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This dissertation examines one of the most significant theological shifts in the Rastafari movement: the transformation of the Rastafari deity, His Imperial Majesty Emperor Haile Selassie I, from Jah in the flesh to the spirit that dwells within the body of each Rasta. Although the belief that Rastas are participants in the divinity of Jah emerged early in Rastafari, it was not until Selassie’s death in 1975 that the theological assertion of Jah dwelling within their bodies as the spirit emerged. Despite the initial claim made by some of the early Rastas that their bodies are the dwelling place of Jah, the notion of Jah as indwelling the spirit remains undertheorized, thus leading to an inadequate view that Rastafari is tenuously an African-derived religion. The aim of this dissertation, therefore, is to make visible the notion of Jah as spirit by focusing on how Rastas conceptualize and ritualize the process of Jah becoming a part of their bodies. The dissertation proposes divine envesselment as a central theoretical and conceptual framework to understand the Rastafari belief that their deity Jah becomes a permanent part of their bodies, thereby imbuing them with divine power, authority, and identity to resist the oppressive state Babylon. By formulating a theory of divine envesselment to account for the indwelling of Jah within the body, this study highlights the social, cultural, and theological factors that enabled Rastas to deify Selassie, continue to proclaim him as God after his death, and distinguish themselves from the oppressive neocolonial state through their ritualization of Jah spirit and power. The study uses an African-centered epistemological approach to argue that the Rastafari belief that Jah dwells within them is not only an embrace of the spirit but an ethos rooted in the history of contestation and creative friction within the Afro-Caribbean religious field. Furthermore, an African-centered epistemology locates the process of divine envesselment (Jah becoming the spirit that dwells in flesh) within the social, material, intellectual, and symbolic world of African people on the continent and in the diaspora. The study asserts that the logic, structure, and nature of Rastafari as an African-derived religion with a conception of spirit become evident when examined through an African-centered epistemological lens. / Religion

Divine Words is an adaptation of the play Divinas Palabras by Ramon del Valle- Inclan. In this paper, I hope to outline my design process as well as give insight into the development of a new theatrical work. I want to outline my journey from the beginning with the development of the script, the process of designing the show, and then implementing that design. Designing the costumes for this production required creating characters that both aided in telling the story as well as reflected individual character. I designed twenty-eight looks for fourteen actors that took into consideration time period, socio-economic status, plot, and characterization. This production was set in the depression era dust bowl of the American Midwest. To reflect this in my designs I performed thorough research from books and Internet sources on the historical period as well as the clothing of time. I utilized photographers such as Dorothea Lang and Arthur Rothstein to further inform my understanding of the people that inhabited this time and place. I then utilized this research to give depth and distinction to the characters in the play. This culminated in a unique design that added to this artistic experience about desperation and hope that is Divine Words. / Theater

Hazing in collegiate settings, both Greek and non-Greek, damages educational institutions’ reputations and creates liability as they seek to maintain the safety of their students. This study examines hazing activities that take place during the initiation process of Black Greek Letter Organizations (BGLOs). Utilizing qualitative research, it provides insight into the motivations of undergraduates who participate in BGLO hazing initiation rituals. Using National Pan-Hellenic Council (NPHC) and Pennsylvania State Law definition of hazing, this study focuses on an underexamined population generally overlooked by researchers in this field. Examining BGLO members’ familiarity with hazing prior to taking part revealed three levels of awareness: not aware, moderately aware, and very aware. Participants also indicated what kinds of dangers they were aware of, how they became aware of such dangers, and other facets of hazing they knew about prior to their participation in the activity. Members chose to join an organization where they believed hazing existed due to various factors: Confidence & Past Success, Intrapersonal Benefits, Societal Benefits, Perceptions of Hazing, Personal Relationships, Compatibility, Lack of Options, and Following Traditions. BGLO members’ willingness to undergo hazing sprang from the following factors: Long-term Benefits, Validation, The Bonds of Initiation, Personal Relationships, Acceptance, Perceptions of Hazing, Explanatory Justification. Finally, participants in this study indicated five roles that hazing plays in the initiation process of BGLO: Producing Better People, The Cycle of Re-Creation, Organizational Benefits, Validating Membership and Not Worth It. This project highlights the failure of higher educational institutions to play a key role in protecting students, specifically BGLO members, from the dangers of hazing and offers remedies for that oversight, including anti-hazing policies, hazing support services, membership intake processes, and fraternal organization advisement implications, as well as areas for future research on this topic. / Educational Leadership

This thesis is a study and description of the process of designing the scenic elements of Saying Grace by Robert Smythe, an adaptation and translation of the play Divinas Palabras by Ramón María del Valle-Inclán written for Temple University Theater. The body outlines the process the author took in researching and developing the concept for the play, finalizing the design with the director of the piece, and completing the actual drafting and artwork necessary to realize said design. It also details the actual construction of the scenery, properties, and puppet elements, discusses the final product and offers self-evaluation. Plates of the drawing and drafting, and photographs of the scale model and final production accompany this work. / Theater

Recent literature seems to have opened up space for naturalistic theistic metaethics in a contemporary context, as proponents of divine command theories have tended to be restricted to either supernatural or theistic non-natural theories within existing taxonomies of normative theory. While perhaps encouraging for theists, would theism add anything substantive to theories of ethical naturalism? In this paper, I examine this question. I argue that theistic naturalism appears to incur certain objections as well as provide a plausible and explanatory constraint on content for theories of ethical naturalism. As a result, a corresponding challenge to non-theistic variants is raised. / Master of Arts / Realists, roughly summarized, are those metaethicists who believe that some moral propositions have truth values, that some (or at least one) of those propositions turn out to be true, and that if rational agents disagree on the truth value of a particular moral proposition, only one of them has the possibility of being correct. Broadly construed, moral realists tend to fall under one of two “tents”, preferring either naturalism (for which moral properties turn out to be wholly natural in constitution) or non-naturalism (which posits that at least some moral properties have, even if only partly, non-natural constituents as part of their make-up. Theists, who base their theories of morality on some facet of the nature or essence (or commands) of God, have tended to either be relegated in philosophical debate to a characterization of “supernaturalism” or to some seldom visited corner of the non-natural “tent” of moral realism. The former tends to limit theistic engagement in contemporary metaethical dialogue such that it can seem (at times) as if theists and non-theists are talking about two different subjects entirely. On the other hand, a non-naturalistic theory of theistic moral realism saddles the view with some fairly difficult metaphysical and epistemological baggage in the form of powerful objections levied against non-naturalistic theories in general. This paper explores another option for theism in light of very recent work by Gideon Rosen, namely his article examining the metaphysical implications of varieties of moral realism, particularly naturalistic ones. This article has already garnered a general characterization (within metaethical research, writ large) as being a “taxonomy” of naturalistic (and non-naturalistic, for that matter) theories. Specifically for my purposes here, Rosen suggests that divine command theory (and theistic metaethics in general) should be understood as being naturalistic in formulation. This would seem to be advantageous to theists, in that their metaethical theories might avoid either the bounded characterization of supernaturalism or the difficult challenges of non-naturalism. However, the theist, should she avail herself of naturalism in this regard, will need to tread carefully. Given that Rosen has couched his 'taxonomy' in terms of metaphysical grounding, I examine some resultant challenges for naturalistic theistic metaethics, concluding they can be overcome, as well as a related objection to non-theistic naturalism that arise as a result of the same grounding discussion coupled with the resources theists can leverage in a naturalistic context.

This thesis, A Place of Worship, began with particular ideas for the architectural programme. A site was sought in which green design could be implemented for passive solar and water usage. It became apparent that a more important understanding was to be gained: How does an architect touch a site that already has amazing beauty and spiritual voice? Through this work, the answers to this question were lived-out. / Master of Architecture