To refer to the origin of taarab as a direct importation of Egyptian music by the Arab upper class (Topp 1994:153) is a plausibility without solid evidence. To define it as a style of music played for entertainment at weddings and other festive occasions all along the Swahili Coast (153) is to exclude other styles of music, indeed played for entertainment at weddings and other festive occasions all along the Swahili Coast. To say that taarab contains all the features of a typical `Indian Ocean music`, combining influences from Egypt, the Arabian peninsula, India and the West with local musical practices (153) is apparently true but does not adequately capture the ambiguities and complexities of its protean nature. Refening to taarab as the Swahili popular `salon` music whose song may be recorded or, as often is the case, orally transmitted (King`ei 1992:29) is misleading, for taarab is not always `salon` music and the method and process of creating and transmitting a song in taarab is not the same as that of other forms of African music. To state that taarab has transcended its local Swahili boundaries to be consumed in other communities including other cities in East and Central Africa (Ntarangwi 1998: 150) is a valid statement from a point of view of media, change and spread, but still leaves out a lot to be said. Taarab, like so many complex living things, refuses to be thrust into neat bags or squeezed into terse all-embracing definitions. It is an ongoing process whose form(s) are amorphous, assuming different structures, roles, functions and epithets triggered by a number of factors. That notwithstanding - whatever forms, role and function taarab exhibits at different stages, its making consists of five major components or processes: the composition of the lyric, the composition of musical patterns, the extemporized performance of its song, instrumentation and audience.

As a subject of scientific interest `Western` comics (i.e. the European, American, Japanese comics) have after all achieved some recognition. From its beginnings in the 1890s the comic has been an economic success, and gradually gained importance in the contemporary cultural production of `Western´ societies. However, only with a development that finally met the tastes of a `Western´ intellectual readership, scientific treatment of comics became academically acceptable. Compared to the Western market, the production of comics in Africa is negligeable, and therefore its scientific reception almost nonexistent. This article, however preliminary, for the first time takes interest in an African comic, specifically the comics in Swahili, as a subject of its own right. Under the guise of discussing the question given in the title on two levels, I intend to present as much material as possible (without stretching copyrights too far), to give a short introduction to the theory of the comic, and to raise the reader´s interest for the Swahili comic. The first level of discussion focuses on a global perspective. Here I take a more theoretical stance, concentrating on the comic as a narrative medium, reflecting its inventory of representation and questions of reading. My main question is: What does the Swahili comic do that other comics do as well? The second level focuses on the local perspective. I look at the setting in which the comic occurs, i.e. Swahili- speaking, urban East Africa, and take into consideration the cultural embedding of the medium: What can the comic do in East Africa that other media or gemes of cultural expression (music, tv, literature, painting, theatre, etc.) do not or can not do? What is new about the comic in East Africa?

In this paper, I invoke a sociolinguistic approach to complement the historical record in order to examine the use of the word utumwa itself as it has changed to reveal distinct class and gender connotations especially in northem Swahili communities. To explore utumwa is difficult. There is no consensus with regard to what the word and its derivatives mean that applies consistently, yet it is clear that there has been a meaning shift since the nineteenth century. This paper examines the construction and transformation of a non-Westem-molded form of service in Africa. Oral traditions and terminological variation will be brought to bear on an analysis of utumwa `slavery, service` as an important concept of social change in East Africa and, in particular, on the northern Kenya coast What this term, its derivatives, and other terms associated with it have come to mean to Swahili speakers and culture bearers will be seen to mirror aspects of the history of Swahili-speaking people fi-om the 1Oth-11th century to the present.

In the last two decades, Swahili chronicles have been thoroughly re-evaluated by historians of the East African coast, and their usefulness as historical sources subject to serious doubt and criticism. Typical of this new attitude were the words of Gill Shepherd: `Such chronicles are less objective histories than annotated pedigrees of a single ruling lineage`. Given such a perspective, the question may be asked whether the chronicles are a suitable guide to the search for historical identities of coastal societies.

Bachelor's thesis. / Format: PDF. Bibl.

Thesis (Ph. D.)--University of California, San Diego, 2003. / Vita. Includes bibliographical references (leaves 308-334).

No description available.

The maintenance of German colonial rule in East Africa depended on a strong military presence. The Kaiserliche Schutztruppe fur Deutsch Ostafrika was established to meet this need, but financial and political constraints dictated that this force be manned by an African rank and file. Initially, most of the African recruits came from outside of the colony, but, as time passed, the Germans began recruiting from a few specific ethnic groups in the colony. / The relationship between the African soldiers and their German employers yielded military successes for the new colonial government and, by extension, an enhanced status for the soldiers themselves. Over time, the Africans within the Schutztruppe distanced themselves from other Africans in the colony and began to develop separate communities at the government stations, which in turn fostered the growth of an askari group identity. The interests of these communities became inextricably linked to the German presence in the region. The development of this relationship helps to explain the askaris' support of the German campaign against the British during the First World War.

Although macroalgae usually are inconspicuous on pristine coral reefs, they often thrive on reefs that are subjected to various types of anthropogenic disturbance. This thesis consists of five papers and investigates how biomass and composition of macroalgal communities on coral reefs are affected by regulating factors, such as nutrient availability, herbivory, substrate availability and hydrodynamic forces. In addition, ecological functions and potential impacts of both wild and farmed macroalgal communities are evaluated. Paper I describes a method for using macroalgal tissue nutrient concentrations as bioindicator for nutrient availability, with the possibility to map nutrient loading from larger coastal cities. Papers II and III are manipulative studies comparing top-down and bottom-up regulation of macroalgal communities, where herbivore consumption seems to be the main regulator of biomass whereas nutrient availability mainly influences community composition. Exclosure of large-bodied herbivores had a positive influence on algal biomass in both studies, and during different climatic periods. Paper III also includes the influence of hydrodynamic forces on algal community biomass and structure by comparing a reef crest and a back reef-habitat. Alterations of top-down and bottom-up regulation generally had a stronger effect within the protected back reef-habitat, suggesting that such environments may be more sensitive to anthropogenic influence. Paper IV confirms the general conclusions from papers II and III by studying macroalgal biomass and composition on reef sites with different environmental prerequisites. This study also supports the notion that herbivorous fish can suppress accumulation of macroalgal biomass if substrate availability is low, but not where coral cover is reduced and plenty of substrate is open to macroalgal colonization. The study also found a large temporal variation of macroalgal standing stock and associated nutrients at sites with low top-down regulation. Paper V evaluates potential impacts of seaweed farming on coral reefs and nutrients in the seascape by experimentally studying growth, survival and nutrient binding capacity of Eucheuma denticulatum. This study showed that seaweed farms counteract eutrophication through nutrient extraction and that the risk of farmed algae colonizing local reefs seems to be small as they were rapidly consumed. In conclusion, the studies in this thesis contribute to the understanding of macroalgal regulation and function in tropical seascapes, thereby adding to the knowledge base for coastal management. / <p>At the time of the doctoral defense, the following papers were unpublished and had a status as follows: Paper 3: Manuscript. Paper 4: Manuscript. Paper 5: Manuscript.</p>

Although rather inconspicuous on healthy coral reefs, macroalgae form the basis of coral food webs. Today, macroalgae are generally increasing and many reefs undergo transitions from coral to macroalgal dominance resulting from e.g. enhanced nutrient loading or increased fishing. This thesis aims to investigate the relative importance of top-down and bottom-up regulation, and different herbivore types, on macroalgal distribution, fecundity and community composition on coral reefs. Papers I and II indicate that macroalgal abundance in a coral reef system is largely governed by top-down regulation through grazing by herbivores, while bottom-up regulation through enhanced nutrient availability rather influence algal species composition. Paper II also shows that these regulating effects are not as evident in an area with relatively strong water motion, suggesting that impacts of anthropogenic disturbance may be site-specific. Paper III shows that herbivory is an important factor influencing macroalgal growth and subsequent reproduction. Furthermore, Paper IV and V conclude that efficiency in removing macroalgal biomass is dependent on the type of dominant herbivore, where sea urchins seem to be more effective than fish. Paper IV indicates a seasonal variation in macroalgal biomass and distribution in a small geographic scale but with relatively high temporal resolution. Paper V on the other hand shows these same effects, but with a focus on geographic variation, including a large part of the East African region, as well as between year temporal variations in Kenya. Together, results from the two latter studies indicate that herbivory by fish may not be able to prevent a macroalgal bloom in a degraded system where substrate availability for algal colonization is high, but that it may still facilitate coral recovery over time. Thus, a large algal biomass may not necessarily indicate a reef beyond the possibility of recovery. / <p>At the time of the doctoral defense, the following papers were unpublished and had a status as follows: Paper 2: Accepted. Paper 4: Manuscript. Paper 5: Manuscript.</p>