuel cycles of the nuclear power plant Dukovany. The problem of the optimization is solved by using different programs. In the final part of the thesis, the program Athena for the loading patterns optimation is explained by a practical calculation for different versions of Moby-Dick macrocode and the calculated values for the optimization of the third unit of the nuclear power plant Dukovany are compared.