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11	Hur Dostoevskij fick sin stjärna på Hollywood Boulevard : Adaption, dialogicitet och kronotop i Fёdor Dostoevskijs Spelaren och Robert Siodmaks Allt eller intet Christensen, Henrik January 2013 (has links) No description available. Adaption dialogicitet kronotop Fёdor Dostoevskij Spelaren Robert Siodmak Allt eller intet Fjodor Dostojevskij Specific Languages Studier av enskilda språk
12	Transpozice románu do divadelní a následně filmové podoby / Transposition of the novel into theatrical and than to film adaptation Nucová, Magdalena January 2016 (has links) This thesis examines the semiotic rules and processes of the transfer of the original novel into a theatrical script, and then into screenplay of the film, with practical examples from the novel The Karamazov Brothers by F. M. Dostojevskij, screenplay Karamazov of author Evald Schorm and the film script by Petr Zelenka. It focuses on the processes of dramatization, shows communication models and compares mainly text form of screenplays. Keywords: Semiotics of Theatre, Semiotics of film, The Brothers Karamazov, Dostojevskij, transposition, drama
13	Stavrogins lockelse : Om orientering och desorientering i Dostojevskijs Onda andar / The attractive Stavrogin : On orientation and disorientation in Dostoevsky's The Possessed Egermo, Anna-Corinne January 2015 (has links) This essay aims to explain the attraction toward the main character Stavrogin that the other characters experience in Dostoevsky's The Possessed, his great novel from 1871. I will mainly employ the terms “orientation” and “disorientation” in my analysis of Stavrogin's power of attraction. The theory used for this reading is principally inspired by Sara Ahmed's Queer Phenomenology – Orientation, Objects, Others (2006), and the meaning I attach to the terms “orientation” and “disorientation” is derived from Ahmed's use of them. Ahmed's queer phenomenology helps us to reflect upon how Stavrogin functions as a point of orientation in the novel. This makes him a demonic influence on the other characters, in the sense that he disorientates them. The Possessed asks us what happens when we “lose our way”, and confusion as well as disorientation is a general theme of the novel. This topic has been raised before, but few have connected the demonic disorientation with the underlying unconventional desires, such as Peter Verchovensky's desire for Stavrogin. In this essay I attempt to show how Stavrogin can be thought of as a “new” orientation for the other characters, and how their following him causes them to follow lines that lead to destruction. Queer phenomenology orientation disorientation attraction life lines the straight line Stavrogin Dostoevsky Sara Ahmed The Possessed The Devils Demons queer fenomenologi orientering desorientering begär livslinjer Stavrogin Dostojevskij Sara Ahmed Onda andar
14	Téma manipulace v literatuře / Manipulation in Literature Brožová, Ladislava January 2014 (has links) The theme of this diploma thesis is the manipulation in literature as a dialog between the I and the You or the I and the It. This I has a different position in each of the two types of manipulation. In the first type the I is the subject of manipulation - that is a manipulator. In the second one the I becomes the object of manipulation - thus a victim of a manipulator because the power over the I has been overtaken by other character's consciousness. The I and the You type is represented by an outside dialog (between characters), whereas the I and the It type is demonstrated in an inside dialog which does not occur between the hero and another character but between the hero and a voice of other character's consciousness. The opening part which deals with the manipulation in different contexts (philosophical, political and psychological) is followed by a part where I interpret the manipulation's representation in literature, especially in the works of Dostojevskij (The Double, The Village of Stepanchikovo, Notes from Underground, The Eternal Husband). With the characters of this author we can view the dark side of the human mind and also have a close look at various forms of arbitrariness, especially at the manipulation with the others.
15	České překlady románu Tereza Raquinová É. Zoly / Czech translations of Thérèse Raquin by Émile Zola Lukášková, Agáta January 2017 (has links) This thesis compares four Czech translations of the novel Thérèse Raquin by the French writer Émile Zola. The introduction is focused on the source text and its author. Then the thesis deals with the reception of Thérèse Raquin in the Czech culture and refers also to its entry on the Russian cultural scene. The second part of the thesis is focused on an analysis of the Czech translations. This analysis considers the background in which each text was produced, especially from the point of view of time, and it aims to describe not only the language aspects of each translation, but also the global approach of the translator.
16	Vliv Dostojevského myšlení na teologii smrti Boha / Dostoevsky's Influence on the Death of God Theology Kuthan, Robert January 2021 (has links) This dissertation deals with Dostoevsky's influence on Death of God theology. This is a comparative study that clarifies this influence against the background of how Dostoevsky's work was read and interpreted by some representatives of Dialectical theology. This study follows those themes of Dostoevsky's work which both theologies focus on and analyzes how they are interpreted within each theology. Both receptions of Dostoevsky are then compared not only against one another, but also against the original context of Dostoevsky's work. KEY WORDS: Dostoevsky, death of God, Death of God theology, Radical theology, Dialectical theology, Neo-orthodoxy, Altizer, Barth, Thurneysen, Hromádka
17	Analýza trestněprávní terminologie v českých překladech vybraných románů F.M. Dostojevského / Analysis of Criminal Terminology in the Czech Translations of Selected Dostoyevsky's Novels Tymofeyeva, Alla January 2018 (has links) (in English): This thesis focuses on a review of the criminal terminology in the Czech translations of five novels by F. M. Dostoevsky. The paper covers the following novels: 1) Crime and Punishment; 2) Demons; 3) Notes from the House of the Dead; 4) The Brothers Karamazov and 5) The Idiot. The main objective of the manuscript is to analyze the legal terms in these novels and to ensure accurate translations into the Czech language from a legal and linguistic perspective. These findings may be of significant assistance in future translations of these Dostoyevsky's novels into Czech. Analýza trestněprávní terminologie v českých překladech vybraných románů F. M. Dostojevského Analysis of the Criminal Law Terminology in the Czech Translations of Selected Dostoyevsky's Novels ALLA TYMOFEYEVA Vedoucí práce: PhDr. Stanislav Rubáš, Ph.D. Praha 2017
18	Nietzsche a Dostojevskij. Idea nadčlověka / Nietzsche and Dostojevsky. Idea of superman Hrybkova, Katsiaryna January 2011 (has links) Present thesis aims at revealing both touching points and different points of departure in Nietzsche's and Dostoevsky's concept of superman by using so called philosophical- anthropological approach to the questions matter. It takes into account not only complete context of oeuvre of both authors but also wider cultural and historical context of their time. Basic point of departure of this thesis is expectation of crucial position of man in the oeuvre of Nietzsche and Dostoevsky as well, both understanding man as essentially defined as free to choice. Analysis of characteristics defining essence of man leads after to elaboration of idea of superman - conclusion of final judgement of human beings' essential characteristics and visions of future principle of man. Having closely analysed particular landmarks on the way from man to superman in the form of particular types of relations to each person's being and freedom - last man, upper man and superman (or common and exceptional man) - we are arriving to systematic comparison of motif of superman in the thinking of both authors, to associated concepts (negative and positive freedom, suppression of nihilism and so on) and finally to its general meaning. KEY WORDS F. Nietzsche, F. M. Dostoevsky, superman, freedom, nihilism, upper man, last man, will to...
19	Motiv trestu a viny v povídkové a dramatické tvorbě Františka Langra / Theme of Guilt and Punishment in Stories and Dramatic of František Langr in Domestic and Global Context Krsková, Kateřina January 2016 (has links) The thesis describes the evolution and variances in the motive of crime and punishment throughout prosaic and dramatic works of František Langer. After an introductory reflection on crime and punishment the thesis deals with an analysis of Doskojevskij's novel "Crime and Punishment" which had a large impact on Langer's conception of these terms. It also outlines an image of crime and punishment in Czech literature at the turn of the 19th and 20th century, which might have influenced Langer. The first part also tries to clarify how these motives were evolved in author's incipient work. It follows up prose collections "Gold Venus" and "Dreamers and Murderers". The second part is focused on the refined and often very complicated form of crime and punishment in Langer's dramas "Saint Wenceslas", "Periphery", "Camel through Eye of a Needle", "Reversal of Ferdyš Pištora", "Angels among us" and "Seventy-two" and tries to grasp and characterize it.
20	Sen o pozemském ráji v Dostojevského dílech / Dream about the Paradise on Earth in the Work of Dostojevskij Netopilová, Barbora January 2013 (has links) The dream about an earthly paradise, rediscovery of an original, absolutely harmonic paradisal life is, in Dostoevskij's opinion, one of the deepest and the most valuable dreams of the human heart. The spiritual course of any human being has its own history, it is born from thesis (babtism), goes through antithesis (crises) and finishes in synthesis (beauty). A man comes from the Eden Paradise and aims at heaven. So, a man in course of his spiritual life is in a real split into two paradises: the Eden Paradise from which he is coming from and the Kingdom of God where he is aiming at. The midpoint of the life course is accompanied by a crisis, that can also be described as separation from the the paradise. The characters of novels by Dostoevskij failed due to the fact, that they were not able to admit their presence between two "paradise states" and so their ideas about earthly paradise establishment were being corrupted. In our piece of work we are going to follow four trends: 1. Time corruption, incorrectly understood sense of history. The tendency to return back where a man came from, in an origenestic, cyclic interpretation of a comeback is apparent in a story The Dream of a Ridiculous Man. Another extreme shows marxism ideas going around Europe which deny both the importance and the sense of...

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