Thèse (D. en histoire de l'art)--Université du Québec à Montréal, 2005. / En tête du titre: Université du Québec à Montréal. Bibliogr.: f. 273-289. Publié aussi en version électronique.

Thesis (D.M.A.)--University of North Texas, 2008. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 7, 2005, Mar. 20, 2006, June 5, 2006, and Nov. 5, 2007. Includes bibliographical references (p. 80-83).

Zugl.: Canberra, Univ., Diss.

Thesis (doctoral)--Rijksuniversiteit te Groningen, 2004. / Cover title. Includes bibliographical references (p. 157-171).

Problemformulering: Det amerikanska valet år 2016 har gått till historien. Det stod mellan två oväntade kandidater, Hillary Clinton som var USA:s första kvinna att kandidera till president. Den andra kandidaten var Donald Trump, en framgångsrik affärsman utan politisk bakgrund. Segrare blev Donald Trump, vilket förbluffade världen. Presidenten började sin första dag med att kritisera medier för att dem ska använda sig utav “Fake News” när det publicerar nyheter. Det är presidentens begrepp “Fake News” som lade idén för vår studie. Syfte: Studien ämnar undersöka huruvida Svenska Dagbladet och Dagens Nyheters utformning och gestaltningar i nyheter framställs och därmed presenteras för medborgarna samt huruvida de två valda tidningarna framställer President Trump. Metod och material: En kvantitativ innehållsanalys har genomförts bestående av totalt 40 analysobjekt från Svenska Dagbladet och Dagens Nyheter. Huvudresultat: Nyheters logik och berättartekniker, nyheters beskrivande innehåll samt nyheters utformning utgör i samverkan med varandra, i större och mindre utsträckning, en god grund för hur individer väljer sin informationskälla och uppfattar verkligheten. Dessa skapar även förutsättningar för mediernas betydelse i samhället och vilken påverkan de har på individer i samhället. Utan medialiseringen och nyhetsvärderingen tenderar gestaltningen i nyhetsrapportering inom politik att bli intetsägande. Vidare är de politiska aktörerna och medierna beroende av varandra och samspelet mellan varandra för att fånga uppmärksamheten hos individer i samhället.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Psicologia, Programa de Pós-Graduação em Psicologia Clínica e Cultura, 2015. / Submitted by Fernanda Percia França (fernandafranca@bce.unb.br) on 2016-02-05T17:31:08Z No. of bitstreams: 1 2015_IsadoradeAssisBrasil.pdf: 3254863 bytes, checksum: 7b3caae769b9ad1bdd2409a16d14ccfe (MD5) / Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2016-02-05T18:02:36Z (GMT) No. of bitstreams: 1 2015_IsadoradeAssisBrasil.pdf: 3254863 bytes, checksum: 7b3caae769b9ad1bdd2409a16d14ccfe (MD5) / Made available in DSpace on 2016-02-05T18:02:36Z (GMT). No. of bitstreams: 1 2015_IsadoradeAssisBrasil.pdf: 3254863 bytes, checksum: 7b3caae769b9ad1bdd2409a16d14ccfe (MD5) / Essa pesquisa examina as ligações entre os conceitos de identificação projetiva e de transicionalidade, com base nas obras de Melanie Klein e Winnicott sobre as experiências precoces. Começa pelo estudo do conceito kleiniano de identificação projetiva, focado sobre seu aspecto intrapsíquico. Em seguida, contemplando-se os desenvolvimentos clínicos que conduziram à evolução histórica desse conceito, essa pesquisa chega ao seu entendimento enquanto um processo interpsíquico. Subsequentemente, busca-se relacionar a identificação projetiva às contribuições de Winnicott acerca do desenvolvimento emocional primitivo, detalhando a sofisticada forma como uma mãe se identifica com seu bebê, e as influências disto para o estado de preocupação materna primária. Finalmente, apoiado nas convergências e divergências entre Klein e Winnicott, costura-se o argumento de que a identificação projetiva, aliada à transicionalidade, favorece o movimento pendular que configura um funcionamento psíquico dinâmico e saudável. / This research examines the links between the concepts of projective identification and transitionality, based on the works of Melanie Klein and Winnicott about early experiences. It starts by studying the kleinian concept of projective identification, in its intrapsychic focus. Afterwards, by contemplating the clinical developments that led to its historical evolution, this study arrives at the understanding of projective identification as an interpsychic process. Subsequently, it relates this mechanism to Winnicott’s contributions regarding the primitive emotional development, detailing the sophisticated way that a mother identifies with her baby, and how this can influence the state of primary maternal preoccupation. Finally, supported by the convergences and divergences between Klein and Winnicott, it sews the argument that projective identification, when allied with transitionality, favors the oscillating movements that configure a dynamic and healthy psychological functioning.

This thesis argues that Barthelme's major 1985 essay "Not-Knowing" contains within its title Barthelme's central artistic idea, and that not-knowing informs both the subject of his fiction and his philosophy of art. This study will be the first critical treatment of Barthelme that positions his work from beginning to end in terms of the dimensions of not-knowing that came out of his own reading in psychology, art theory, philosophy, religion, and education, offering coherent readings of content and suggesting the ways in which content relates to form. The Introduction explores the origins of Barthelme's ideas of not-knowing, paying special attention to the influence of Mallarmé, Joyce, and Beckett on Barthelme's first characterisations of not-knowing, creativity, and reception. The first chapter gives an in-depth reading of Come Back, Dr. Caligari (1964), Barthelme's first collection of stories. Though Barthelme had not yet begun to formally theorise his ideas of not-knowing, they were already latent in Come Back, Dr. Caligari's characterisation of psychological experience, specifically in relation to anxiety, boredom, and interpretation. The second chapter looks at the ways in which Harold Rosenberg’s theories of the visual arts, and especially collage, which Barthelme encountered while co-editing Location magazine with Rosenberg in the early 1960s, address form and not-knowing, and how Barthelme treats these issues in Unspeakable Practices, Unnatural Acts (1968), City Life (1970), The Slightly Irregular Fire Engine (1971), Sadness (1972), Guilty Pleasures (1974), and Amateurs (1976). The third chapter shows how Barthelme's university studies in 19th century philosophy, especially Kierkegaard in The Concept of Irony (1841) and Kierkegaard's treatment of Schlegel in that treatise, inform his concern with irony, both in theory and practice, in City Life (1970), Great Days (1979), and Overnight to Many Distant Cities (1983). Chapter Four argues that Kierkegaard's theories of education and religion in Either/Or (1843) and The Present Age (1846), as well as the contemporary incarnation of Dewey's ideas of progressive education, both had a profound influence on Barthelme's ideas about the way a society is educated into knowingness, the artist's aspiration toward not-knowing, and the validity of religion in the postmodern world. The conclusion to the thesis reexamines the Introduction's argument about literary influence through a brief reading of The Dead Father (1975). Barthelme is recognised as one of the most important American postmodernist writers, and yet there has been relatively little critical treatment of his oeuvre. The major books that address Barthelme's work, which include Jerome Klinkowitz's Literary Disruptions: The Making of a Post-Contemporary American Fiction (1975) and Donald Barthelme: An Exhibition (1991), as well as Alan Wilde's Horizons of Assent (1981) and Stanley Trachtenberg's Understanding Donald Barthelme (1990), belong to a two-decade span of classifying writers such as Barthelme, Thomas Pynchon, Robert Coover, and John Barth using a limited set of ideas about postmodernism that were interesting as theory at the time, but did little to explore the actual literary, philosophical, and aesthetic content and contexts of these writers' works (with the possible exception of Pynchon). This thesis aims to rescue Barthelme from now-hackneyed ways of talking about postmodernism, which include lumping various aesthetic techniques under the rubric of "metafiction," claiming that the era's sole interest is in surface at the expense of depth, and that the dependence upon clichés is a deliberate expression of artistic exhaustion.

This project formulates an original psycho-cultural approach by studying the cultural and therapeutic value of Gok Wan’s makeover series How To Look Good Naked. Through an in-depth application of Donald Woods Winnicott’s object relations psychoanalysis to the textual narratives of the makeover show, and by developing a viewing method that derives from psychoanalytic training on observation, this thesis offers an account of the affective impact of Gok Wan’s popular makeover phenomenon. This thesis addresses key themes and elements that signal the evolution of British makeover television and identifies how Gok Wan’s format and strategies chime with what has widely been hailed as a particularly ‘therapeutic’ moment in popular culture. The emblematic features of Gok Wan’s rendition of the makeover format highlights its potential positive outcomes by examining the articulation of current embodied feminine subjective experiences, in order to interrogate the complex relationship between postfeminism and therapeutic discourse. This thesis recognises that the therapeutic opportunity of Gok Wan’s method lies in the transformational process by creating emotionally constructive spaces where the articulation of experiences leads to inner self-discovery. Playful mechanisms of creativity are central to Gok Wan’s empathetic approach to working with participants to enable transformation, reflecting a number of key themes in object relations psychoanalysis and its understanding of self-experience. The opportunities afforded to participants for self-interpretation create a useful platform to reflect on Gok Wan’s role, who has been candid about the parallels between his own emotional experience and that of his participants. Psychoanalytic models of transference and countertransference indicate how this dynamic challenges dominant notions of the makeover expert as omnipotent. This project demonstrates the value of object relations psychoanalysis for critical interventions in the field of media, cultural and feminist studies in order to provide a deeper understanding of the affective impact of makeover television in shaping notions of subjective experience.

CAVALCANTE, Carlos Magno Gurgel. Toyotismo e educação: um exame da influência do modo de produção e gerenciamento de mercadorias na categoria de reflexividade em Donald Schön. 2006. 90f. Dissertação (Mestrado em Educação) – Universidade Federal do Ceará, Faculdade de Educação, Programa de Pós-Graduação em Educação, Fortaleza-CE, 2006. / Submitted by Maria Josineide Góis (josineide@ufc.br) on 2012-07-03T17:45:27Z No. of bitstreams: 1 2006_Dis_CMGCavalcante.pdf: 389284 bytes, checksum: 64f80a14087d7f0b840b0f909dc9a0e5 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-04T12:01:55Z (GMT) No. of bitstreams: 1 2006_Dis_CMGCavalcante.pdf: 389284 bytes, checksum: 64f80a14087d7f0b840b0f909dc9a0e5 (MD5) / Made available in DSpace on 2012-07-04T12:01:55Z (GMT). No. of bitstreams: 1 2006_Dis_CMGCavalcante.pdf: 389284 bytes, checksum: 64f80a14087d7f0b840b0f909dc9a0e5 (MD5) Previous issue date: 2006 / Esta dissertação analisa a possível influência do modelo de gerenciamento e produção de mercadorias, conhecido como toyotismo, no pensamento educacional do professor estadunidense do MIT – Donald Schön. No desenvolvimento do processo procura-se, tangencialmente, analisar a razão de como essa influência se concretiza. Diante da necessidade de encontrar um referencial teórico que permeasse a pesquisa, achou-se por bem utilizar outra categoria marxista que favorecesse a análise de como uma maneira bem específica de produzir bens poderia ser assimilada em nível filosófico. Para tanto adotou-se a noção do Bloco Histórico (situação histórica global) cunhada por Antônio Gramsci. Após uma breve análise da atual crise do capital, suas causas, conseqüências e respostas, passa-se, então, a analisar a estrutura do toyotismo: sua origem, suas peculiaridade e a análise da possibilidade de sua ocidentalização. Segue-se a isso uma análise dos argumentos de Donald Schön sobre a questão da reflexividade, tanto em relação ao profissional reflexivo quanto ao professor reflexivo. Isso se dá pelo entendimento de que ele funda uma única categoria e a aplica nas duas situações. Conclui-se com uma análise dos pontos principais levantados e discorridos no texto.

Made available in DSpace on 2014-06-11T19:35:04Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-09-23Bitstream added on 2014-06-13T20:45:51Z : No. of bitstreams: 1 alves_amp_dr_assis_parcial.pdf: 80389 bytes, checksum: f2431c257fe889c6d94071e6f3d1a8b2 (MD5) Bitstreams deleted on 2015-06-22T12:53:56Z: alves_amp_dr_assis_parcial.pdf,. Added 1 bitstream(s) on 2015-06-22T12:54:49Z : No. of bitstreams: 1 000730070_20150923.pdf: 71349 bytes, checksum: cf912be527563cbedf080f09e12e64aa (MD5) Bitstreams deleted on 2015-09-24T12:18:17Z: 000730070_20150923.pdf,. Added 1 bitstream(s) on 2015-09-24T12:19:00Z : No. of bitstreams: 1 000730070.pdf: 598860 bytes, checksum: e5faf71bebacf48f1b148b6d1e4c46e1 (MD5) / O jogo se configura numa das mais antigas atividades humanas. Repleto de significados foi incorporado na linguagem, na arte, na religião e na cultura em geral. Seus estudiosos se estendem pela Filosofia (WITTGEINSTEIN, 1958; HUIZINGA, 1991; SCHILLER, 1995), História (ARIÈS, 1978; CAILLOIS, 1958), Teoria da Comunicação (POSTMAN, 1994), Antropologia (GEERTZ, 1989; MALINOWSKI, 1978) e inevitavelmente pela Educação e Psicologia. Embora nos reportemos com freqüência as demais ciências, nosso trabalho se insere numa tradição psicológica. Buscamos nas teorias do psicólogo russo Lev Vygotsky (1896-1934) e do psicanalista inglês Donald Winnicott (1896-1971) uma alternativa para a compreensão do jogo infantil e seu significado na produção da subjetividade. Partimos da apresentação dos autores e suas respectivas biografias intelectuais, detalhando suas concepções de indivíduo, sujeito e meio (social, ambiental e cultural), para em seguida explorarmos conceitualmente zonas de sentido entre suas teorias. Na direção metodológica encaminhamos a discussão a partir da Epistemologia Qualitativa desenvolvida por Gonzalez Rey, criando zonas de sentido entre as concepções de ambiente e jogo infantil. Diante da morte precoce de Vygotsky e a consequente interrupção das suas pesquisas sobre o jogo, buscamos nas teorias dos seus alunos e colaboradores - principalmente Leontiev e Elkonin - os princípios ontogenéticos do jogo infantil complementares à explanação vigotskiana. Defendemos que uma teoria do jogo infantil deve buscar origens nas relações sociais mais primitivas do indivíduo, bem como no uso mais precoce que este faz dos objetos. Tais relações foram amplamente detalhadas por Winnicott na sua teoria dos fenômenos e objetos transicionais e acreditamos que podem ser relevantes para a compreensão do jogo protagonizado, tal qual desenvolvido por Elkonin e Vygotsky / The game is set in one of the oldest human activities. It was full of meanings embedded in language, art, religion, and culture in general. His scholars extend the Philosophy (WITTGEINSTEIN, 1958; HUIZINGA, 1991; SCHILLER, 1995), History (ARIÈS, 1978; CAILLOIS, 1958), Communication Theory (POSTMAN, 1994), Antropology (GEERTZ, 1989; MALINOWSKI, 1978) and inevitably for Education and Psychology. Although we refer frequently to other sciences, our work is part of a psychological tradition. We seek theories of the Russian psychologist Lev Vygotsky (1896-1934) and the English psychoanalyst Donald Winnicott (1896-1971) an alternative to the understanding of children's play and its significance in the production of subjectivity. We start from the presentation of the authors and their intellectual biographies, detailing their conceptions of individual, subject and the environment (social, environmental and cultural), then to conceptually explore areas of meaning between their theories. Following toward a methodological discussion, we discuss the Qualitative Epistemology developed by Gonzalez-Rey, creating zones of meaning between the concepts of environment and children's game. Given the early death of Vygotsky and the consequent disruption of their research into the game, we turn to the theories of his students and collaborators - mostly Leontiev and Elkonin – with the principles ontogenetic children's game, a complementary explanation to Vygotsky’s theory. We argue that a theory of children's play should seek origins in more primitive social relations of the individual as well as the earlier use of objects that he makes. Such relationships have been widely detailed by Winnicott in his theory of phenomena and transitional objects, and we believe may be relevant to understanding the game played in children, as it was developed by Eldkonin and Vygotsky